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Farmisht, Flatulence, Origami, ARF!!! and Me...
(1999)
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by
Lee Hazlewood
Some may be disappointed that Lee Hazlewood's first album in over 25 years is a collection of standards, but given time, Farmisht, Flatulence, Origami, ARF!!! and me... will work its considerable charms. Essentially an outgrowth of Al Casey's Sidewinder project, which featured Hazlewood's vocals on a pair of tracks, Farmisht is a laid-back, jazzy ...
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These Boots Are Made for Walkin': The Complete MGM Recordings
(2002)
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by
Lee Hazlewood
This double CD is just what it says: all three of the albums Lee Hazlewood recorded for MGM in 1965-1967, with the addition of three instrumentals attributed to Lee Hazlewood's Woodchucks (two of which came out on a 1966 single, the third of which, "Batman," was previously unissued). His first two MGM LPs, The Very Special World of Lee Hazlewood ...
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The Twang Gang
(2001)
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by
Various Artists
In the late '50s and early '60s, the same circle of musicians who worked on Duane Eddy's records with Lee Hazlewood also worked on numerous other rock and pop discs with Hazlewood in Phoenix. The Twang Gang collects 18 of these (although a couple of Sanford Clark tracks actually date from 1973). This is more for collectors looking to fill in the ...
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Requiem for an Almost Lady
(1971)
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by
Lee Hazlewood
Requiem for an Almost Lady is the rarest of Lee Hazlewood's albums because it was released in 1971 exclusively in Sweden (where Hazlewood also completed his cult classic Cowboy in Sweden album) and the United Kingdom. The album is one of the most beautifully agonizing breakup records to ever hit wax, culled from a composite of Hazlewood's ...
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The Very Special World of Lee Hazlewood
(1966)
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Lee Hazlewood
Although Lee Hazlewood had recorded as a solo performer prior to his brief stint with MGM, his first two MGM albums present his best '60s recordings as a solo vocalist. Issued in 1966, The Very Special World of Lee Hazlewood is the first of these. Hazlewood's limitations as a singer kept him, and this album, from being marketable as anything ...
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Something Special
(1968)
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by
Lee Hazlewood
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Poet, Fool or Bum/Back on the Street Again
(2004)
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by
Lee Hazlewood
Known best (if at all) for Charles Shaar Murray's one-word review in the NME ("Bum."), Poet, Fool or Bum caught Lee Hazlewood in a sentimental, chagrined mode that didn't compare well to his earlier hard-bitten material. The production didn't help, either; Hazlewood said he allowed Jimmy Bowen to produce it because Bowen needed the money, and ...
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13
(1972)
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by
Lee Hazlewood
One of the rarest of Lee Hazlewood's original LPs, 13 is a surprisingly swinging album completely indicative of the year of its recording, 1972. But though it's undeniably a period piece, in many ways it's dated in all the right ways. The opener, "You Look Like a Lady," is a gem, complete with soaring horn section, a roving bassline, and scads of ...
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Trouble Is a Lonesome Town
(1963)
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by
Lee Hazlewood
Trouble Is a Lonesome Town was Lee Hazlewood's first proper solo album, following his prosperous late-'50s partnership with Duane Eddy and prior to his mentoring and making of '60s boot-walker Nancy Sinatra. Hazlewood considered it a "writer's album" from which other artists could cull songs, but Trouble is a perfectly legitimate effort in its own ...
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How Can a Loser Ever Win?
(2001)
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by
Various Artists
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The Many Sides of Lee
(1991)
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by
Lee Hazlewood
Twenty-five-song import compilation of rare Hazlewood tracks, most or all dating from the 1960s, including solo numbers (under his own name as well as the alias Mark Robinson) and collaborations with Suzi Jane Hokom and the Shacklefords. The most country-ish cuts are like a debauched Johnny Cash; the bullfighter narrative "Jose" is Hazlewood at ...
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Strung Out on Something New: The Reprise Recordings
(2008)
by
Lee Hazlewood
A curious thing about the legacy of cult weirdo Lee Hazlewood is how it's been shaped by the mere availability -- or better still, the unavailability -- of his material: all of it was difficult to find for a long, long time but as it started to eke out on CD in the late '90s, it was the late '60s and early '70s recordings, even the early sides for ...
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Movin' On
(1977)
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by
Lee Hazlewood
Released in the same year as his swan song, Back on the Street Again, hearing this initially feels like as a bit of a letdown. Newly composed Hazlewood originals do not appear and overall the album comes close to a not-so-greatest-hits collection. The only two songs by his own hand are taken from the impressive concept album Requiem for an Almost ...
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The Shacklefords Sing
(1966)
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by
The Shacklefords
Any project involving Lee Hazlewood is virtually guaranteed a high degree of quality, even when the material is commercially targeted and, often, purely exploitative. All that is the case with The Shacklefords Sing, a project that ostensibly consisted of three fresh-faced kids singing in a folk-revival style, but actually featured the wizened ...
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The Shacklefords Sing [Bonus Tracks]
(1966)
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by
The Shacklefords
Any project involving Lee Hazlewood is virtually guaranteed a high degree of quality, even when the material is commercially targeted and, often, purely exploitative. All that is the case with The Shacklefords Sing, a project that ostensibly consisted of three fresh-faced kids singing in a folk-revival style, but actually featured the wizened ...
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Did You Ever
(1971)
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by
Lee Hazlewood
Not as charmingly succinct a package as the pair's debut, their reunion album "Again" has a more "adult" feel. Nonetheless it contains some excellent work that alternates between the serious ("Down from Dover," a Dolly Parton song, where Lee's voice dips deeper than any man has gone before) and the silly ("Did You Ever"). "Got It Together" is a ...
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Nancy & Lee
(1968)
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by
Nancy Sinatra & Lee Hazlewood
Lee's first duet album with Nancy Sinatra is a classic of '60s pop. He plays the leering, deep-throated, trail-worn cowboy to her bright-eyed girl-child, and the match on songs like "Summer Wine," "Sand," "Jackson," and "Some Velvet Morning" is a smart, sexy, lip-smacking bowl of mind candy. ~ Kurt Wolff, All Music Guide
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