The classic pairing of Buddy Guy and Junior Wells has been captured many times on vinyl, cassette, and disc over the years, but rarely with such intimacy and subtle, restrained energy as on this wonderful collection. Buddy Guy plays mostly 12 string guitar, and Junior laces his signature lines through the songs, engaging Guy in the kind of musical ...
Best of the Vanguard Years collects Junior Wells' material from the Chicago! The Blues! Today! various-artists series, live and studio tracks from the albums It's My Life, Baby! and Comin' at You, and a smattering of rare and/or unreleased cuts. As a Wells retrospective, it's irredeemably incomplete, covering as it does his output for only one ...
In early 1966, blues history was made with the issuance of a three-volume set of new recordings produced by blues historian Samuel Charters. This series was known as Chicago/The Blues/Today! and the release sent shock waves through the world of rock & roll. Every artist on the three volumes had recorded before (some, like Otis Rush and Junior ...
From the "ain't nothin' more authentic" dirge of Luther "Guitar Jr." Johnson's "So Mean to Me" to the barrelhouse cluckin' of Marty Grebb's "Hen House," this blatant copy of Joel Dorn's Jazz For- series combines true tales of loss with rather peppy pleas for love, wealth, and the other anti-ingredients of the blues. In true blues, everything gets ...
Junior Wells' penchant for clowning around sometimes conflicts with his craftsmanship, but he's all business on Come on in This House, his most unadulterated blues record since his highly acclaimed Hoodoo Man Blues of more than 30 years vintage. This is what has come to be known as an "unplugged" session -- that is, predominately, although not ...
Vol. 4: Harmonica Classics is a typically ace installment of the Blues Masters series has examples par excellence from most of the major electric blues harmonica geniuses, including Little Walter, Junior Wells, Sonny Boy Williamson, James Cotton, Paul Butterfield, Billy Boy Arnold, Lazy Lester, and Jimmy Reed. And while there are a few expected ...
This 1998 CD reissue of Wells' debut recordings for the States label adds four previously unheard tracks along with the original 13-track vinyl lineup. Wells' legacy begins with these landmark sides, featuring Elmore James, Muddy Waters, Johnnie Jones, Otis Spann, Willie Dixon, and the Aces in the lineup at various points. Whether it's a slow one ...
San Francisco's Blind Pig Records celebrates their 20th anniversary with this two-disc, 36-track collection featuring over two hours' worth of highlights from their many releases with a few unreleased bonus tracks to spice up the mix. Originally started as a sideline to a blues club in Ann Arbor, MI, with an ear toward documenting the local scene ...
Considering the troubled background of this album (Eric Clapton, Ahmet Ertegun, and Tom Dowd only ended up with eight tracks at a series of 1970 sessions in Miami; two years later, the J. Geils Band was brought in to cut two additional songs to round out the long-delayed LP for 1972 release), the results were pretty impressive. Buddy Guy ...
Subtitled "best of the great harp players," this pulls tracks from various Vanguard releases from the 1960s. Kicking off with five tracks from Junior Wells and five more from James Cotton, the set moves to pick up performances of Big Walter Horton behind Johnny Shines and a duet with a very young Charlie Musselwhite. Musselwhite has four tracks as ...
More than Chicago, its electric home, or Detroit and Memphis, where it morphed into modern soul, Mississippi is the blues. But, like every musical form, the blues have evolved since the days Charley Patton lived on Dockery's Plantation and played house dances and juke joints around Clarksdale. And that very evolution is going to make any ...
The idea behind Paint It Blue: Songs of the Rolling Stones is such a simple, appealing one that it's a wonder that the record wasn't made before 1997. The Stones never made any secret of their debt to the blues, so it makes sense that their songs would sound good when performed by blues and R&B artists. That's the idea behind Paint It Blue -- ...
Let's Dance: The Best of Ballroom Swing, Lindy, Jitterbug & Jive was designed to cash in on the swing and lounge revival of the '90s by offering a selection of uptempo swing and jump blues songs, along with a choreography and beats-per-minute guide, designed for hip young swingers who want to dance the Lindy, jitterbug, and jive. Despite a few ...
This four-CD set isn't quite as comprehensive as it might have been. All of the major bases are covered, from Paul Robeson, the Weavers, and Count Basie to Alison Brown and John McEuen, and even Circus Maximus ("Oops -- I Can Dance") is here, with cuts by the Frost ("Sweet Lady Love") and the Third Power ("Gettin' Together"). But there's no Sandy ...
by
Ahmad Jamal (piano), Boston Baroque, Brian Jones (drums), Buddy Guy (guitar), David Stahlberg (trombone), Deana Butler (vocals), Empire Brass (brass ensemble), Jack Cassidy (trumpet), Jeanie Bryson (vocals), John Heard (bass), Junior Wells (vocals)
Excellent 18 track compendium of all the major movers and shakers who helped shape the Chicago blues scene in the 50s. Everyone is well represented here, and major stars like Muddy Waters and Howlin' Wolf stand next to behind-the-scenes geniuses like Earl Hooker and Jody Williams for an interesting, and accurate, blend. ~ Cub Koda, All Music Guide
Essential Blues is an attempt to trace the evolution of the music from the Mississippi Delta to Chicago and other modern, urban cities. It does a fairly good job in providing a brief history, but the main strength of the collection simply comes from the music. Featuring cuts from Lightnin' Hopkins, Howlin' Wolf, B.B. King, Slim Harpo, Junior ...
This CD brings together some of the greats in the electric blues idiom -- musicians who are worthy of the title "Hoodoo Blues Man" because they certainly know how to cast a spell with the blues. The CD title refers to the signature tune and groundbreaking CD of the inimitable blues harpist Junior Wells, along with guitar master Buddy Guy. The tune ...
One of the truly classic blues albums of the 1960s, and one of the first to fully document the smoky ambience of a night at a West side nightspot in the superior acoustics of a recording studio. Wells just set up with his usual cohorts -- guitarist Buddy Guy (billed as "Friendly Chap" on first vinyl pressings), bassist Jack Myers, and drummer ...
The title's a bit of a ringer here; this is actually what Telarc considers the best tracks Wells recorded for their label between 1993 and 1997 -- music taken from his last four albums before his untimely death in early 1998. Wells won a fair amount of trophies with this quartet of albums, and while the material isn't anything that's going to ...
Telarc's Got the Blues is a various-artists sampler of Telarc's contemporary blues artists, as well as the classic-era veterans still pursuing recording careers for the label. Featured are Junior Wells, Pinetop Perkins, Hubert Sumlin, Tab Benoit, Kenny Neal, William Bell, and more. It's a decent introduction to the Telarc roster, although there ...
This compilation, made up of duets between various all-star blues artists, is an interesting idea that unfortunately doesn't deliver. The blues' most famous partnerships (Buddy Guy & Junior Wells, Shirley & Lee, Sonny Terry & Brownie McGhee) are represented, along with a slew of one-off singles pairing Ella Fitzgerald with Louis Jordan, Big Mama ...
Evidence's blues reissue campaign has been exhaustive and diverse in its artistic and stylistic range, something that is reflected in this 15-cut sampler culled from various sessions. There is vintage material from John Lee Hooker, J.B. Hutto, and the tandem of Junior Wells and Buddy Guy, plus classic R&B by Louis Jordan and Big Joe Turner and ...
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![Hoodoo Man Blues [Bonus Tracks]](http://images.alibris.com/cover/f62065ffor2_t.jpg)
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