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Super Hits of the '70s: Have a Nice Day, Vol. 2
(1990)
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by
Various Artists
The second volume of Super Hits of the '70s: Have a Nice Day is very heavily weighted toward 1970-vintage hits that originated in locales other than the United States, beginning with a Tony Macaulay-co-authored hit, "Love Grows (Where My Rosemary Goes)," credited to the group Edison Lighthouse and featuring Tony Burrows, an ex-member of the ...
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Amar Es Combatir
(2006)
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by
Maná
Arriving a long four years after Revolución de Amor (2002), which had been the band's most accomplished album to date, and a Grammy winner to boot, Amar Es Combatir confirmed Maná's continuing designation as the world's standard-bearing Spanish-language mainstream rock band. Amar Es Combatir's lead single, "Labios Compartidos," was an overnight ...
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Enter the Wu-Tang (36 Chambers)
(1993)
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Wu-Tang Clan
Along with Dr. Dre's The Chronic, the Wu-Tang Clan's debut, Enter the Wu-Tang (36 Chambers), was one of the most influential rap albums of the '90s. Its spare yet atmospheric production -- courtesy of RZA -- mapped out the sonic blueprint that countless other hardcore rappers would follow for years to come. It laid the groundwork for the rebirth ...
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Dr. Demento Presents: Greatest Xmas Novelty CD
(1989)
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by
Various Artists
If you like your Christmas tidings with a dollop of good humor, then this batch of holiday tunes is right up your alley. The lineup ranges from cute and innocuous (the Chipmunks, the Singing Dogs, and Spike Jones) to satirical (Stan Freberg and Allan Sherman) and just plain weird (Elmo and Patsy's "Grandma Got Run Over by a Reindeer" and Tom ...
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Revolución de Amor
(2002)
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by
Maná
Like English-language rock, the rock en español field has its superstars and its more underground artists. Superstars like los Fabulosos Cadillacs and Shakira can easily fill a huge soccer stadium in Mexico City or Buenos Aires, while the more underground artists perform in Latin America's small clubs. Maná falls into the supergroup category; in ...
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The Complex
(2003)
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Blue Man Group
After devoting more than 15 years to building their unique fusion of edgy performance and advanced yet home-brewed technologies, the Blue Man Group moves aggressively toward the mainstream with The Complex. "Mainstream" is, of course, a flexible notion, so what passes as commercial for these guys is a lot more adventurous than most of the era's ...
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Blackout!
(1999)
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by
Method Man & Redman
Hip-hop fans have known for years that Method Man and Redman are two of the top MCs in the field, and their tour together not only proved the fact, but also showed they rap incredibly well together. Their deliveries are similar and the flow never falters, but the hint of gravel in Meth's voice makes them easily distinguishable. Now, with Blackout! ...
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Northern Exposure
(1992)
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by
Various Artists
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Lo Esencial Grupo Manía
(2004)
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by
Grupo Manía
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Reggae Gold 2002
(2002)
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by
Various Artists
The tenth anniversary edition of reggae's most consistently good compilation series, Reggae Gold 2002 starts out with a bang and then falters slightly. Tanto Metro and Devonte's opening track, "Give It to Her," supplies a wicked riddim to whet listeners appetites but they're bound to go hungry with "Video Light," a red-hot pairing of Lexxus and Mr ...
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Reggae Gold 1997
(1997)
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by
Various Artists
Reggae Gold 1997 is an entertaining collection of party-oriented dancehall reggae, and while there are a few slow spots scattered throughout the record, it's still a first-rate sampler. Leo Stanley, All Music Guide
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Essential Selection, Vol. 1
(2000)
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by
Various Artists
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Audio
(1999)
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by
Blue Man Group
Blue Man Group's debut album, Audio, reflects over a decade's worth of musical and theatrical innovation. While its whimsical, visually involving stage performances have been popular since the early '90s, the group waited to make an album until it could find a recording space large enough to house its unique instruments, which include walls of ...
