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Jazz Family
(1998)
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Heath Brothers
With Percy Heath technically in retirement on Long Island, Jimmy Heath freshly retired from Queens College, and Tootie Heath ready for action, the Heath Brothers had the time to quickly follow their first reunion album with another first-rate collection of bop-based small-combo jazz. On "East of the Sun (And West of the Moon)" and "Easy Living," a ...
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Really Big! [Bonus Track]
(2007)
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Jimmy Heath
Jimmy Heath's first chance to lead a fairly large group, an all-star ten-piece, found him well featured both on tenor and as an arranger/composer. With such colorful players as cornetist Nat Adderley, flugelhornist Clark Terry, altoist Cannonball Adderley, and either Cedar Walton or Tommy Flanagan on piano, Heath introduces a few originals ...
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On the Trail
(1964)
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Jimmy Heath
Unlike some of his other Riverside recordings, the accent on this Jimmy Heath CD reissue is very much on his tenor playing (rather than his arrangements). Heath is in excellent form with a quintet that also includes pianist Wynton Kelly, guitarist Kenny Burrell, bassist Paul Chambers, and drummer Albert "Tootie" Heath. The instantly recognizable ...
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Triple Threat
(1962)
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Jimmy Heath
Jimmy Heath has long been at least a triple threat as a musician (tenor, flute and soprano), arranger and composer. On this 1998 CD reissue, Heath sticks to tenor, performing "Make Someone Happy" and "The More I See You' while joined by pianist Cedar Walton and his two brothers, bassist Percy Heath and drummer Albert "Tootie" Heath. The other five ...
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The Thumper
(1959)
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Jimmy Heath
Jimmy Heath at age 33 made his recording debut as a leader on this Riverside session which has been reissued on CD in the OJC series. The hard bop tenor-saxophonist is in superior form, contributing five originals (of which "For Minors Only" is best known), jamming with an all-star sextet (including cornetist Nat Adderley, trombonist Curtis Fuller ...
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Jazz at Lincoln Center Presents: The Fire of the Fundamentals
(1991)
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by
Various Artists
This CD, which actually features the Lincoln Center Jazz Orchestra on only two selections, has highlights from a variety of concerts held at Lincoln Center during 1991-1993. A fine octet with clarinetist Michael White, trumpeter Wynton Marsalis and pianist Marcus Roberts do an effective re-interpretation of Jelly Roll Morton's "Jungle Blues," ...
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Nice People
(1959)
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Jimmy Heath
While far from unknown, sax player Jimmy Heath has had a low profile relative to the excellence and consistency of his writing and playing. This compilation helps correct that imbalance by spotlighting the seminal hard bopper's sessions recorded for Riverside between 1959 and 1964. The tracks cover small and medium group settings. Seven are Heath ...
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As We Were Saying
(1997)
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Heath Brothers
During the Modern Jazz Quartet's temporary retirement from 1975-83, bassist Percy Heath teamed up with tenor and soprano great Jimmy Heath and drummer Albert "Tootie" Heath (who left after a few years) to form the Heath Brothers. There had been occasional reunions since then, but this is the first record done under the Heath Brothers name in over ...
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Jam Gems: Live at the Left Bank
(2001)
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by
Freddie Hubbard & Jimmy Heath
Recorded "live" at the famous Left Bank ballroom in Baltimore, MD, on June 13th, 1965, trumpeter Freddie Hubbard and tenor saxophonist Jimmy Heath literally blow the roof off during this jam session. Available for the very first time on Label M, Jam Gems is the fifth installment of the "Live" at the Left Bank series released in conjunction with ...
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Brotherly Love
(1981)
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Heath Brothers
By their sixth album, the Heath Brothers (consisting of Jimmy on tenor and soprano, Percy Heath on bass, keyboardist Stanley Cowell, guitarist Tony Purrone and drummer Akira Tana) were sticking to their basic hard bop format, with an occasional poppish tune tossed in to give the group variety and possible commercial potential. This excellent set ...
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Really Big!
