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The Stone Roses
(1989)
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The Stone Roses
Since the Stone Roses were the nominal leaders of Britain's "Madchester" scene -- an indie rock phenomenon that fused guitar pop with drug-fueled rave and dance culture -- it's rather ironic that their eponymous debut only hints at dance music. What made the Stone Roses important was how they welcomed dance and pop together, treating them as if ...
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Second Coming
(1994)
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The Stone Roses
There's no denying that Second Coming is a bit of a letdown. None of the songs are quite as strong as the best on their debut, but there is plenty of good music on the band's much-delayed second record. The Stone Roses create a dense tapestry of interweaving guitars and pulsing bass grooves. Ian Brown growls a little more than before, but he isn't ...
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The World Is Yours
(2007)
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Ian Brown
The brash young face of the Stone Roses in 1987 would hardly seem to have mellowed into the workmanlike star vocalist of 2007, but Ian Brown (rather) quietly matured into a dependable record-maker, with occasional spots of brilliance in his discography. His second and third records are post-Brit-pop masterpieces, and he's never made a ...
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The Complete Stone Roses
(1995)
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The Stone Roses
The Complete Stone Roses concentrates on the band's first album, compiling the A- and B-sides of the group's hits from "Elephant Stone" to "One Love." In addition to the familiar material, the disc includes rare, early singles like "So Young" and "Sally Cinnamon" for the first time on compact disc, giving their classic material some context. There ...
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Turns Into Stone
(1992)
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The Stone Roses
Brit-pop has never been performed better than on the Stone Roses' self-titled debut album. Coming somewhere near to it, however, is this, Turns into Stone. Admittedly, Turns into Stone isn't made up of entirely original material. Rather, the album is a sort of "best of the Stone Roses' B-sides." Fortunately, these are B-sides of exceptional ...
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Unfinished Monkey Business
(1998)
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Ian Brown
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Golden Greats
(2000)
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Ian Brown
Whatever its flaws, Ian Brown's debut album, Unfinished Monkey Business, suggested that he was the true visionary behind the Stone Roses, providing the wild mercurial ideas that were grounded by John Squire's classicist song structures. Its sequel, Golden Greats, confirms that notion. Less song-oriented than its predecessor and overflowing with ...
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The Greatest
(2005)
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Ian Brown
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One Love
(1990)
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The Stone Roses
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Solarized [US Bonus Track]
(2005)
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Ian Brown
On his fourth solo album, Ian Brown marches on as confidently as ever, mixing mystical aural textures with massively addictive melodies. Album opener "Longsight M13" is as catchy as any song in Brown's back catalog and continues the spacy vibes of his previous full-length effort, Music of the Spheres. "Time Is My Everything" blends Stone Roses ...
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Maximum Ian Brown & the Stone Roses
(2005)
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Ian Brown & The Stone Roses
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Unfinished Monkey Business [Bonus Tracks]
(2005)
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Ian Brown
Several years on, and still everyone is playing that first Stone Roses LP, one of the great achievements in British rock and pop. But the magnificence of that well-loved album has also been the problem since. The Roses spent the early '90s suing the label that released it, then signed a new, bigger deal, released a total dud of a turd of a turkey ...
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Music of the Spheres Deluxe
(2005)
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Ian Brown
Before Music of the Spheres was released, Ian Brown touted it as a return for him to the peak form of his former band, the Stone Roses. As things go in the U.K., many members of the British music press jumped on the comments and appropriated Brown's views as their own. Realistically, Music of the Spheres is a strong, mature album, befitted with ...
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Remixes of the Spheres
(2002)
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Ian Brown
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Golden Greats [Bonus Tracks]
(2005)
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by
Ian Brown
Whatever its flaws, Ian Brown's debut album, Unfinished Monkey Business, suggested that he was the true visionary behind the Stone Roses, providing the wild mercurial ideas that were grounded by John Squire's classicist song structures. Its sequel, Golden Greats, confirms that notion. Less song-oriented than its predecessor and overflowing with ...
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Reign
(2004)
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by
Unkle/Ian Brown
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Solarized
(2004)
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by
Ian Brown
On his fourth solo album, Ian Brown marches on as confidently as ever, mixing mystical aural textures with massively addictive melodies. Album opener "Longsight M13" is as catchy as any song in Brown's back catalog and continues the spacy vibes of his previous full-length effort, Music of the Spheres. "Time Is My Everything" blends Stone Roses ...
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All Ablaze
(2005)
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by
Ian Brown
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Love Like a Fountain [CD #1]
(1999)
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by
Ian Brown
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Urbal Beats, Vol. 3
(1999)
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by
Various Artists
The third volume in Urb magazine's series charting the growth and expansion of electronica adds tracks from a few sources dance fans are unfamiliar with. Next to constantly anthologized artists like Moby, Underworld, and Orbital are appearances from Method Man, the Latin rap band Ozomatli, Florida breaksman DJ Icey, and Asian Dub Foundation. Given ...
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Golden Gaze [CD #1]
(2000)
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by
Ian Brown
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Whispers
(2002)
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by
Ian Brown
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Remixes
(2000)
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by
Stone Roses
With each year that passes after the release of The Stone Roses, the album looks more and more like one of the last truly inspired rock albums. The Remixes, compiled in 2000, sees remixes of ten of that album's tracks that do little to improve or expand upon the exuberant genius of the original John Leckie productions. Indeed, many of the remixers ...
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F.E.A.R. [3 Tracks]
(2001)
by
Ian Brown
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Under the Influence
(2003)
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by
Ian Brown
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