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Anthology of American Folk Music, Vol. 1-3
(1997)
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by
Various Artists
Originally released in 1952 as a quasi-legal set of three double LPs and reissued several times since (with varying cover art), Anthology of American Folk Music could well be the most influential document of the '50s folk revival. Many of the recordings that appeared on it had languished in obscurity for 20 years, and it proved a revelation to a ...
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The Complete Studio Recordings
(2000)
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Mississippi John Hurt
Although not as consistently magnificent as Hurt's 1928 recordings, the performances the artist recorded for Vanguard in the mid 1960's would be the zenith of many blues artist's entire careers. Songs like the opening "Payday" and "Poor Boy, Long Ways From Home" rank with any folk-blues song ever recorded. This fantastic set collects the three ...
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The Best of Mississippi John Hurt [Vanguard]
(1989)
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Mississippi John Hurt
Contrary to what its title would make one believe, this record is not a collection of previously available recordings by Mississippi John Hurt -- rather, it is a complete concert from Oberlin College on April 15, 1965. Regardless, the title is justified, as the concert features Hurt in excellent form doing most of his best known classic songs from ...
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Avalon Blues: The Complete 1928 Okeh Recordings
(1996)
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Mississippi John Hurt
Mississippi John Hurt's latter-day recordings after his rediscovery have somewhat obscured the importance of these debut sides -- the ones that made his rediscovery an idea initially worth pursuing. Archival recordings such as Avalon Blues: The Complete 1928 Okeh Recordings are the collector's items that made his rep in the first place, and stand ...
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Today!
(1966)
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Mississippi John Hurt
Today is Mississippi John Hurt's first and finest studio release since his "rediscovery" on his Avalon farm by folklorist Tom Hoskins in 1963. Eclipsed possibly only by his earlier 1928 Sessions, this album shows a more mature Hurt picking his way through standards and originals after the Depression years and Hurt's fall into obscurity before the ...
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1928 Sessions
(1988)
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Mississippi John Hurt
The 13 original 1928 recordings of Hurt. Justifiably legendary, with gentle grace and power on these understated vocal and fingerpicking masterpieces. These are the ones to hear, although all Hurt is worth listening to. Michael Erlewine, All Music Guide
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The Best of Mississippi John Hurt [Aim]
(1998)
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Mississippi John Hurt
Mississippi John Hurt did a live 21-song set on April 15, 1965, at Oberlin College in Ohio, a scant two years after his rediscovery in 1963, and a year before his death in 1966. Hurt was remarkably consistent as a performer, whether you listen to his famous 1920s Okeh tracks, his rediscovery studio work for Vanguard Records, or the handful of live ...
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Putumayo Presents: Mississippi Blues
(2002)
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by
Various Artists
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D.C. Blues: Library of Congress Recordings
(2004)
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by
Mississippi John Hurt
Mississippi John Hurt was easily the most accessible of all the 1920s bluesmen rediscovered still alive and in playing condition in the early 1960s. His easy, gentle singing voice and deft guitar picking abilities were still intact and undiminished, and where some of his hard-living contemporaries suffered from alcoholism, Alzheimer's, or just ...
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Worried Blues
(1963)
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by
Mississippi John Hurt
This second of two sessions devoted to Mississippi John Hurt's first recordings followed the same pattern as its predecessor. Hurt did mostly blues, with an occasional spiritual number like "Oh Mary Don't You Weep." He sang in a fragile, yet powerful manner, backing his vocals on acoustic guitar in an equally simple, gentle manner with lines and ...
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The Immortal
(1967)
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by
Mississippi John Hurt
One of the best albums of country blues ever recorded. The fingerpicking is delicate, the vocals mellow and sweet. Many tunes that remain associated with Hurt are included here in versions that rival his legendary recordings from the late '20s. "Richland Woman Blues," "Stagolee," "The Chicken," and "Since I've Laid My Burden Down" sound as fresh ...
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Live [Vanguard]
(2002)
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by
Mississippi John Hurt
Mississippi John Hurt's vocal and guitar style are always easy on the ears. Unlike a number of Delta stylists with their high-pitched voices and slashing slide guitars, Hurt's approach to country blues is immediately accessible. Recorded (for the most part) at Oberlin College in 1965, Live captures Hurt a couple of years after his rediscovery and ...
