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Ultra-Lounge: Christmas Cocktails
(1996)
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by
Various Artists
The exotica revival continues with Ultra-Lounge: Christmas Cocktails, the perfect gift for the swinging hipster on your list. Among the highlights: Billy May's "Rudolph the Red-Nosed Reindeer Mambo," Jimmy McGriff's "Santa Claus Is Coming to Town/White Christmas," Dean Martin's "I've Got My Love to Keep Me Warm," Julie London's sultry "I'd Like ...
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I've Got a Women
(1963)
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Jimmy McGriff
McGriff's first album is great. The title cut was in the top 20 in 1962. Also on the same album is "M.G. Blues" and "All About My Girl." This session McGriff, Richard Easley on drums and Walter Miller on guitar. Hi-impact early McGriff is the still the best, and this is the album that started it all, on the Sue label. Three cuts available on the ...
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Groove Grease
(1971)
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Jimmy McGriff
This 1971 session finds McGriff continuing to do like so many other jazz musicians of the time: embrace and adapt to the emergence of funk and soul into mainstream music, and recontextualize it in a jazz arena. The results are an unsurprisingly delicious slice of jazz-funk made from the finest ingredients. The superb playing of Richard Davis on ...
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Ultra-Lounge: Christmas Cocktails, Pt. 2
(1997)
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by
Various Artists
Christmas Cocktails, Vol. 2 is an entertaining but unspectacular collection of classic carols performed in a lounge fashion. For connoisseurs of kitsch, it's an entertaining disc, but other listeners might find the camp a little too much to take. Stephen Thomas Erlewine, All Music Guide
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The Dream Team
(1996)
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Jimmy McGriff
Jimmy McGriff moves back to the Milestone label in style with a great soul-jazz quintet, with whom he recorded one of his best Milestone albums, The Starting Five. This time, with no apologies to the notorious O.J. Simpson legal staff, he calls his quintet "the Dream Team" -- and for this kind of music, indeed they are. McGriff strokes his Hammond ...
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Greatest Hits
(1963)
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Jimmy McGriff
Blue Note's Greatest Hits doesn't limit itself to the recordings Jimmy McGriff made for the label during the late '60s and early '70s. Instead, it culls from his Sue, Veep, and Solid State recordings as well, making it a definitive overview of his career as a gritty, funky singles artist. And, as Greatest Hits demonstrates, McGriff could create a ...
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Electric Funk
(1969)
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Jimmy McGriff
The title of Electric Funk may lead you to believe that it's a set of unrepentant, rampaging hard funk, but that's not quite the case. The record is laid-back but undeniably funky, with Jimmy McGriff and electric pianist Horace Ott leading an unnamed group through a set of soul workouts. It's not jazz, it's jazzy soul, and it's among the funkiest ...
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Right Turn on Blues
(1994)
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Jimmy Mcgriff
There was virtually no prior planning for this meeting between organist Jimmy McGriff and altoist Hank Crawford, but none was needed. The veterans had already recorded four prior albums together, so they simply jammed through blues, ballads and a few basic originals without any difficulty; Crawford could play this material blindfolded. McGriff ...
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Road Tested
(1997)
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Hank Crawford & Jimmy McGriff
Jimmy McGriff continued on a high roll on his second tour with Milestone, taping another dual-billed soul-jazz album with the redoubtable Hank Crawford. You know what to expect by now -- hardass, down-home, blues-drenched organ trio-plus-sax grooving -- but this is a really potent gusher of that genre, rising to the level of McGriff's idiom ...
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Giants of the Organ Come Together
(1973)
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by
Jimmy McGriff & Groove Holmes
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Big Noise: A Mambo Inn Compilation
(1994)
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by
Various Artists
This is the first compilation album from the Mambo Inn, London's pioneering world music club. At times the music is far-reaching in its coverage of areas of the world, although all tracks are made to be extremely danceable. There is a definite leaning toward the Latin sound (ahead of the current "Latin wave"), with a number of mambos and the like. ...
