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Billy Talent
(2003)
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Billy Talent
Billy Talent takes its curious handle from a character name in the 1996 mock rockumentary Hard Core Logo, which traced the continuing adventures of an aging Vancouver punk band. The reference is probably more resonant in the Talent's home base of Toronto; everywhere else, it's a little awkward. Fortunately, the quartet's eponymous Atlantic release ...
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On Borrowed Time
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Illuminati
Never mind busting on religion, the Illuminati's full-length debut actively seeks salvation in its own way: through the healing power of rock & roll and, more importantly, the act of rendering something as old hat as classic '70s-based hard rock fresh and vital sounding once again. Curiously and -- to their immense credit -- uniquely, the ...
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Shadowhead
(2001)
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Joe Gallant & Illuminati
Joe Gallant's dense compositions pick up where his freakishly stylized arrangements of the Grateful Dead's Blues for Allah and Terrapin Station albums left off: a vivid cross-section of New York's downtown musical life, cross-cutting with abandon among moods and feels like a hungry listener hopping from club to club. He uses his large ensemble, ...
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Resurrection of the Warlock: A Tribute to Mark Bolan & T. Rex
(1998)
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Various Artists
With liner notes by Tony Visconti (which declare he produced over 160 T.Rex titles), the 20 tracks on Resurrection of the Warlock are six more than what appeared on the 1988 vinyl tribute Exalted Companion from the U.K.'sBarricuda Blue Records. Dramarama's "Raw Ramp" comes in crisp and clean on track three, and it shows why that band was a critic ...
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Devil in a Midnight Mass
(2006)
by
Billy Talent
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Terrapin
(1999)
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Joe Gallant & Illuminati
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Ninja Cuts: Flexistentialism
(2003)
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Various Artists
The Ninja Tune label is synonymous with smoky, organic hip-hop beats, and this 1996 compilation was a precursor to the onslaught of "chillout" music that would eventually flood the electronic music market. However, what sets Flexistentialism apart from the rest of those aforementioned compilations (aside from sheer quality of the music itself) is ...
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Music of the Grateful Dead & Beyond
(1998)
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Illuminati
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River Below
(2004)
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by
Billy Talent
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Dead Delites, Vol. 4
(2000)
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Various Artists
Relix's Dead Delites, Vol. 4 collects some of the Grateful Dead's best-known songs as performed by the group's associates and contemporaries. Bob Weir's "Dangerous Relations," Toni Brown's "New Speedway Boogie," Brent Mydland's "Shining Dawn," and Jorma Kaukonen's "Not Fade Away" are among the highlights of this album, which will please fans ...
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Jazz Voice [Knitting Factory]
(1997)
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Various Artists
Among other things, the 1997 Texaco New York Jazz Festival was the occasion for the release of this compilation of vocal jazz artists singing in a variety of styles and deliveries. The cuts are from already issued material from a variety of labels. Irrespective of the source, the result is a smorgasbord of jazz vocalizing by top flight ...
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New York Downtown: Jazz And Other Sounds
(1997)
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by
Various Artists
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Billy Talent [Bonus Tracks]
(2005)
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by
Billy Talent
Billy Talent takes its curious handle from a character name in the 1996 mock rockumentary Hard Core Logo, which traced the continuing adventures of an aging Vancouver punk band. The reference is probably more resonant in the Talent's home base of Toronto; everywhere else, it's a little awkward. Fortunately, the quartet's eponymous Atlantic release ...
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Billy Talent II [Bonus Tracks]
(2006)
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Billy Talent
With no desire to ease fans into the explosive terrain of II, Billy Talent immediately detonate the ominous "Devil in a Midnight Mass" with an electrified energy that most bands need cases of Red Bull (or actual electrocution) to pull off convincingly. Presided over by the furiously snotty vocal cords of Ben Kowalewicz -- who can yelp, sing, and ...
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Billy Talent/Billy Talent II
(2008)
by
Billy Talent
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Red Flag, Pt. 1
(2006)
by
Billy Talent
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Illuminati-Inc
(2006)
by
Illuminati-Inc
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