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Really

Really (1972) more music like this

by J.J. Cale

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Naturally

Naturally (1971) more music like this

by J.J. Cale

J.J. Cale's debut album, Naturally, was recorded after Eric Clapton made "After Midnight" a huge success. Instead of following Slowhand's cue and constructing a slick blues-rock album, Cale recruited a number of his Oklahoma friends and made a laid-back country-rock record that firmly established his distinctive, relaxed style. Cale included a new ...

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Troubadour

Troubadour (1976) more music like this

by J.J. Cale

Producer Audie Ashworth introduced some different instruments, notably vibes and what sound like horns (although none are credited), for a slightly altered sound on Troubadour. But J.J. Cale's albums are so steeped in his introspective style that they become interchangeable. If you like one of them, chances are you'll want to have them all. This ...

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J.J. Cale Live

J.J. Cale Live (2001) more music like this

by J.J. Cale

Cale's live performance style does nothing to quell his reputation for laid-back but pristine guitar playing and reserved "Mississippi John Hurt"-style delivery. A man who truly appreciates the value of restraint, Cale leaves plenty of room for his immaculate guitar lines, even to the point of irony on an ambling version of the previously ...

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The Definitive Collection

The Definitive Collection (1998) more music like this

by J.J. Cale

J.J. Cale's The Definitive Collection is an excellent single-disc collection of the music from one of the most influential singer/songwriters who emerged out of America during the '70s. Just as Townes Van Zandt and Guy Clark define Texas songwriting, Cale is the epitome of the Oklahoma writers. Although most people know him as the writer of Eric ...

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To Tulsa and Back

To Tulsa and Back (2004) more music like this

by J.J. Cale

On his first studio outing in eight years, the mythical Okie troubadour turns in a solid set of his trademark dusty blues tunes. What is not so typical, as with Travel Log from 1990, is that Cale steeps himself in technology and evokes the moods and frameworks of music that intersect with the blues or stand in opposition to them. The keyboards, ...

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Okie

Okie (1974) more music like this

by J.J. Cale

Cale moves toward country and gospel on some songs here, but since those are two of his primary influences, the movement is slight. And longtime producer Audie Ashworth attempts to place more emphasis on Cale's vocals on some songs by double-tracking them and pushing them up in the mix. But much of this is still low-key and bluesy in what was ...

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5

5 (1979) more music like this

by J.J. Cale

As Cale's influence on others expanded, he just continued to turn out the occasional album of bluesy, minor-key tunes. This one was even sparer than usual, with the artist handling bass as well as guitar on many tracks. Listened to today, it sounds so much like a Dire Straits album, it's scary. (Mark Knopfler & Co. had appeared in 1978, seven ...

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Special Edition

Special Edition (1984) more music like this

by J.J. Cale

Sinuous rhythms, conversational singing, and, most of all, intricate, bluesy guitar playing characterize Cale's performances of his own songs. This compilation, covering 11 years of recording, includes the songs Eric Clapton, who borrowed heavily from Cale's style in his 1970s solo work, made famous: "After Midnight" and "Cocaine." William ...

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Closer to You

Closer to You (1994) more music like this

by J.J. Cale

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8

8 (1983) more music like this

by J.J. Cale

Twelve years and eight albums into his recording career, Cale's approach has changed little, and here is another collection of groove tunes that act as platforms for the artist's intricate guitar playing. He is sometimes accompanied by a female vocalist, co-writer Christine Lakeland. William Ruhlmann, All Music Guide

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Shades

Shades (1981) more music like this

by J.J. Cale

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Grasshopper

Grasshopper (1982) more music like this

by J.J. Cale

J.J. Cale drifts toward a more pop approach on this album, starting with the lead-off track, "City Girls," which could almost but not quite be a hit single. The usual blues and country shuffle approach is in effect, but Audie Ashworth's production is unusually sharp, the playing has more bite than usual, and Cale, whose vocals are for the most ...

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The Best Blues Album in the World Ever (2000) more music like this

by Various Artists

Hardly. What is on this two-disc set is a real hodgepodge of new and old tracks by a variety of artists ranging from soul shouters and blues-rockers to the true originators. Disc one gets off to a sluggish start with tracks from Johnny Winter, the Boneshakers, Colin James, Larry McCray, the Kinsey Report, John Hammond, Duke Robillard, and Terry ...

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Travel Log (1990) more music like this

by J.J. Cale

Cale's first album in six years finds him taking a more aggressive stance in terms of tempos and playing, although he remains a man with a profound sense of the groove and, especially as a singer, a minimalist. But as he says, "Shuffle or die." William Ruhlmann, All Music Guide

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Guitar Man (1996) more music like this

by J.J. Cale

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Number 10 (1992) more music like this

by J.J. Cale

There are no major surprises on Cale's tenth outing; fans get the same dependable, unassuming, comfy results, like a well-worn but form-fitting pair of slippers. Subtle licks percolate and resonate from the front-porch jam session on "Jailer" and "Low Rider." "Lonesome Train" and "Shady Grove" choogle along, as amiable as they are hypnotic. The ...

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Collected (2006)

by J.J. Cale

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The Very Best of J.J. Cale (2007) more music like this

by J.J. Cale

With his dry-as-the-desert vocal approach and his sparse, easy, laid-back writing style, not to mention his swampy, reverb-drenched guitar playing, J.J. Cale has one card that he keeps playing over and over again, and more often than not, it takes the trick. Too many Cale songs in a row, though, and it all starts to sound like one big song suite ...

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Ultimate Collection (2004) more music like this

by J.J. Cale

There are numerous best-ofs from J.J. Cale, but this Ultimate Collection disc is the only one that matters. For starters, there are 43 cuts and three discs. The first two CDs are a true representation of Cale's best work from the 1970s and '80s, and disc one would have made a killer hits collection all by itself. Disc two collects fine moments ...

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To Tulsa and Back [Bonus Track] (2004) more music like this

by J.J. Cale

On To Tulsa & Back, his first studio outing in eight years, the mythical Okie troubadour turns in a solid set of his trademark dusty blues tunes. What is not so typical, as with Travel Log from 1990, is that J.J. Cale steeps himself in technology and evokes the moods and frameworks of music that intersect with the blues or stand in opposition to ...

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While My Guitar Gently Weeps (2002) more music like this

by Various Artists

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Anyway the Wind Blows: The Anthology (1997) more music like this

by J.J. Cale

Although it is a little too extensive for casual fans, the double-disc, 50-track Anyway the Wind Blows: The Anthology is a definitive retrospective of J.J. Cale's career, featuring all the highlights over the years. Cale's albums often sound similar, but they are remarkably uneven in terms of quality, which is what makes Anyway the Wind Blows ...

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The Road to Escondido (2006) more music like this

by J.J. Cale/Eric Clapton

Two artists had an enormous impact on Eric Clapton's music in the '70s: Delaney & Bonnie and J.J. Cale. Clapton joined Delaney & Bonnie's backing band after Cream dissolved, an experience that helped him ease away from the bombast of the power trio and into the blend of soul, blues, pop, and rock that defined his solo sound. Delaney Bramlett ...

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Best of J.J. Cale (1993) more music like this

by J.J. Cale

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