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Mercy, Mercy, Mercy
(1995)
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by
Nat Adderley
Cornetist Nat Adderley's music has not developed much since his years with Cannonball Adderley, but the playing on this CD is of such a high level that one really does not mind. Adderley's chops sound better than usual for the period as he teams up with altoist Antonio Hart (who hints at Cannonball while giving the music his own approach), pianist ...
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The Riverside Records Story
(1997)
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by
Various Artists
The Riverside Records Story is essentially Orrin Keepnews' baby -- and why not, for the grizzled jazz producer/journalist co-founded the label, ran it from day one in 1952 until it suddenly went bankrupt in 1964, and produced almost all of the original sessions. Riverside's current custodians at Fantasy had Keepnews select and sequence four CDs' ...
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Work Song
(1960)
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by
Nat Adderley
This CD reissue brings back a near-classic by cornetist Nat Adderley. Utilizing a cornet-cello-guitar front line (with Sam Jones and Wes Montgomery) along with a top-notch rhythm section (pianist Bobby Timmons, Percy Heath, or Keter Betts on bass and drummer Louis Hayes), Adderley performs a fine early version of his greatest hit ("Work Song") and ...
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What Is This Thing Called Soul?
(1960)
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Cannonball Adderley with Nat Adderley
Cannonball Adderley's 1960 Quintet (with cornetist Nat Adderley and pianist Victor Feldman) was in top form during their tour of Europe. Norman Granz did not release the music heard on this CD until almost 25 years after the fact but the strong solos and enthusiastic ensembles had not dated nor faded with time. These versions of "The Chant," "What ...
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Naturally!
(1961)
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by
Nat Adderley
Most of the albums that Nat Adderley recorded in the '60s employed a saxophonist; Yusef Lateef, Joe Henderson and Charlie Rouse were among the tenor heavyweights he featured on his albums. But Naturally! is an exception to that rule. Produced by Orrin Keepnews for Jazzland in 1961, Naturally! was the cornetist's first album of quartet performances ...
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That's Right!: Nat Adderley & The Big Sax Section
(1960)
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by
Nat Adderley
Nat Adderley has seldom played with more fire, verve and distinction than he did on That's Right! It placed him in the company of an expanded sax section that included his brother Cannonball on alto, Yusef Lateef on tenor, flute and oboe, Jimmy Heath and Charlie Rouse on tenor and baritone saxophonist Tate Houston. Solos crackled, the backing was ...
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On the Move
(1982)
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by
Nat Adderley
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That's Nat Adderley
(1955)
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Nat Adderley
Early material from Nat Adderley. His pithy, pungent trumpet and cornet work is effective in a hard bop context, although his own work outside his brother's group has never seemed quite as effective. His backing group included Kenny Clarke in a non-Modern Jazz Quartet role, plus pianist Hank Jones, bassist Wendell Marshall, and Jerome Richardson ...
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Autumn Leaves: Live at Sweet Basil
(1990)
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by
Nat Adderley
Cornetist Nat Adderley is in excellent form on his live sextet set but he is somewhat overshadowed by his two altoists: Vincent Herring and especially the explosive Sonny Fortune. With pianist Rob Bargad, bassist Walter Booker and drummer Jimmy Cobb offering stimulating support, Adderley and his men perform a pair of lengthy standards (a 15-minute ...
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Sayin' Somethin'
(1966)
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by
Nat Adderley
Cornetist Nat Adderley was at the peak of his powers in the mid-1960's. This Atlantic issue has four quintet numbers with tenor-saxophonist Joe Henderson (three also feature pianist Herbie Hancock) plus four tunes in which Nat is part of an 11-piece group. He plays quite well on such songs as "Cantaloupe Island," "Hippodelphia," "Gospellete" and ...