(1960)
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by
Jimmy Heath
Jimmy Heath's first chance to lead a fairly large group, an all-star ten-piece, found him well featured both on tenor and as an arranger/composer. With such colorful players as cornetist Nat Adderley, flugelhornist Clark Terry, altoist Cannonball Adderley, and either Cedar Walton or Tommy Flanagan on piano, Heath introduces a few originals ...
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The Professor
(1998)
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by
Jimmy Heath
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Love and Understanding
(1973)
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by
Jimmy Heath
This is one of Jimmy Heath's more unusual and versatile records, and fortunately it has been reissued on CD. Heath switches between tenor, soprano and flute on a diverse program (five originals plus Duke Ellington's "In a Sentimental Mood") that ranges from hard bop to light funk and R&Bish jazz. Heath's sidemen (trombonist Curtis Fuller, cellist ...
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New Picture
(1985)
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by
Jimmy Heath
Ten years after his most recent set as a leader, Jimmy Heath (heard here on tenor and soprano) finally had another opportunity to lead an album of his own. This date, reissued on CD, finds Heath playing in a largely unchanged style from his earlier days, although some of his freer flights hint slightly at the avant-garde. With strong support given ...
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You or Me
(1995)
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Jimmy Heath
Jimmy Heath is in top form throughout this quartet session, which took place on the day his elder sister died after a lingering illness. Backed by his brother Albert "Tootie" Heath on drums, guitarist Tony Purrone, and bassist Kiyoshi Kitagawa, the tenor saxophonist revisits his fluid blues "The Quota" (which is very appropriately full of ...
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You've Changed
(1994)
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by
Jimmy Heath
You've Changed presents journeyman saxophonist Jimmy Heath in an unadorned setting that exhibits his talents in full splendor. Also a noted composer -- three of the pieces here are his -- this session showcases Heath's sound, which is as smoky and sweet as the best whiskey. Heath plays with fluid drive. The composer in him never takes a break as ...
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Jazz World of Don Schlitten
(1998)
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by
Various Artists
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In Motion
(1979)
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by
Heath Brothers
By the time they recorded their second Columbia album (their third overall), the Heath Brothers had changed their personnel a little. Drummer Albert "Tootie" Heath had departed and was replaced by Keith Copeland, while Tony Purrone officially joined as the band's regular guitarist. Holdovers included Jimmy Heath (on tenor, soprano and flute, in ...
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Expressions of Life
(1980)
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Heath Brothers
The Heath Brothers' fourth and final Columbia album has a couple of funky tracks ("Dreamin'" and "Use It, Don't Abuse It") with added personnel, but otherwise features the core of Jimmy Heath on tenor and soprano, bassist Percy Heath doubling on cello, keyboardist Stanley Cowell, guitarist Tony Purrone and drummer Akira Tana. Excellent music ...
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Peer Pleasure
(1987)
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by
Jimmy Heath
The most unusual aspect of this CD is that Jimmy Heath, in addition to his usual tenor and soprano, also plays alto (his original instrument) on two of the six numbers. The material pays tribute to John Coltrane, Sonny Rollins, Ben Webster (an Ernie Wilkins original), and Dizzy Gillespie, and "Ellington's Stray Horn" is included along with a Monty ...
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Jimmy
(1972)
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by
Jimmy Heath
Originally a Cobblestone LP titled The Gap Sealer, this was Jimmy Heath's first chance to lead his own record date since the collapse of the Riverside label in 1964. Heath, heard on tenor, soprano and flute, performs four of his originals, a song by percussionist Mtume (his son), and the standard "Invitation." As it turns out, none of the material ...
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In Motion
(1979)
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by
Jimmy Heath
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The Gap Sealer
(1972)
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by
Jimmy Heath
Some of Heath's finest, most aggressive playing. He is a standout on soprano, flute, and tenor. Ron Wynn, All Music Guide
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Brothers and Others
(1983)
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Heath Brothers
The seventh and final Heath Brothers recording before their official breakup, which has been reissued on CD by Antilles, has a different personnel than their previous few. Jimmy Heath (doubling on tenor and soprano), bassist Percy Heath and keyboardist Stanley Cowell are joined by original member and drummer Albert "Tootie" Heath, plus guest ...
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