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Since John Hiatt and the major labels decided to go their separate ways around the turn of the century, his approach to record making has been direct ... More

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Walk On is a classic "road" album in the sense that its songs largely seem written to or about people who are not present, either because the singer ... More

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John Hiatt's Same Old Man opens with the song "Old Days," in which he tells tales of life on the road sharing stages with several aging legends of ... More

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John Hiatt's 16th effort is a marked departure from his work of the previous 25 years, and a vast improvement over 1997's disappointing Little Head. ... More

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John Hiatt's highest-charting album yet is a step down from the dizzy heights of Bring the Family and Slow Turning, as he abandons his more acid ... More

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For all of his ability to rock out, John Hiatt's records usually have more of a soul and/or country feel to them, which makes 1993's Perfectly Good ... More

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Two months after Capitol's The Best of John Hiatt 1973-1998 hit the stores, A&M released Greatest Hits: The A&M Years '87-'94. It's hard to surmise ... More

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In 1987, John Hiatt, clean and sober and looking for an American record deal, was asked by an A&R man at a British label to name his dream band. ... More

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John Hiatt has often wavered back and forth between his instincts as a rocker and a more measured singer/songwriter bent, and after the rowdy guitar ... More

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As of its 2001 release, there are at least three other single-disc compilations of John Hiatt's prolific career available, but none truly does ... More

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John Hiatt's Same Old Man opens with the song "Old Days," in which he tells tales of life on the road sharing stages with several aging legends of ... More

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John Hiatt was touring behind his self-described "midlife crisis album," 1993's Perfectly Good Guitar -- on which he teamed up with a raucous (and ... More

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According to the liner notes to Live at the Hiatt, this disc (recorded during a 1993 date in London) was previously released as a promo-only item ... More

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In , 2001 released Slug Line/Two Bit Monsters, which contained two albums -- Slug Line (, originally released 1979) and Two Bit Monsters (, ... More

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John Hiatt is better at imitating Howlin' Wolf than he is James Taylor, and that he tries both here as well as Bob Dylan and Ben E. King is some ... More

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After the success of Bring the Family, John Hiatt originally intended to reunite that album's all-star backing band (Ry Cooder, Nick Lowe, and Jim ... More

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Conventional wisdom at the time was that MCA Records had signed John Hiatt (who had languished without a record contract for four years) with the ... More

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At the time of its release, Two Bit Monsters was perceived by critics who had caught up with John Hiatt on Slug Line as a less impressive follow-up ... More

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Hiatt turned to veteran country producer Norbert Putnam here, but the result still rocked hard, with the occasional soul touch notably those ... More

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