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All Mitch Ryder Hits!
(1967)
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Mitch Ryder
Greatest-hits packages sometimes can rob an artist of their wider focus, only zeroing in on the hits and not giving the true big picture. But this is one time when the hits and the subsequent singles fill the bill in an absolutely perfect way. Although many of these songs turn up on other Mitch Ryder albums, many of the versions included here ...
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Jukebox Hits of 1967, Vol. 1
(1999)
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Various Artists
Jukebox Hits of 1967, Vol. 1 collects some of the year's most memorable pop and rock hits, including the Monkees' "Daydream Believer," Aaron Neville's "Tell It Like It Is," Brenton Wood's "Gimme a Little Sign," the Left Banke's "Pretty Ballerina," and Leslie Gore's "California Nights." Songs by Gary Lewis & the Playboys, Dionne Warwick, Tom Jones, ...
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Rev-Up: The Best of Mitch Ryder & the Detroit Wheels [Rhino]
(1990)
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Mitch Ryder & the Detroit Wheels
Perhaps the most raucous White soul band of the 60s, Ryder and the Detroit Wheels scored a series of hits, 1966-1968, by souping up rock and R&B ravers to fever pitch. This is hard party music. William Ruhlmann, All Music Guide
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Billboard Top Pop Hits: 1967
(1995)
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by
Various Artists
One of the better Billboard Top Pop Hits collections, 1967 is nearly as scattered as some of the other volumes of the series but features so many classic songs that it still holds together as an album. Ranging from the mellow hippie pop of Scott McKenzie's "San Francisco (Be Sure to Wear Flowers in Your Hair)" and the Mamas & the Papas' "Dedicated ...
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Billboard Top Rock & Roll Hits: 1966 [1993]
(1993)
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by
Various Artists
This budget ten-song selection has much to recommend it, kicking off with the Monkees' "I'm a Believer" and featuring such notables as the Lovin' Spoonful's "Summer in the City," the Troggs' "Wild Thing," and the Young Rascals' "Good Lovin'." Tracks from Tommy James and the Shondells, Percy Sledge, the Righteous Brothers, the Mamas and the Papas, ...
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Sock It to Me!
(1967)
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by
Mitch Ryder & the Detroit Wheels
Ryder's last album with the Detroit Wheels before going solo finds the material reverting to producer Bob Crewe's readymades, no match for the authentic R&B found on the first two albums, but still strutted out with typical Detroit-like flair. Three bonus tracks and the use of the original stereo masters makes this a must-have for serious Mitch ...
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Devil with a Blue Dress On [Collectables]
(2004)
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by
Mitch Ryder/The Detroit Wheels
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Jock Rock, Vol. 2
(1995)
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by
Various Artists
Tommy Boy and ESPN were reunited in 1995, when Tommy Boy released Vol. 2 of its Jock Rock series. Like its predecessor, Vol. 2 focuses on a variety of well known rock and R&B smashes that have been used at American sporting events and creates a sports-like ambiance through the use of organ riffs, crowd applause and other devices. Exuberance was a ...
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Breakout...!!!
(1966)
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by
Mitch Ryder & the Detroit Wheels
Ryder & the Wheels' second album, featuring the classic "Devil with a Blue Dress On/Good Golly, Miss Molly" workout, continues the pattern of their debut; strong renditions of R&B classics, chopped and channeled and revved up to maximum torque. With the use of the original two-track master, the sound of it fairly sparkles. Cub Koda, All Music ...
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Naked But Not Dead
(1979)
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by
Mitch Ryder
This late-'70s offering finds Ryder in good form, recorded in Detroit and sporting his regular working band at the time, featuring long timers Mark Gugeon on bass and Wilson Owens on drums. It's the usual strong mix of Ryder originals, with the finger pointedness of "Ain't Nobody White," "War," "Spittin' Lizards," "Hometown," and "True Love" as ...
