by
Alex Taylor (viola), Anthony Camden (cor anglais), Anthony Halstead (horn), Douglas Cummings (cello), Gervase de Peyer (clarinet), Heather Harper (soprano), James Buswell (violin), John Fletcher (tuba), John Georgiadis (violin)
by
Gavin Williams (organ), Janet Baker (mezzo-soprano), John Barrow (baritone), John Shirley-Quirk (baritone), Philip Ledger (organ), Richard Lewis (tenor), Bach Choir (choir, chorus), Guildford Cathedral Choir (choir, chorus)
by
Alexander Young (tenor), Andrew Davis (organ), Heather Harper (soprano), James Blades (tympani [timpani]), James Lancelot (harpsichord), John Shirley-Quirk (bass), Keith Harvey (cello), Pamela Bowden (contralto), Robert Tear (tenor)
The budget Classics for Pleasure line from Britain has reissued a growing variety of famous performances from the 1960s and early 1970s. Some haven't aged a bit; some offer sterling examples of how fashions change. And some fall in between those extremes. Made in 1974, this was a reference recording of Haydn's The Creation for many years, ...
by
Heather Harper (soprano), Helen Watts (contra-alto), John Shirley-Quirk (vocals), John Wakefield (tenor), Leslie Pearson (harpsichord), Ralph Downes (organ), William Lang (trumpet), London Symphony Chorus (choir, chorus), London Symphony Orchestra
by
Anatoly Mokrenko (baritone), Anna Reynolds (mezzo-soprano), Boris Morgounov, Irina Arkhipova (mezzo-soprano), John Shirley-Quirk (baritone), Robert Tear (tenor), Sheila Armstrong (soprano), Ambrosian Chorus (choir, chorus)
The three works collected here, Prokofiev's Ivan the Terrible and Alexander Nevsky and Rachmaninov's The Bells, are naturals to be grouped together in a set. All are essentially orchestral works with a significant choral component and parts for soloists. Prokofiev's two works are derived from film scores he wrote for the director Sergei Eisenstein ...
by
Janet Baker (mezzo-soprano), John Mitchinson (tenor), John Shirley-Quirk (bass), City of Birmingham Symphony Chorus (choir, chorus), Simon Rattle (conductor)
For EMI, the label that had already made a series of ever more opulent and magnificent recordings of Elgar's oratorio The Dream of Gerontius, the temptation to try again in 1986 must have been irresistible. Mezzo-soprano Janet Baker, who starred in Barbirolli's 1964 recording, was still professionally active in 1986, and so were fellow veterans ...
by
Andrew Davis (harpsichord), Charles Daniels (tenor), David Briggs (organ), Gerald Finley (bass), Janet Baker (mezzo-soprano), John Butt (harpsichord), John Langdon (organ), John Shirley-Quirk (bass), Martin Lane (alto), Michael Chance (alto)
by
Heather Harper (soprano), John Shirley-Quirk (baritone), Lucia Popp (soprano), Martti Talvela (bass), René Kollo (tenor), Vienna Boys' Choir (boy's choir), Vienna State Opera Chorus (choir, chorus), Chicago Symphony Orchestra, Georg Solti (conductor)
Aside from his sensational Wagner Ring cycle, if one recording in Georg Solti's catalog bears repeated reissues, it must be his truly legendary rendition of Gustav Mahler's Symphony No. 8 in E flat major, "Symphony of a Thousand," a captivating performance that was unmatched in its day and one that still holds its own against later releases. No ...
by
Alain Neveux (piano), Andre Saint-Clivier (mandolin), Gerard Causse (viola), Guy Arnaud (clarinet), Jacques Ghestem (violin), John Shirley-Quirk (vocals), Marie-Therese Ghirardi (guitar), Members of the Ensemble InterContemporain
The three works presented here reveal distinctly different phases of Arnold Schoenberg's development, each a critical point of departure. In the Pieces (5) for Orchestra (1909), Schoenberg's atonal language appears full-blown and marks a clear break with tonality. For the first time, Schoenberg places content over form and dispenses with any ...
by
Anne Pashley (vocals), April Cantelo (vocals), Benjamin Luxon (vocals), Bryan Drake (vocals), Catherine Wilson (vocals), Claire Watson (vocals), David Bowman (vocals), David Kelly (vocals), David Read (vocals), Delme Bryn-Jones (vocals)
Benjamin Britten's recordings of his own operas are definitive -- cutting out the interpretive middle man and going straight to the heart of every bar, every scene. For sure, there are better sounding, and in many cases better sung, recordings to be had, especially of the popular works like Peter Grimes and Billy Budd; but none of them are as ...
