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X&Y
(2005)
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Coldplay
After Radiohead stubbornly refused to accept the mantle of "world's biggest and most important rock band" by releasing the willfully strange rocktronica fusion Kid A in 2000, Coldplay stepped up to the plate with their debut, Parachutes. Tasteful, earnest, introspective, anthemic, and grounded in guitars, the British quartet was everything ...
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Lost Highway
(2007)
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Bon Jovi
Serious country fans know that "Lost Highway" is a Leon Payne-written Hank Williams classic, but even though Bon Jovi's 2007 album shamelessly trades on iconographic country imagery in a bid for a genre-skipping crossover hit, it's designed for those country fans who don't much care about Hank's legend (never mind knowing anything about Leon Payne ...
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A Rush of Blood to the Head
(2002)
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Coldplay
After touring in support of their debut album, Parachutes, Coldplay was personally and professionally exhausted. Frontman Chris Martin insisted he was dry; by the time they closed their European tour in summer 2001, he hadn't written a song in months. The U.K. music press immediately pounced on the idea of Coldplay calling it quits, but somewhere ...
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The Beautiful Letdown
(2003)
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Switchfoot
In 2002, alternative CCM rockers Switchfoot cribbed some wider exposure from Mandy Moore, contributing tracks to her film Walk to Remember. It was a good fit, as the film, like the Foot, strode toward the mainstream without forgetting its good-hearted ideals. They returned in February 2003 with the slick modern rock missive The Beautiful Letdown, ...
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The Very Best of Deep Purple [Rhino]
(2000)
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Deep Purple
Rhino Records first attracted notice for its ability to assemble good, well-thought-out, best-of and greatest-hits compilations of acts (such as the Beau Brummels and the Merry-Go-Round); bands who had enjoyed a chart placement (or two) without ever getting a proper hits package from their own labels; a little later Rhino started their "Very Best ...
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Slippery When Wet
(1986)
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Bon Jovi
It is probably true that Bon Jovi's breakthrough success with Slippery When Wet, their third album, had more to do with lead singer Jon Bon Jovi's mop of curls and winning smile than with anything in the grooves of the record. Nevertheless, the album contained competent contemporary pop/rock, from its Eddie Van Halen-inspired guitar solos to the ...
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Takk...
(2005)
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Sigur Rós
A strange thing happens before the two-minute mark in "Saeglopur." All the twinkling and cooing erupts, at what might seem like eight minutes earlier than normal, into a cathartic blast of tautly constructed group noise -- or, as those who prefer songs and motion over moods and atmospheres might say, "The good part comes." "Saeglopur" is ...
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New Jersey
(1988)
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Bon Jovi
Bon Jovi had perfected a formula for hard pop/rock by the time of New Jersey, concentrating on singalong choruses sung over and over again, frequently by a rough, extensively overdubbed chorus, producing an effect not unlike what these songs sounded like in the arenas and stadiums where they were most often heard. The lyrics had that typical pop ...
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This Left Feels Right
(2003)
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Bon Jovi
God knows why Bon Jovi felt the need to recut its best songs in an adult alternative style with Patrick Leonard as the producer. In the thorough liner notes -- presented as an interview between Jon Bon Jovi and guitarist Richie Sambora -- by the suddenly ubiquitous David Wild, Jon claims that the roots of the album derive from a Japanese show he ...
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Fragile [Bonus Tracks]
(2003)
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Yes
The band's breakthrough album, dominated by science-fiction and fantasy elements and new member Rick Wakeman, whose organ, synthesizers, Mellotrons, and other keyboard exotica added a larger-than-life element to the proceedings. Ironically, the album was a patchwork job, hastily assembled in order to cover the cost of Wakeman's array of ...
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Have a Nice Day
(2005)
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Bon Jovi
Have a Nice Day, Bon Jovi's ninth studio album of original material, picks up where 2002's Bounce left off, showcasing a harder, heavier band than either 2000's Crush or Jon Bon Jovi's 1997 solo effort, Destination Anywhere. Not only that, but this 2005 album finds Jon Bon Jovi picking up on the serious undercurrent of Bounce, writing a series of ...
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Machine Head
(1972)
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Deep Purple
Led Zeppelin's fourth album, Black Sabbath's Paranoid, and Deep Purple's Machine Head have stood the test of time as the Holy Trinity of English hard rock and heavy metal, serving as the fundamental blueprints followed by virtually every heavy rock & roll band since the early '70s. And, though it is probably the least celebrated of the three, ...
