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The Village

The Village (2004) more music like this

by James Newton Howard

Brought to life by the Hollywood Studio Symphony and solo violinist Hilary Hahn, James Newton Howard's score for The Village, M. Night Shyamalan's twisty parable of fear and love, is one of the film's most compelling assets, and arguably more eloquent in expressing its themes than its often stilted dialogue. Likewise, Hahn's solos rank among the ...

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Blood Diamond

Blood Diamond (2006) more music like this

by James Newton Howard

The three cuts at the end of the score and official soundtrack for Blood Diamond are worth the price of the ticket alone: the Sierra Leone's Refugee All Stars "Ankala," Emmanuel Jal and Abdel Cadir Salim's "Baai ," and Bal Burea's "When Da Dawg's Come Out to Play," with Masta Kent and Bullets Rhyme. These three cuts are masterful, poignant and ...

see all copies from $14.56!

new only from $14.56!

Wyatt Earp

Wyatt Earp (1994) more music like this

by James Newton Howard

James Newton Howard's luminous Wyatt Earp pays explicit homage to the classic Western scores of Hollywood greats like Dimitri Tiomkin and Alfred Newman. By turns rousing, tender, and bittersweet, it's music of mythic proportions, brilliantly evoking the grandeur of the Old West. Howard subjugates traditional action themes in favor of a pastoral ...

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King Kong [2005 Original Score]

King Kong [2005 Original Score] (1996) more music like this

by John Barry/Original Soundtrack

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Dying Young

Dying Young (1991) more music like this

by James Newton Howard/Kenny G.

Julia Roberts followed Pretty Woman with the pretty depressing Dying Young. If your girlfriend/wife had to drag you to this film, rest assured you can opt out of buying the soundtrack. Like the film, James Newton Howard's score is life-affirming, romantic, and touching. Cameos from Kenny G, Jeffrey Osborne, and King Curtis are woven into Howard's ...

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Prince of Tides

Prince of Tides (1991) more music like this

by James Newton Howard

James Newton Howard's score for Barbra Streisand's The Prince of Tides is a delicate, pretty set of repetitive orchestral themes. Indeed, for a soundtrack, it is amazingly consistent in terms of tone, continually employing swelling strings and slowly played piano figures in what sounds more like music for an air freshener commercial than a drama. ...

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Signs

Signs (2002) more music like this

by James Newton Howard

With Signs, composer James Newton Howard again joins director M. Night Shyamalan for their third collaboration following The Sixth Sense and Unbreakable, and clearly the film presents another thrilling encounter with the supernatural. From his opening "Main Theme," Howard ratchets up the tension, and his music thereafter alternates only between ...

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Hidalgo

Hidalgo (2004) more music like this

by James Newton Howard

For the epic horse-race adventure Hidalgo, Oscar winning composer James Newton-Howard has somehow managed to create the first worldbeat cowboy score. By taking equal parts Lawrence of Arabia, Dances With Wolves, and a whole lot of Aaron Copland, Newton-Howard manages to seamlessly bend the styles to his will, resulting in a fresh, yet familiar ...

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Peter Pan [2003 Original Score]

Peter Pan [2003 Original Score] (2003) more music like this

by James Newton Howard

The producers were wise in their choosing of James Newton Howard to compose the score for P.J. Hogan's big screen rendering of J.M. Barrie's famous children's book, Peter Pan. The former Elton John keyboardist's work on M. Night Shyamalan's Sixth Sense and Signs showcased his ability to blend suspense and whimsy, and skillfully paint a scene from ...

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Atlantis: The Lost Empire

Atlantis: The Lost Empire (2001) more music like this

by James Newton Howard

Like all good Disney soundtracks, there's a requisite end title song/surefire pop hit sung by a young singer ("Where the Dream Takes You," by Mya) and a lot of great, whimsical score music. Atlantis is not a musical animated feature, so this is the only actual music/lyrics song, and it's fairly generic Diane Warren-written fare. James Newton ...