by
Andrew Davis (organ), David Willcocks (organ), Elly Ameling (soprano), Ian Hare (organ), Ian Partridge (tenor), Iona Brown (violin), Janet Baker (mezzo-soprano), Janet Craxton (oboe d'amore), Janet Craxton (oboe), John Grey (double bass)
The performances on this two-CD budget-price set from EMI are classics of the English choral sound, but the music included is a bit of a mishmash. The Choir of King's College, Cambridge, with its 16 adult male and boy choristers, recorded often during the directorship of Sir David Willcocks, and this set includes selections from their several Bach ...
by
Charles Brett (alto), Daniel Sladden (bass), David Bell (organ), David Corkhill (percussion), Eiddwen Harrhy (soprano), Felicity Lott (soprano), Gerald Finley (cantor), Heather Harper (soprano), Ian Partridge (tenor), James Morris (bass)
by
Benjamin Luxon (vocals), Bryan Drake (vocals), Elizabeth Bainbridge (vocals), Heather Harper (vocals), Janet Baker (soprano), Janet Baker (vocals), Jenny Hill (vocals), John Shirley-Quirk (vocals), Peter Pears (vocals), English Chamber Orchestra
by
Arthur Davies (tenor), John Shirley-Quirk (baritone), Judith Howarth (soprano), Linda Finnie (contralto), London Symphony Chorus (choir, chorus), London Symphony Orchestra, Richard Hickox (conductor)
by
Academy of St. Martin-in-the-Fields, Alison Hagley (soprano), Bernard Richards (cello), Bryn Terfel (bass), Cecil Aronowitz (viola), Della Jones (mezzo-soprano), Emanuel Hurwitz (violin), Grenadier Guards Band, John Shirley-Quirk (vocals)
by
Arleen Augér (soprano), Heather Harper (soprano), Helen Watts (contralto), Helga Dernesch (contralto), Isobel Buchanan (soprano), John Shirley-Quirk (baritone), Kiri Te Kanawa (soprano), Lucia Popp (soprano), Martti Talvela (bass), Mira Zakai (contralto)
by
Heather Harper (soprano), John Shirley-Quirk (baritone), London Symphony Chorus and Orchestra (choir, chorus), London Symphony Chorus and Orchestra, André Previn (conductor)
The authoritative recording of Ralph Vaughan Williams' Symphony No. 1, "A Sea Symphony" (1903-1909), is generally conceded to be the stirring rendition by Adrian Boult and the London Philharmonic Orchestra & Chorus, with soprano Sheila Armstrong and baritone John Carol Case, released in 1968 on EMI. But the 1970 RCA recording by André Previn ...
by
John Shirley-Quirk (baritone), Louis Devos (tenor), Norma Burrowes (soprano), Brighton Festival Chorus (choir, chorus), Southend Boys' Choir (choir, chorus), Royal Philharmonic Orchestra, Antal Dorati (conductor)
by
Hermann Prey (baritone), James King (tenor), Janet Baker (mezzo-soprano), Jessye Norman (soprano), John Shirley-Quirk (vocals), Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
by
Helen Watts (contra-alto), Ileana Cotrubas (soprano), John Shirley-Quirk (vocals), Robert Tear (tenor), Academy of St. Martin-in-the-Fields, Neville Marriner (conductor)
by
Alan Opie (vocals), Bryn Terfel (vocals), Christopher Cornall (vocals), Della Jones (vocals), Dominic Gill (vocals), James Miller-Coburn (vocals), Janice Watson (vocals), Jenevora Williams (vocals), John Mark Ainsley (vocals), John Shirley-Quirk (vocals)
by
Andre Turp (tenor), John Shirley-Quirk (baritone), Michel Roux (baritone), Régine Crespin (soprano), London Symphony Chorus (choir, chorus), London Symphony Orchestra, Pierre Monteux (conductor)
by
Academy of Ancient Music, Alfreda Hodgson (alto), Andrew Davis (piano), Andrew King (tenor), Bruce Russell (treble), Cambridge Classical Players, Felicity Lott (soprano), Francis Grier (organ), Gerald Finley (cantor), Heather Harper (soprano)
by
Academy of St. Martin-in-the-Fields, Benjamin Luxon (baritone), Celia Nicklin (oboe), English Chamber Orchestra (chamber ensemble), Graham Sheen (bassoon), James Bowman (counter tenor), James Tyler (lute), Janet Baker (mezzo-soprano)
We guarantee every item's condition, as described on Alibris. If you are not satisfied that an item is as described, return your purchase for a refund.