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One Wild Night: Live 1985-2001
(2001)
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Bon Jovi
Die-hard Bon Jovi fans will swear on their sacred Slippery When Wet albums that Bon Jovi is by far one of the best rock bands to sing (or scream) along to, no matter where you are -- in the car, on the road, or in your room, crooning into your hairbrush or anything you can get your hands on. One Wild Night: Live 1985-2001 is the perfect album for ...
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Yessongs
(1973)
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Yes
In many ways, the extravagance of this package equates the profligacy of the prog rock combo themselves. After all, how else but on a triple-LP collection could one hope to re-create (and/or contain) an adequate sampling of Yes' live presentation? Especially since their tunes typically clocked in in excess of ten minutes. Although they had turned ...
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Listen Like Thieves
(1985)
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INXS
INXS completes its transition into an excellent rock & roll singles band with this album. Unfortunately, the new configuration only works for three songs: "What You Need," "Listen Like Thieves," and "Kiss the Dirt (Falling Down the Mountain)." But these three songs are so strong that the album cannot be dismissed completely. The album is worth its ...
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Perfect Strangers
(1984)
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Deep Purple
Deep Purple's definitive Mark II lineup reunited for 1984's Perfect Strangers. It is one of the better examples of a reunion album, although the band's uneasy camaraderie only lasted a few more years. "Knocking at Your Back Door" opens the album with a roar. Ian Gillan's lyrics don't make much sense, but Ritchie Blackmore's guitar riffs and Ian ...
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Dysfunction
(1999)
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Staind
At the beginning of the '90s, "metal" was a dirty word. A few bands, such as Metallica, had enough weight to appear as heirs to the metallic crown, but for the most part, it was the province of lightweight pop-metal mavens. How times change. By the end of the decade, metal was ultra-serious, with the typical band tackling somber, even morose, ...
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Keep the Faith
(1992)
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Bon Jovi
Keep the Faith reintroduces Bon Jovi after almost four years of side projects and hiatuses. The musical climate shifted considerably in that time, and this fact hadn't been lost on the band. Faith blatantly brings to the surface the Bruce Springsteen influence that was always lurking in Bon Jovi's sound and uses it to frame Faith's more serious ...
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Cross Road
(1994)
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Bon Jovi
While Bon Jovi always managed to stick a couple of killer album tracks on their records, their main strength has always been singles. Cross Road collects all of their biggest hits, adding a couple of new songs and Jon Bon Jovi's solo hit, "Blaze of Glory," for good measure. Even the band's detractors may not be able to resist the constant flow of ...
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Friends of Mr. Cairo
(1981)
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Jon & Vangelis
The second album-length collaboration between Jon Anderson and Vangelis is almost perfect in its blending of elements; it's only when the pair tries to do some serious rocking on "Back to School" that things take a bit of a nosedive. Other than that, though, there are some classic cuts to be found on this record, including the breathtaking "I'll ...
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Big Generator
(1987)
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Yes
The four-years-in-the-making follow-up to Yes' comeback album, 90125, Big Generator was also a million-selling hit, although not as successful as its predecessor, probably because the singles "Love Will Find a Way" (number 30) and "Rhythm of Love" (number 40) couldn't match "Owner of a Lonely Heart" from the previous LP, even if they were ...
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Crush
(2000)
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Bon Jovi
Even if it was classified as pop-metal, Bon Jovi never really was much of a metal band, relying on big, catchy melodies and not guitar riffs to make their songs memorable. That's why, in 2000, they're able to make an album like Crush, which strays far enough into pop/rock to actually stand a chance of getting airplay (which it did, with the hit ...
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Hvarf/Heim
(2007)
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Sigur Rós
After floating in the same cirrus clouds for a decade, it would seem that the time has come for a change. Not to say that the lulling orchestral swells or Jon Birgisson's schoolboy falsetto have lost any of their magic over time; it's just that after releasing 40-some similar-sounding songs with undecipherable lyrics, it becomes increasingly ...
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The House of Blue Light
(1987)
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Deep Purple
Though it was considered a disappointment upon its release (indeed, its production was much too sleek at times, and it lacked the creative daring of Perfect Strangers), 1987's House of Blue Light has actually stood the test of time just as well, if not better, than its predecessor. The second effort from the re-formed Mark II lineup, this album ...
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Scheherazade & Other Stories
(1975)
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Renaissance
This album was the group's magnum opus in the perception of many on-lookers and fans, and it still plays well, though its flaws are more evident now than they were at the time. The "Song of Scheherazade," really a suite for the group supported by the London Symphony Orchestra and a chorus, started with guitarist-composer Mick Dunford, who had a ...
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