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Walking with Strangers
(2007)
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The Birthday Massacre
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Violet
(2005)
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by
The Birthday Massacre
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From Beyond
(1991)
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Massacre
Brutal and fast death-metal with twisted double-tracked vocals from Kam Lee, resulting in a cross between Mercyful Fate and Death. The deadliest of death-metal always comes from Florida, and this is no exception. John Book, All Music Guide
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Nothing & Nowhere
(2002)
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by
The Birthday Massacre
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Strung Out in Heaven
(1998)
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by
The Brian Jonestown Massacre
It's with typical perversity that the Brian Jonestown Massacre makes the leap from the indie ghetto into the majors with their least immediate, most restrained record to date; given time to sink in, however, Strung Out in Heaven proves as engaging as their past efforts, with a focus and cohesiveness often lacking from their more visceral work. ...
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Mechanics of Dysfunction
(2007)
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by
Beneath the Massacre
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Funny Valentine
(1998)
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Massacre
In 1983, Bill Laswell's Celluloid label released a minor masterpiece by a downtown power trio called Massacre; the group consisted of Fred Frith on guitar, Laswell on bass and Fred Maher on drums. The album was called Killing Time, and it was a brilliant combination of quirky but composed avant-gardisms, experimental noise and post-punk funk. That ...
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Bravery Repetition and Noise
(2001)
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by
The Brian Jonestown Massacre
Having long explored the ins and outs of psychedelia, the Brian Jonestown Massacre now delve deep into the gloaming world of pop. Bravery, Repetition and Noise is a darkly dreamy album, rich in atmospheres, layered in waves of sound, moody pop for disillusioned people. The album's antecedents are clear, the gloomy post-punk Brit bands whose angst ...
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Give It Back!
(1997)
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The Brian Jonestown Massacre
With a name like this, it's pretty clear these guys have '60s on the brain, but as revivalist-type bands go, they're definitely above average. They could use more editing, though; this is their sixth album in about two years, and while no one complains about short value with a running time of 55 minutes, about half of this is run-of-the-mill ...
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Take It from the Man!
(1996)
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The Brian Jonestown Massacre
The Brian Jonestown Massacre's obsession with the Rolling Stones continues unabated on the brilliant Take It From the Man!; where the group resurrected psychedelic-era excesses on the previous Their Satanic Majesties' Second Request, here they jump further back in time to the Stones' mid-'60s period, with even more superlative results. From the ...
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Methodrone
(1995)
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The Brian Jonestown Massacre
While Brian Jonestown Massacre have since become known for their wasted Stones take on music (in any number of permutations), when the debut album Methodrone finally surfaced after months of delay (to the point where a side project album by ImaJinary Friends actually came out first), there was an easy, one-word reaction: shoegazers. Redolent with ...
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Thank God for Mental Illness
(1996)
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by
The Brian Jonestown Massacre
At the risk of further belaboring a rather obvious point, with Thank God for Mental Illness, their third collection of absolutely stunning music in less than a year, the Brian Jonestown Massacre parallels the prolific and effortless brilliance of the Rolling Stones at their fevered late-1960s peak; the sheer scope of their achievements is stunning ...
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Spacegirl and Other Favorites
(1996)
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The Brian Jonestown Massacre
An unholy caterwaul of feedback introduces "Crushed," the opener on Spacegirl and Other Favorites, a collection of the Brian Jonestown Massacre's first recordings originally released only on LP in a limited edition of 500. The band as it existed in 1993, just two years after forming, was already a vehicle for the twisted artistic sense of Anton ...
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Tepid Peppermint Wonderland: A Retrospective
(2004)
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by
The Brian Jonestown Massacre
Over the years, Anton Newcombe and the Brian Jonestown Massacre have gotten more promotional mileage out of their self-sabotage than they have ink spilled on their shambolic musical blend of the Stones, Velvets, and Summer of Love-derived transcendence. Megalomania, drug abuse, internal strife, aborted tours, and frustrated fans -- it's a ...
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Moorea
(2006)
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by
Orangeburg Massacre
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Feast of the Blood Monsters
(2007)
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by
Dance Club Massacre
Feast of the Blood Monsters is Dance Club Massacre's debut album. It was originally self-released and picked up by Metal Blade for their Black Market Activities imprint. The 2007 reissue has been remixed, remastered and is presented with "better" artwork. The band plays a post-hardcore brand of thrash and math rock with (literally) indecipherable ...
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Bringing It All Back Home Again
(1999)
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by
The Brian Jonestown Massacre
The ever-prolific Brian Jonestown Massacre takes a detour onto the Which label for a six-song, half-hour affair that stands in stark contrast to their usual sprawling opuses. The sound of Bringing It All Back Home Again is comparable to that of their previous Thank God for Mental Illness -- mostly acoustic and country-tinged, reminiscent (as the ...
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Meltdown
(2001)
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by
Massacre
This album takes its title from the fact that it was recorded live at Robert Wyatt's Meltdown Festival in London in June of 2001. It brings together guitarist Fred Frith, bassist Bill Laswell, and drummer Charles Hayward, who, in 1982 (with original drummer Fred Maher in Hayward's place), set the downtown New York avant-garde scene on its ear with ...
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Lonely Heart
(2007)
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Massacre
Recorded during live performances at two European festivals in Europe in January and June of 2003, Lonely Heart is the third proper Massacre offering by the guitar (Fred Frith) bass (Bill Laswell) and drum (Charles Hayward) power trio. Issued on Tzadik, the liner notes state that Frith left his toys -- like brushes, chains, and scissors -- at home ...
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Evidence Of Inequity
(2005)
by
Beneath The Massacre
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Deconstruction: Celluloid Recordings
(1993)
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by
Bill Laswell
A more than adequate overview of Bill Laswell's work at Celluloid, where he successfully blurred the division lines between hip-hop, rap, reggae, African music, jazz, and avant-garde, this two-CD anthology includes his work as a producer as well as solo and band recordings. Laswell displays both his strengths and weaknesses (brilliant bass playing ...
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Inhuman Condition
(1992)
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by
Massacre
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Killing Time
(1982)
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Massacre
Of the many obscure and wonderful albums recorded by members of the downtown avant-garde elite in the early 1980s, this is one of the most obscure and most wonderful. Massacre (despite its heavy-metallish moniker) was a challenging but quirkily charming "power trio" consisting of guitarist Fred Frith, bassist Bill Laswell and drummer Fred Maher, ...
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Straight Outta Burbank: The Bomp! 25th Anniversary Collection
(1999)
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by
Various Artists
Bomp! was, in addition to being a pioneering historical-savvy rock fanzine in the 1970s, a label that put out some notable early punk singles, and (with its AIP and Voxx subsidiaries) reissued tons and tons of '60s garage/punk. In the 1980s and 1990s most of its contemporary releases were in the psych/pop/punk/garage revival mode. It is fair to ...
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Promise
(1996)
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by
Massacre
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