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Much Brass
(1959)
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by
Nat Adderley
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Branching Out
(1958)
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by
Nat Adderley Quintet
Cornetist Nat Adderley's debut for Riverside (reissued on CD in the OJC series) was recorded about a year before he permanently rejoined his brother Cannonball Adderley's Quintet. Teamed with tenor-saxophonist Johnny Griffin and the Three Sounds (the popular soul jazz rhythm section comprised of pianist Gene Harris, bassist Andy Simpkins and ...
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Live at the Pleasure Island Jazz Company
(1994)
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by
Various Artists
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Live at the 1994 Floating Jazz Festival
(1994)
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by
Nat Adderley
Nat Adderley and his quintet (with altoist Vincent Herring, pianist Rob Bargad, bassist Walter Booker and drummer Jimmy Cobb) are heard on this double-CD in particularly fine form playing eight lengthy selections; all but "Mercy, Mercy, Mercy" are over nine minutes long. Herring often takes solo honors, the rhythm section (which includes two ...
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Blue Autumn
(1982)
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by
Nat Adderley
This '83 live set at the Keystone Korner was certainly an uneven, sometimes curious event. The opening number is a solo alto workout for Sonny Fortune, who seems to amble through midway before he becomes recharged by the end. The last track, "The Tallahassee Kid," fades out early and Adderley provides a run-down of band personnel until the disc ...
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Don't Look Back
(1976)
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by
Nat Adderley
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Jazz-Club: Trumpet
(1951)
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by
Various Artists
Even from using less-than-representative sessions in some cases, Verve was able to put together a credible trumpet primer for its Jazz-Club series. We hear, for example, Louis Armstrong from his later, relaxed mid-'50s encounters with Oscar Peterson on "You Go to My Head." There are two Miles Davis tracks, first as a staccato sideman with Charlie ...
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Atlantic Jazz: Soul
(1990)
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by
Various Artists
The Atlantic Jazz series continues with this slice of mostly '60s jazz-soul treats. Fittingly, the 11-track disc includes a side by one of the prime progenitors of soul, Ray Charles: He and MJQ vibraphonist, Milt Jackson, stretch out on the canonized "How Long Blues." Further expounding on the soul-jazz trajectory, the collection spotlights work ...
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Cosmic Grooves: Aries
(2001)
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by
Various Artists
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32 Gems from 32 Jazz
(1999)
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by
Various Artists
Taking material from the '60s through the '90s, mostly from the vaults of the Muse and Landmark imprints, 32 Gems From 32 Jazz is an excellent three-disc sampler of the mainstream jazz label's catalog holdings and a fitting celebration of its first three years of existence. Nearly every major straight-ahead jazz style from that period is ...
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You Baby
(1968)
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by
Nat Adderley
As Cannonball Adderley moved with the times in the late '60s, so did brother Nat on his own. While Adderley generally buys into Creed Taylor's A&M mixture of top-flight jazz talent, pop tunes and originals, and orchestrations packaged in bite-sized tracks, this album has its own pleasingly veiled yet soulful sound quite apart from its neighbors in ...
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Cosmic Grooves: Scorpio
(2001)
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by
Various Artists
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Cosmic Grooves: Capricorn
(2001)
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by
Various Artists
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Sayin' Somethin'/Live at Memory Lane
(1999)
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by
Nat Adderley
Cornetist Nat Adderley is in fine form on this compilation of three sessions originally released in 1966 and 1967. The earlier set, Sayin' Somethin', consists of arrangements for a small horn section and, more interestingly, some quintet performances with pianist Herbie Hancock and tenor saxophonist Joe Henderson. Adderley, with a tone variously ...
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Summer Jazz [32 Jazz]
(1999)
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by
Various Artists
It is true that "summer jazz" is such a vague concept that nearly any kind of jazz could fit the bill, but since Summer Jazz is released by 32 Jazz and produced by Joel Dorn, it's a virtual lock that it would be an entertaining album. It is, and a classy one to boot. Dorn rightly keeps things light, even when it's hard bop. Primarily, this is a ...
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