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Flow Motion

Flow Motion (1976) more music like this

by Can

The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music ...

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Ege Bamyasi

Ege Bamyasi (1972) more music like this

by Can

The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usual power and ability. Liebezeit, at once minimalist and utterly funky, provides another base of key beat action for everyone to go off on -- from the buried, lengthy solos by Karoli on "Pinch ...

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Delay...1968

Delay...1968 (1981) more music like this

by Can

Although recorded in the late '60s, the material included on Can's Delay...1968 did not appear commercially until 1981. A collection of cuts featuring early vocalist Malcolm Mooney, these seven songs are among the very first Can tunes ever recorded; while nowhere near as intricate or assured as the group's later work, the visceral energy of tracks ...

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Tago Mago

Tago Mago (1971) more music like this

by Can

With the band in full artistic flower and Suzuki's sometimes moody, sometimes frenetic speak/sing/shrieking in full effect, Can released not merely one of the best Krautrock albums of all time, but one of the best albums ever, period. Tago Mago is that rarity of the early '70s, a double album without a wasted note, ranging from sweetly gentle ...

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Anthology 1968-1993

Anthology 1968-1993 (1995) more music like this

by Can

For listeners daunted by Can's long and winding discography, Anthology 1968-1993 presents short-form highlights like "Spoon," "Future Days," "Moonshake," "She Brings the Rain," and 25 others. Yes, the albums are better places to hear all of these tracks, and there's a typically Cannish disregard for chronology or narrative (i.e., don't hope for ...

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Saw Delight

Saw Delight (1977) more music like this

by Can

This effort is a nice mix of trance/groove instrumentals, ethnic sampling, and silly vocals in English. Myles Boisen, All Music Guide

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Cannibalism 1

Cannibalism 1 (1980) more music like this

by Can

Given the cohesion of the group's studio albums, Can's songs work surprisingly well in compilation form, as evidenced by Cannibalism 1, a collection of tracks taken from the first six years of the group's existence. Covering ground from 1969's Monster Movie to 1974's Soon Over Babaluma (although nothing from 1973's superb Future Days makes the cut ...

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Future Days

Future Days (1973) more music like this

by Can

Damo Suzuki's final effort is Can's most atmospheric and beautiful record, a spartan collection of lengthy, jazz-like compositions recorded with minimal vocal contributions. Employing keyboard washes to create a breezy, almost oceanic feel (indeed, two of the tracks are titled "Spray" and "Bel Air"), the mix buries Suzuki's voice to elevate ...

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Can

Can (1979) more music like this

by Can

This one suffers without bassist Holger Czukay, and from overblown pop keyboards. Myles Boisen, All Music Guide

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Soon Over Babaluma

Soon Over Babaluma (1974) more music like this

by Can

With Suzuki departed, vocal responsibilities were now split between Karoli and Schmidt. Wisely, neither try to clone Mooney or Suzuki, instead aiming for their own low-key way around things. The guitarist half speaks/half whispers his lines on the opening groover, "Dizzy Dizzy," while on "Come Sta, La Luna" Schmidt uses a higher pitch that is ...

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Monster Movie (1969) more music like this

by The Can

Can's debut is the only full-length, proper release to feature original vocalist Malcolm Mooney, whose free-form ranting is matched by a raw, aggressive dynamic unlike anything else in the group's canon; driving, dissonant songs like the extraordinary "Father Cannot Yell" and "Outside My Door" even owe a rather surprising debt to psychedelia and ...

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Landed (1975) more music like this

by Can

Another erratic waxing features some great guitar and Babaluma-style grooves, but is unfocused on the whole. Myles Boisen, All Music Guide

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Rite Time (1989) more music like this

by Can

An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite Time is in large part a return to form for the group, especially when one considers how weak Can's last few '70s albums were. Wisely, the quintet doesn't try to replicate the sound they created over ...

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Sacrilege: The Remixes (1997) more music like this

by Can

Anticipating their detractors with an ironic indictment against purity, Can (yes, the band were consulted) stepped aside while a somewhat ponderous collection of remixers mucked about in their back catalog, Sacrilege being the result. Although the album might have been more appropriate a few years earlier (Can sound about as experimental today as ...

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Soundtracks (1970) more music like this

by Can

Malcolm Mooney passes the baton to Damo Suzuki for Soundtracks, a collection of film music featuring contributions from both vocalists. The dichotomy between the two singers is readily apparent: Suzuki's odd, strangulated vocals fit far more comfortably into the group's increasingly intricate and subtle sound, allowing for greater variation than ...

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Out of Reach (1978) more music like this

by Can

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Unlimited Edition (1976) more music like this

by Can

Expanding the original Limited Edition release to a full double-LP/single-CD set, Unlimited is very much a dog's breakfast -- albeit a highly entertaining one -- of previously unreleased performances. Suzuki and Mooney take the spotlight on some songs, while on others the key foursome go at it in their usual way. A number of songs are mere ...

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Gormenghast (2000) more music like this

by Irmin Schmidt

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Inner Space (1985) more music like this

by Can

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Cannibalism 2 (1990) more music like this

by Can

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Impossible Holidays/Musk at Dusk (1998) more music like this

by Irmin Schmidt

In 1998, Mute released Impossible Holidays/Musk at Dusk, which contained two complete albums -- Impossible Holidays (1996, originally released on Fine Line) and Musk at Dusk (1996, also originally released on Fine Line) -- by Can member Irmin Schmidt on one compact disc. Tim Sendra, All Music Guide

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Masters of Confusion (2001) more music like this

by Irmin Schmidt & Kumo

Masters of Confusion is taken from three live sets recorded by veteran CAN keyboardist Irmin Schmidt and drum'n'bass artist Kumo. And that's basically what it consists of; piano and electronic drums, with only subtle sampling and external keyboard effects. The live crowd at these concerts, which featured excerpts from Schmidt's opera Gromenghast, ...

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Anthology: Soundtracks 1978-1993 (1995) more music like this

by Irmin Schmidt

A wide ranging, three-disc compilation of incidental and soundtrack music made for various German films shows little of the Can touch until disc three when things get sonically more interesting with tense, multi-layered soundscapes, dark, rhythmic drones, and some shouted vocals. The previous two discs sound precisely like what they were written ...

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Unlimited Edition [2005 Reissue] (2005) more music like this

by Can

Expanding the original version of Can's Limited Edition release to a full double-LP/single-CD set, Unlimited Edition is very much a dog's breakfast -- albeit a highly entertaining one -- of previously unreleased performances. Damo Suzuki and Malcolm Mooney take the spotlight on some songs, while on others the key foursome go at it in their usual ...

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Axolotl Eyes (2008) more music like this

by Irmin Schmidt

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