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Greatest Hits [Eclipse]
(1996)
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by
Mitch Ryder
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Devil with a Blue Dress On [Rhino]
(1995)
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by
Mitch Ryder & the Detroit Wheels
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Cruisin' 1966
(1976)
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by
Various Artists
An instantly recognizable bargain bin staple since the late '70s, thanks to their colorful comic book covers tracing the romantic life of an Everycouple named Peg and Eddie, the Cruisin' series of discs are built on a brilliant concept: each disc is devoted to a single year, with hit songs, local commercials, station jingles, and news headlines ...
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Take a Ride
(1966)
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by
Mitch Ryder & the Detroit Wheels
The debut album of Ryder and the Wheels, fresh from the teenage ballroom circuit in Detroit, where they held court in earlier days as Billy Lee & the Rivieras. One of the defining moments in the history of Motor City music, Take a Ride is the sound of poor White kids claiming the music as theirs, too, while infusing it with the manic energy of the ...
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Live Talkies
(1982)
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by
Mitch Ryder
In his brief liners to this disc, Ryder describes this as a live album cut in a studio, just running though their regular set of the time. The result is a session with longer-than-usual intros and soloing and a looseness that usually doesn't happen on a studio recording. Mixing up a set between angry Ryder originals and severely reworked R&B ...
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How I Spent My Vacation
(1978)
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by
Mitch Ryder
Ryder recorded this hidden gem in 1978. Like his other post-Detroit Wheels albums, it's an angry album, full of the original songs that he had inside of him but wasn't allowed to pursue back in the day. As such, the lyrics seem to come at times in a garbled rush, as if Ryder had these songs bursting inside of him. It starts to wear after a few ...
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History of Rock: The Rockin' 60's - WCBS FM 101
(1991)
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by
Various Artists
History of Rock: The Rockin' 60's - WCBS FM-101 is a solid collection that boasts many classic tracks among the 24 on offer. Apart from the compilers of the disc making the decision to add no soul or R&B tracks, the disc is a pretty fair representation of the rock sound of the '60s. It encompasses bubblegum (Tommy James & the Shondells' "I Think ...
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Rev-Up: The Best of Mitch Ryder & the Detroit Wheels [EMI]
(2007)
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by
Mitch Ryder & the Detroit Wheels
There really isn't a whole lot to say here except this: "All Killer, No Filler." This is as fine a collection of Mitch Ryder & the Detroit Wheels as is likely to be assembled. It captures the man, the myth, and the magic of a young band firing on all burners, who, despite being exploited in virtually every way possible by their handlers, still ...
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Got Change for a Million?
(1981)
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by
Mitch Ryder
Mitch Ryder's Got Change for a Million?, released in 1981 in Germany on Line Records, continues the progression started on The Detroit-Memphis Experiment in 1969 and the subsequent Detroit album produced by Bob Ezrin. This is no-nonsense blues-tinged rock produced by Tom Conner along with Ryder. "That's Charm," clocking in at five-and-a-half ...
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Toga Rock
(1987)
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by
Various Artists
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Best of 60's Party Rock
(1988)
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by
Various Artists
Best of 60's Party Rock is a fine budget-priced collection of hard-rocking songs from the early '60s, all of which became staples of frat parties. The packaging may be a little skimpy, but there's not a weak song here, and that alone makes it worth it. Among the highlights are such familiar items as "Louie, Louie," "Wooly Bully, " "Devil with the ...
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Party On
(1995)
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by
Various Artists
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Love Gets Strange: The Songs of John Hiatt
(1993)
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by
Various Artists
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Rock Revival
(2000)
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by
Various Artists
Direct Source's Rock Revival is a three-disc set that collects three of the titles in the label's Rock Revival series: Rock Revival: Rockin' Around the Clock, Rock Revival: Juke Box Jive and Rock Revival: Rock Solid. The discs are a mishmash of the rock & roll sound of the '50s and early '60s. The packaging and sound are not great, but the music ...
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Rock Revival: Rock Solid
(2000)
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by
Various Artists
Direct Source's Rock Revival: Rock Solid is a ten-song slice of the rock & roll sound of the '50s and early '60s (and in George McRae's case, the '70s.) The packaging and sound are not great, but the music is. Ranging from British Invasion groups to wig-singeing rock & roll to girl group sounds, the disc is made up of wonderful party music like ...
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