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Brazil Classics, Vol. 1: Beleza Tropical
(1989)
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by
Various Artists
Brazil Classics, Beleza Tropical is the first in a series compiled by Talking Heads singer David Byrne that preceded the big wave of interest in Tropicalia during the late '90s by almost a decade. Performers include such influential Brazilian figures as Gilberto Gil, Caetano Veloso, and Jorge Ben, with several songs from each. The selected ...
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Red Hot + Rio
(1996)
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by
Various Artists
Now this is an interesting project; Brazilian standards and newly-composed music interpreted or transfigured by the old masters, rock stars and cutting-edge '90s musicians - with all the proceeds going to fight the spread of AIDS. What is so remarkable about this album is how wholeheartedly the younger musicians relate to the cruising Brazilian ...
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Courage
(1969)
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by
Milton Nascimento
Milton Nascimento's first album for North American ears, recorded at Van Gelder Studios in New Jersey under the watchful eye and discerning ear of Creed Taylor, is a masterpiece, a gorgeously executed tour through his early songs. Backed beautifully by Eumir Deodato's lush orchestrations and a clutch of sidemen from the Taylor stable (including ...
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The Best Latin Party Album in the World...Ever
(1999)
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by
Various Artists
The name pretty much says it all here. The Best Latin Party Album in the World...Ever features every aspect of Latin party music, from classics like José Feliciano's "Light My Fire" and Milton Nascimento's "Cravo e Canela (Clove and Cinnamon)," to trendy chart-toppers like los Umbrellos' "No Tengo Dinero," Kaoma's "Lambada," and los del Rio's mega ...
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Milton (Raça)
(1976)
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by
Milton Nascimento
Although several of Nascimento's most familiar songs are contained in this debut American release, Milton (Minas) (referring to his home state of Minas Gerais) is a remarkably cohesive piece of work that stands as one of his finest. It includes famous tunes "Carvo e Canela" and "Nada Sera como Antes." ~ Terri Hinte & Michael G. Nastos, All Music ...
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Clube da Esquina
(1972)
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by
Milton Nascimento/Lô Borges
A classic double LP recorded in 1972 by Milton Nascimento and Lô Borges, the album had orchestrations from Eumir Deodato and Wagner Tiso under the conduction of the renowned clarinetist/composer/orchestrator Paulo Moura. The title Clube da Esquina is related to the gang of mineiros (people from the Minas Gerais state) that populate this release, ...
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Milagre dos Peixes [Water]
(1973)
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by
Milton Nascimento
One of Milton Nascimento's most experimental albums, Milagre Dos Peixes was originally released in 1974. Accompanied by the Som Imaginário, Nascimento presented this album in a theater show in Rio and São Paulo, with orchestra, and the results were recorded live and released on a double album called Milagre Dos Peixes Ao Vivo. In one of the worst ...
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Milton Nascimento [EMI]
(1969)
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Milton Nascimento
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Passport to Brazil
(2000)
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by
Various Artists
Perhaps attempting to capitalize on the new popularity of Brazilian music on the heels of the film Bossa Nova, this six song compilation is culled from the A&M/CTI recordings that were post mortem to the mid-'60s bossa "craze." A different arrangement (by Deodato) of the Getz/Gilberto hit, "Girl From Ipanema" by Antonio Carlos Jobim himself is ...
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Samba & Bassa Nova: The Gold Collection
(1998)
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by
Various Artists
Fine Tune's Samba & Bossa Nova: The Gold Collection is hardly a definitive overview of samba or bossa nova, nor should it be seen as an introduction to either genre. Instead, view it as an affordable sampler of the two styles, and you'll be pleasantly surprised. Not every performance is a classic, and several are subpar live tracks, but with cuts ...
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Nascimento
(1997)
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by
Milton Nascimento
Nascimento is Milton Nascimento's most deeply Brazilian-sounding album in a long time, and also the most downcast, but none the worse in its emotional impact. He adopts the battering, heavy percussion rhythms of the folia boxes (popularized by Olodum) on several tracks, which frame the main portion of the album and give it enormous vitality. There ...
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Jubilation
(1989)
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by
Various Artists
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Gilberto Gil & Milton Nascimento
(2001)
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by
Gilberto Gil/Milton Nascimento
To lovers of Brazilian jazz, the pairing of these two legends of the genre amounts to something of a musical orgasm. The only serious misfire isn't really that bad, just a bit incongruous. Why would two consummate Brazilian ambassadors choose to do their one English lyric song -- George Harrison's "Something" -- as a reggae tune? The groove is ...
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Crooner
(1999)
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by
Milton Nascimento
Surely one of the world's most distinctive crooners, Milton Nascimento prepared an album of pop songs he's known for years, performed early in his career when he played innumerable Brazilian clubs, including the first song he ever wrote, "Barulho de Trem," as well as a range of pop classics from Brazil and America. Nascimento also looks back to ...
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Millennium: Milton Nascimento
(1999)
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by
Milton Nascimento
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Smooth Jazz [Sony]
(2001)
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by
Various Artists
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Maria Maria/Último Trem
(2005)
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by
Milton Nascimento
Far Out Recordings, the European label that brings us all things Brazilian, has done it again. This double, first time on CD package brings together two very important and nearly impossible to find Milton Nascimento recordings to listeners outside Brazil. Maria Maria (1976) and Ultimo Trem (1981) are the soundtracks for two ballets written by ...
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Brazil Now
(1998)
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by
Various Artists
Brazil Now is a good collection of contemporary Brazilian music in the '90s. Many of the artists on the album are on EMI's roster -- not surprising, since it's an EMI-Hemisphere release -- but there are also a few stars, like Gilberto Gil and Caetano Veloso, who have been licensed to give a more complete picture of Brazilian music. The gambit ...
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Passion Planet: Songs Of Love From Around The World
(1999)
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by
Various Artists
Passion Planet isn't the only world music collection that focused on love songs in the '90s. But while other collections concentrated on a specific style (such as Brazilian bossa nova, Spanish adult contemporary or Vietnamese ballads), this thoughtful compilation takes us to different continents in its search for what it loosely defines as "songs ...
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Miltons
(1989)
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by
Milton Nascimento
Here Nascimento strips his normally expansive resources way down and basically uses just his own voice and guitar, Herbie Hancock's acoustic piano and synthesized bass, and Naná Vasconcelos' percussion, with occasional self-overdubs and choral interjections. For strict jazz fans, then, this release has an unusually high quota of interest; Hancock ...
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Amigo
(1994)
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by
Milton Nascimento
Amigo is a pleasant, but unengaging, live album from Milton Nascimento. All of his best-known songs are featured, but the elaborate musical support -- featuring a full orchestra and a children's chorus -- dilutes the impact of the music. Nevertheless, there's enough fine moments to make it a worthwhile listen for Nascimento's dedicated fans. ~ ...
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Sounds of Brazil [Sounds of World]
(2000)
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by
Various Artists
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Lo Clube da Esquina [UK]
(1972)
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by
Milton Nascimento/Lô Borges
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Minas
(1975)
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by
Milton Nascimento
This is another of the must-have classic albums by Milton Nascimento. This CD reissue of the LP released in 1975 had a digital remastering in Abbey Road studios, London. The album opens with the wonderful "Minas" (Novelli), a tribute to all sacred music traditions in the Minas Gerais state, which was deeply influential in Milton's sensibility. The ...
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Brasil: A Century of Song, Vol. 4: MPB - Musica Popular Brasileira
(1995)
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by
Various Artists
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