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MTV Unplugged
(1999)
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by
Maná
The unplugged trend of the 1990s could be quite revealing. If a band used amplification to mask its deficiencies, going acoustic could easily expose them. But when artists who had a lot going for them -- everyone from Aerosmith and Bruce Springsteen to L.L. Cool J -- went unplugged, they had a lot of strong material to rely on and triumphed in an ...
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Many Moods of Moses [VP/Slammin' Vinyl]
(1997)
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by
Beenie Man
Having showcased his talents on Maestro, Beenie Man along with executive producer Patrick Roberts no longer felt the need to overwhelm audiences with a smorgasbord of sound, and thus Many Moods of Moses is a more coherent set than its predecessor. Of course, that doesn't mean Roberts doesn't mix up the sound, or that the DJ is reverting to one ...
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Pipa from a Distance
(2003)
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by
Wu Man
An album of extraordinarily exploratory pipa music from the main ambassador of the instrument to the West, Wu Man. Here, there is a definite aspect of traditional pipa music present, but that's only the jumping-off point. There's some thorough culture-mixing as a didgeridoo is tossed in here and there. Some heavy updating of the ancient forms ...
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Tical 2000: Judgement Day
(1998)
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by
Method Man
Method Man's second solo recording is a harder album than his debut, much more focused on rap than the frequent R&B excursions that hit the pop charts on the original Tical. Though the emphasis on the hardcore makes for a better album, Method Man's own raps are often diluted by the staggering number of collaborations; as usual, almost all of the ...
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The Muse Awakens
(2004)
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by
Happy the Man
One of the most unlikely reunions of the early 2000s was Happy the Man, a lesser-known '70s progressive rock outfit that provided only two albums before breaking up in 1979. Back then, Happy the Man wasn't nearly as well known as Yes, Pink Floyd, Genesis, King Crimson, Gentle Giant, Rush, Kansas or Emerson, Lake & Palmer, but they did enjoy a ...
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The W
(2000)
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by
Wu-Tang Clan
After a host of disappointing solo albums and quickly diminishing celebrity (most of the latter devoted to the continuing extra-legal saga of Ol' Dirty Bastard), Wu-Tang Clan returned, very quietly, with 2000's The W. The lack of hype was fitting, for this is a very spartan work, especially compared to its predecessor, the sprawling and overblown ...
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I'll Be There For You [EP]
(1995)
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by
Method Man/Mary J. Blige
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Cha Cha Slide
(2000)
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by
Mr. C the Slide Man
If you're looking for the infamous "Cha Cha Slide" song, this is where you'll find it. At first a Chicago phenomenon, the Cha-Cha Slide began strictly as a dance until early 2000 when Casper (aka Mr. C the Slide Man) wrote an accompanying song to go along with the dance à la "Macarena." By early 2001, Universal had picked up the album for national ...
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Tical 0: The Prequel
(2004)
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by
Method Man
Method Man's third solo work, following 1998's uneven Tical 2000 (and released a month after Ghostface's Pretty Toney Album), arrived with many conflicting rumors and circumstances attached to it. On the M2 program Spoke 'n' Heard, Meth informed journalist/host Touré that Tical 0 is his best record, and alluded to being boxed in when working with ...
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Latin Mix USA, Vol. 2
(1999)
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by
Various Artists
The second volume of Latin Mix USA compiles more Latin-tinged dance hits, including the Pablo Flores mix of Ricky Martin's "Livin' La Vida Loca." A remix of Will Smith's "Miami" is also included, along with hits by Gloria Estefan, Ivy Queen with Wyclef Jean, Shakira, and Marc Antony. Heather Phares, All Music Guide
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Round and Round
(2001)
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by
Jonell & Method Man
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Out of Season
(2002)
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by
Beth Gibbons & Rustin Man
Out of Season plays to Beth Gibbons' strengths as a vocalist and songwriter more than anything released prior by Portishead. On both Dummy and Portishead, her pained, worn, resilient voice was often made to sound as if it was as much an artifact as the Isaac Hayes and Lalo Schifrin samples. That voice of hers was perfectly suited for the backing ...
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