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Primal Fear [Original Score]

Primal Fear [Original Score] (1996) more music like this

by James Newton Howard

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Treasure Planet [Original Score]

Treasure Planet [Original Score] (2007) more music like this

by Original Soundtrack

James Newton Howard's third Disney animated score is a solid if predictable effort in the composer's signature larger-than-life orchestral vein. Like the previous Atlantis: The Lost Empire, Treasure Planet is pure Disney formula, balancing rousing action, cornball comedy, and bittersweet romance in bold, broad strokes. What sets it apart from its ...

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James Newton Howard and Friends

James Newton Howard and Friends (1985) more music like this

by James Newton Howard

Quasi new age with a small amount of jazz flavor. ~ Ron Wynn, All Music Guide

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The Devil's Advocate [Original Score]

The Devil's Advocate [Original Score] (1997) more music like this

by James Newton Howard

James Newton Howard makes a rare but welcome foray into the horror genre with The Devil's Advocate, a chilling but majestic work highlighted by its stunning choral passages. While Howard's signature fusion of symphonics and electronics is the score's backbone, his use of the human voice most effectively communicates the evil lurking within lead Al ...

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Michael Clayton [Original Score]

Michael Clayton [Original Score] (2007)

by James Newton Howard

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Just Cause [Original Score]

Just Cause [Original Score] (1995) more music like this

by James Newton-Howard

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Grand Canyon [Original Soundtrack]

Grand Canyon [Original Soundtrack] (1992) more music like this

by James Newton Howard

A very diverse score by James Newton Howard, it uses everything from rock styles and jazz to delicate orchestral tracks and a huge brass fanfare. It also includes "Searching for a Heart" by Warren Zevon. ~ Tavia Hobart, All Music Guide

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Freedomland

Freedomland (2006) more music like this

by James Newton Howard

Composer James Newton Howard's score for director Joe Roth's urban thriller Freedomland is thick with the melodic and atmospheric soundscapes that have become his forte (King Kong, Sixth Sense). Soft, contemplative piano notes are overtaken by seas of gritty industrial beats and electric guitars, keyboards loop themselves around desperate flashes ...

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The Emperor's Club

The Emperor's Club (2002) more music like this

by James Newton Howard

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The Sheffield Drum & Track Disc

The Sheffield Drum & Track Disc (2004) more music like this

by Various Artists

The Sheffield Lab Drum and Track Disc is an audio reference CD ideal for testing all kinds of sound systems. As its title suggests, it begins with two drum improvisations -- by Jim Keltner and Ron Tutt, respectively -- before offering up instrumentals like "Le Ballade," "Wise to the Lines," and James Newton Howard's "Amuseum." While it may not be ...

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Waterworld [Original Score]

Waterworld [Original Score] (1995) more music like this

by James Newton Howard

In addition to the myriad other problems that hampered Kevin Costner's 1995 mega-turkey Waterworld, producers jettisoned Mark Isham's completed score at the 11th hour, recruiting James Newton Howard to compose a suitable substitute. Whatever the failures of the film itself, Howard's efforts demand praise. A rip-snorting adventure score in the ...

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Diggstown (1992)

by James Newton Howard

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Intersection [Original Score]

Intersection [Original Score] (1993)

by James Newton Howard

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Vertical Limit

Vertical Limit (2000) more music like this

by James Newton Howard

A supremely visceral action score in the grand tradition of Jerry Goldsmith, Vertical Limit operates on pure adrenaline. James Newton Howard breaks no new ground here, but the sheer intensity of his approach renders such arguments moot. Howard's themes are bold and epic, wrought from sweeping string arrangements and piledriving rhythms; self ...

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The Saint of Fort Washington [Original Score] (1993)

by James Newton Howard

What's immediately striking about The Saint of Fort Washington is its simplicity -- such a virtue is quite rare in this age of the modern Hollywood soundtrack, and certainly James Newton Howard is no stranger to sledgehammer dramatics, but his work here boasts a sophistication and focus absent from previous efforts. Howard's newfound grasp of mood ...

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