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Giants of the Organ in Concert: The Complete Concert
(2004)
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by
Jimmy McGriff & Groove Holmes
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Blue Break Beats, Vol. 1
(1992)
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by
Various Artists
Blue Note released the two-volume Blue Break Beats compilation in the early '90s. The music on Blue Break Beats dates from the late '60s and early '70s, when a large portion of Blue Note's soul-jazz artists began experimenting with funk and rock, creating dense electric fusions that concentrated on rhythm, not improvisation. None of this music has ...
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Tribute to Count Basie
(1966)
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by
Jimmy McGriff
Organist Jimmy McGriff's debut recording for the Solid State label (which has been reissued on a 1996 Laserlight CD) was also his first of many with a big band. McGriff pays tribute to the Count Basie Orchestra by performing ten songs from the Basie book (both of the 1940s and '50s) with a large group that includes many Basie veterans. The ...
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The Big Band of Jimmy McGriff
(1966)
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Jimmy McGriff
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Depression Blues: Blues Ballads for Rainy Day
(1998)
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by
Various Artists
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On the Blue Side
(1989)
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by
Hank Crawford and Jimmy McGriff
One of the most consistent and most soulful of all jazz altoists, Hank Crawford sounds at his best when he has strong melodies to wrap his tone around, and when he can dig into the blues. Both aspects are true during this quartet outing which he co-leads with organist Jimmy McGriff. Crawford sounds particularly strong on "Jumpin' With Symphony Sid ...
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Feelin' It
(2001)
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by
Jimmy McGriff
Some older jazzmen like to feature a lot of young unknowns -- they figure that because someone gave them a break when they were young, they should do the same thing now that they're well established. While that is admirable, there is also something to be said for surrounding yourself with people who have proven track records in your field. Jimmy ...
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One of Mine
(1996)
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Jimmy McGriff
His second album, again on Sue. This has been reissued on Collectables. This session has McGriff with Morris Dow on lead guitar and harmonica, Larry Frazier on rhythm guitar, and Willie "Saint" Jenkins on drums. It features the title cut and "The Last Minute" -- ten hi-energy cuts. Michael Erlewine, All Music Guide
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The Funkiest Little Band in the Land
(1968)
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Jimmy McGriff
This is a collection of McGriff with small bands during the years from 1968 to 1974, before he went to the large orchestra format. Produced by Sonny Lester, many of these appeared on the Groove Merchant label. Includes a lot of funky stuff with titles like"Super Funk," "Fat Cakes," "Groove Fly," and "Dig On it." There are 13 cuts and plenty of ...
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Blue to the 'Bone
(1988)
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Jimmy McGriff
McGriff with Bill Easley on sax, Melvin Sparks on guitar, Bernard Purdie on drums, and Al Grey on trombone. The trombone is not that often found in the small-organ combo format and may not appeal to everyone. Smooth, yet funky. Michael Erlewine & Ron Wynn., All Music Guide
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At the Apollo
(1963)
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Jimmy McGriff
There's no question; organist Jimmy McGriff and company cook up some steaming blues grooves on this live date. Beyond that, though, there is little that distinguishes this set from countless others in the same mold. McGriff and his band are a dynamo when they unite in churning, bluesy bluster. As individual players, however, no one here generates ...
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McGriff Avenue
(2002)
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by
Jimmy McGriff
Still relaxed and wailing on his modified Hammond XB-3 organ, Jimmy McGriff continued to manufacture solid soul-jazz tracks in the 21st century -- although these sessions caused him a bit more trouble than most due to circumstances beyond his control. Originally booked for noon on September 11, 2001, the sessions for this album obviously had to be ...
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Blues Groove
(1995)
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Jimmy McGriff/Hank Crawford Quartet
Organist Jimmy McGriff and altoist Hank Crawford always make for a potent team. With guitarist Wayne Boyd and drummer Vance James completing the quartet, McGriff and Crawford explore an appealing mixture of blues, soulful ballads and riff tunes. Few surprises occur but many of the songs (particularly "Movin' Upside the Blues," "The Sermon," "When ...
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Steppin' Up
(1987)
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by
Hank Crawford and Jimmy McGriff
Altoist Hank Crawford and organist Jimmy McGriff met up for a second time on this 1987 CD, and the results are predictably soulful and pleasing. With guitarist Jimmy Ponder and drummer Vance James completing the quartet and pianist Billy Preston (rarely heard in this type of setting) sitting in successfully on three of the seven numbers, this is a ...
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