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D.C. Blues: Library of Congress Recordings, Vol. 2
(2005)
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by
Mississippi John Hurt
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American Roots Music [Box Set]
(2001)
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by
Various Artists
The successes of the breakthrough soundtrack from the film O Brother Where Art Thou? and the in-depth PBS television series Ken Burns' Jazz seem to have combined in the 2001 production of Palm Pictures' four-part TV series American Roots Music. The series touches on the development of the distinctly American styles of traditional folk, country, ...
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Last Sessions
(1972)
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by
Mississippi John Hurt
Recorded in New York during February and July of 1966, the 17 songs on this collection represent Mississippi John Hurt's final studio efforts. It is astonishing that this man, in the final months of his life, could do 17 songs that were the equal of anything he had done at his first sessions 45 years earlier, his playing (supported on some tracks ...
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O Brother: The Story Continues
(2002)
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by
Various Artists
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The Great Blues Men
(1972)
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by
Various Artists
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Vanguard Visionaries
(2007)
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by
Mississippi John Hurt
Founded in 1950 by brothers Seymour Solomon and Maynard Solomon just as the LP format was taking hold (it had been introduced to the market two years previously), Vanguard Records took full advantage of the longer playing time afforded and began life as a classical label, moving easily into jazz, then gospel, bluegrass, blues, and folk (as Joan ...
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Rediscovered
(1998)
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by
Mississippi John Hurt
Featuring over 75 minutes and 23 tracks, Rediscovered compiles tracks off Hurt's four Vanguard releases -- Today!, The Immortal Mississippi John Hurt, Last Sessions, and The Best of Mississippi John Hurt. The tracks selected are truly first-rate and give a fine cross-section of Hurt's gently rolling country-blues, including many of his better ...
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Vanguard Blues Sampler
(1996)
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by
Various Artists
A dozen-plus-one tracks drawn from Vanguard Records' '60s-era rediscovery blues catalog, this sampler is OK as far as it goes, but it isn't anything special, save for Skip James' delicate version of his "I'm So Glad," Mississippi John Hurt's gentle and mellow take on "Corrina, Corrina," and Otis Spann's piano workout on "Spann's Stomp." Steve ...
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Before the Blues, Vol. 1: The Early American Black Music Scene
(1996)
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by
Various Artists
Although the blues is the most renowned form of early 20th century African-American music (other than jazz), it didn't dominate rural Black music to the extent that many listeners often assume. Black and White folk musics mingled extensively before the advent of recorded technology, and Black musicians often performed gospel, religious hymns, folk ...
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Greatest Folksingers of the '60s
(1972)
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by
Various Artists
Not only was Maynard Solomon's Vanguard Records one of the major folk labels of the 60s (having the prescience to pick up Joan Baez early on, and then recording the cream of the singer/songwriters thereafter), but it also had the rights to record and release material from the Newport Folk Festival, giving it access to several artists who were not ...
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The Great Bluesmen at Newport '59
(1976)
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by
Various Artists
This two-LP, single-CD compilation offers up 21 songs recorded live between 1959 and 1965 at the Newport Folk Festival. This is a killer selection of cuts by rediscovered '30s blues legends, many rising to the occasion to perform in front of thousands of people at once. A lot of comebacks and late-in-life careers were sparked by the performances ...
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The Roots of Taj Mahal
(2000)
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by
Various Artists
An interesting concept to say the least, here's an exemplary collection of blues tunes all covered by Taj Mahal at one point or another. But here's the original versions of classics by Robert Johnson, Blind Willie Johnson, Blind Willie McTell, Leadbelly, Sleepy John Estes, Son House, Washboard Sam, Sonny Boy Williamson, and Blind Boy Fuller and ...
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Folk Music at Newport, Vol. 1
(1995)
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by
Various Artists
This is an album that grows on you gradually -- but only because it covers such a diverse collection of styles in the course of seventy minutes. The majority of the cuts on this album are being released for the first time, while all but one (the Kingston Trio's "M.T.A.," from 1959) are drawn from the 1965 Newport Folk Festival. The recordings are ...
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