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Dance with Me: The Best of Orleans
(2005)
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Orleans
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Super Hits of the '70s: Have a Nice Day, Vol. 25
(1996)
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by
Various Artists
The final 12-song set in this recap of '70s AM radio's biggest hits appropriately ends things with tunes from its last two years. Of course, things here aren't much better here than they were on the previous 24 volumes, unless you really dig Toby Beau's "My Angel Baby" or Maxine Nightingale's "Lead Me On." Michael Gallucci, All Music Guide
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Still the One
(1990)
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by
Orleans
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Sing Me Back Home
(2006)
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by
The New Orleans Social Club
Make no mistake, the title of this album, Sing Me Back Home, is about as literal as a title can get. In the wake of Hurricane Katrina many New Orleans residents found themselves scattered all over the country with little or nothing left of their homes to go back to, and this included any number of musicians, some of whom found solace and shelter ...
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Still the One & Other Hits
(2007)
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Orleans
Still the One & Other Hits does an effective job of chronicling the majority of hits by the soft rock band Orleans from the mid- to late '70s. While the two most familiar radio tracks, "Dance with Me" and "Still the One," are included, unfortunately "Love Takes Time" has been omitted. The 1997 Rhino compilation We're Still Having Fun: The Best of ...
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Dancin in the Moonlight
(2006)
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by
Orleans
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The Engine Room: A History of Jazz Drumming from Storyville to 52nd Street
(1999)
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by
Various Artists
The Proper label continues its stellar jazz box-set series with this mammoth four-disc survey of drummers from early jazz to bebop. Featuring a lavish booklet, detailed sessionographies, and extensive notes, Engine Room: A History of Jazz Drumming From Storyville to 52nd Street is perfect for jazz fans who often look right past blowing frontmen to ...
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Super Hits of the '70s: Have a Nice Day, Vol. 17
(1993)
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by
Various Artists
This mid-'70s volume (covering material primarily dating from 1974 through 1976) has a distinctly soft country-rock tone, characterized by Ian Thomas's "Painted Ladies" and King Harvest's timeless "Dancing in the Moonlight," broken by pop/rock successes such as "(I Don't Want to Love You But) You Got Me Anyway" by the Sutherland Brothers and ...
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We're Still Having Fun: The Best of Orleans
(1997)
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Orleans
We're Still Having Fun: The Best of Orleans is a comprehensive overview of the soft rock band's career, featuring no less than 20 tracks. Not only are all of their hits included ("Let There Be Music," "Dance with Me," "Still the One," "Reach," "Love Takes Time"), but so are overlooked singles and album tracks. Although it may contain too much ...
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The Sonet Blues Story: 1977
(2006)
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by
Snooks Eaglin with His New Orleans Friends
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Live [KRB]
(2007)
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by
Poco/Orleans
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Feel the Buzz: No Pain
(1998)
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by
Various Artists
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Knitting on the Roof
(1999)
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by
Various Artists
Knitting on the Roof is a compilation of various klezmer, jazz, and rock bands covering songs from the musical Fiddler on the Roof. It's a great album for fans of the musicians present, as well as a fun introduction for new listeners with irreverent sensibilities. There are heartfelt renditions found in the mix, such as the beautiful and tender ...
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The Complete Set: 1922-1925
(2001)
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New Orleans Rhythm Kings
1922-1925 Complete Set contains all that is essential from the New Orleans Rhythm Kings, arguably the finest small combo white jazz group of the early '20s. Comprised of Paul Mares on cornet, George Brunies on trombone, and Leon Roppolo on clarinet, along with a rotating rhythm section, the Kings specialized in energetic early Dixieland pieces. ...
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Only Love 1975-1979
(1995)
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by
Various Artists
Only Love 1975-1979 follows the pattern of JCI's Only Love series, offering a seemingly random collection of 20 hits from a given genre or style for a period of five years. These songs weren't necessarily the biggest hits of these five years, although there are a number of classics and smashes here. It may be hard to deduce exactly why these songs ...
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Creole Belles
(1994)
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by
New Orleans Ragtime Orchestra
Norwegian transplant Lars Edegran formed the New Orleans Ragtime Orchestra in 1967 to preserve some of the New Orleans music that he loved. The band has been going strong ever since, playing gigs from the New Orleans Jazz and Heritage Festival to the Satchmo Summer Fest. They specialize in ragtime music, of course, as well as waltzes, cakewalks, ...
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All Aboard, Vol. 2
(1965)
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by
Capt John Handy & His New Orleans Stompers
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Grace and Beauty
(1979)
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by
The New Orleans Ragtime Orchestra
Some people claim that ragtime, not Dixieland, was the first form of jazz, but most jazz experts disagree -- and rightly so. If you believe that improvisation is a fundamental part of the genre, you can't call ragtime jazz because it isn't improvisatory. Nonetheless, serious jazz historians should hear authentic ragtime because it influenced early ...
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Mama Don't Allow It
(2003)
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by
Wendell Brunious & The New Orleans Roof Jazzmen
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Big Kibosh
(1997)
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by
New Orleans Klezmer All Stars
What 3 Mustaphas 3 did for what might be called Eastern European trad-rock, the New Orleans Klezmer Allstars do for klezmer. With tongue firmly in cheek (but hand soundly on heart), the Allstars create a unique, funky brand of traditional Yiddish music. "A Viennese Freilach" is lively yet languid, but they pull out all the stops on "The Wedding ...
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16 Big Band Hits, Vol. 8
(1988)
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by
Various Artists
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Modern New Orleans Masters
(1998)
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by
Various Artists
This is an excellent budget compilation from Rounder, featuring modern New Orleans blues, soul, jazz, and funk. Even though some of the artists represented here have recorded for other labels over the years, Rounder has consistently championed excellent sessions from these key players in the Crescent City. Irma Thomas, the Dirty Dozen Brass Band, ...
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Hiball Lounge Sessions, Vol. 1
(1998)
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by
Various Artists
The HiBall Lounge Sessions, Vol. 1 is actually not a bad retro-swing sampling, mostly (but not exclusively) featuring artists performing classic material with both respect and a lively sense of fun. Present are Lee Press-On and the Nails ("Sing Sing Sing" and "Jumpin' Jive), Steve Lucky and the Rhumba Bums ("Daddy-O" and "Jumptown"), Lavay Smith ...
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Waking and Dreaming
(1976)
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by
Orleans
As with previous Orleans albums, Let There Be Music, from earlier in 1975, and the self-titled 1973 disc on ABC records, the majority of the music on Waking and Dreaming is from the pens of John Hall and Johanna Hall. "Still the One" was the big hit, its inverted Chuck Berry riff embracing a timeless sentiment every lover wants to hear: "We're ...
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Let There Be Music
(1975)
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Orleans
The first Asylum release by Orleans is an earnestly engaging, though diffuse collection of pop tunes in many flavors. Both the title track and "You've Given Me Something" are pure power-pop numbers; the former is an agreeably forceful and hook-filled electric guitar-based selection featuring an especially ardent vocal, while the latter song is a ...
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