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The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
(2005)
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by
Howard Shore
Appropriately enough for the film adaptation of one fantasy literature's most enduring favorites, Howard Shore's score for Peter Jackson's Lord of the Rings is traditional and majestic, using sweeping strings, brass, and choral sections to create moments of fire-and-brimstone menace as well heroic triumph. An ominous, bombastic feel runs through ...
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The Lord of the Rings: The Fellowship of the Ring
(2001)
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by
Howard Shore
Appropriately enough for the film adaptation of one fantasy literature's most enduring favorites, Howard Shore's score for Peter Jackson's Lord of the Rings is traditional and majestic, using sweeping strings, brass, and choral sections to create moments of fire-and-brimstone menace as well heroic triumph. An ominous, bombastic feel runs through ...
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The Lord of the Rings: The Two Towers
(2002)
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by
Howard Shore
Like the second installment of Peter Jackson's Lord of the Rings trilogy, Howard Shore's score is big, bold, dark, and majestic. This is fitting as the movie is more action-oriented than the first, The Fellowship of the Rings, which -- necessarily -- spent more time on exposition and character development. It's also a good value for the money, as ...
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The Lord of the Rings: The Return of the King
(2003)
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by
Howard Shore
The monumental task of scoring -- in rapid succession -- three of history's most anticipated films has done little to temper the fire that fuels composer Howard Shore's vision and enthusiasm. With each installment of New Line Cinema's Lord of the Rings trilogy, his seemingly bottomless cauldron of memorable motifs and affecting character themes ...
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The Lord of the Rings: The Motion Picture Trilogy [3-CD Set]
(2003)
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by
Howard Shore
Lord of the Rings: The Return of the King is a three-disc collection that spans composer Howard Shore's score for the entire Lord of the Rings trilogy. The Oscar-winning Fellowship of the Ring skillfully births many of the films' main themes. From the familiar opening violin motif of "The Prophecy" to the haunting elven hymn "Lothlorien," Shore ...
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Dogma
(1999)
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by
Howard Shore
Kevin Smith may have said that he considers Dogma "a pro-faith, pro-Catholic, spiritually uplifting dick-and-fart-joke movie," but make no mistake about it -- it was his stab at proving his worth as a visual filmmaker. For all their virtues, his first three films were visually static, something he corrected with Dogma. For the first time, he shot ...
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Eastern Promises
(2007)
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by
Howard Shore
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Cop Land
(1997)
by
Howard Shore
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The Departed [Original Score]
(2006)
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by
Howard Shore
For 2006's gritty Departed, director Martin Scorsese, instead of deftly balancing the film's score with selections from the his notoriously large jukebox of jazz, rock, pop and country tunes as he has done in the past with both Goodfellas and Gangs of New York, split the two into separate releases, allowing fans the option of experiencing composer ...
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The Yards
(2000)
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by
Howard Shore
James Gray's gritty prison drama The Yards features an appropriately dark, spare score composed, orchestrated, and conducted by Howard Shore. Shore leads the London Philharmonic Orchestra through restrained, bleakly beautiful pieces such as "Sunnyside Yards," "Willie," "Confidence in the System," and "Leo," which are driven by mournful reeds and ...
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The Silence of the Lambs
(1991)
by
Howard Shore
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The Lord of the Rings: The Two Towers -- The Complete Recordings
(2006)
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by
Howard Shore
When it opened in theaters, The Lord of the Rings: The Two Towers ran one minute short of three hours; the subsequent DVD version added another 44 minutes. An even greater increase is seen here. The single-disc soundtrack album that was released initially crossed the 70-minute threshold, but this expansion, following a similar one for the first ...
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Sunny Days Again: The Best of Lighthouse
(1999)
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by
Lighthouse
Much like Chicago's early sound, Lighthouse made wise use of their horn and string ensembles to create some rather bright and colorful music in the early '70s. With 13 members, including Don Dinovo on viola, Dick Armin on cello, and Howard Shore as the sax player, who later went on to be the first music director for Saturday Night Live, Lighthouse ...
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M. Butterfly
(1993)
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by
Howard Shore
The most atypical and sublimely beautiful of Howard Shore's myriad collaborations with filmmaker David Cronenberg. Though inspired by the opera that is the source material for Cronenberg's feature, M. Butterfly largely eschews traditional Chinese music in favor of delicate, textured melodies characterized by their uncommon restraint. Employing ...
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Before and After
(1996)
by
Howard Shore
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The Fly
(1986)
by
Howard Shore/London Philharmonic Orchestra
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The Lord of the Rings: The Two Towers [Bonus Track]
(2002)
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by
Howard Shore
Like the second installment of Peter Jackson's Lord of the Rings trilogy, Howard Shore's score is big, bold, dark, and majestic. This is fitting, as the movie is more action-oriented than the first, The Fellowship of the Rings, which -- necessarily -- spent more time on exposition and character development. It's also a good value for the money, as ...
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A History of Violence [Original Score]
(2005)
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by
Howard Shore
The crime thriller A History of Violence, which concerns a Midwestern diner proprietor who may have a dark past revealed when he skillfully foils a robbery attempt, marks the 11th collaboration between director David Cronenberg and composer Howard Shore, who first got together early in their careers for The Brood (1979) and have also produced such ...
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Naked Lunch
(1992)
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by
Howard Shore/Ornette Coleman/London Philharmonic Orchestra
You couldn't do much better for a soundtrack to David Cronenberg's adaptation of William S. Burroughs' beat classic than have Ornette Coleman team up with Howard Shore, a film composer who keeps within the strictures of classic film score ideals and colorations, but explores them with the intelligence of Bernard Herrmann. Coleman's free jazz ...
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The Aviator [Original Score]
(2005)
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by
Howard Shore
One would think that, after spending four years in Middle Earth providing Peter Jackson's The Lord of the Rings trilogy with its gargantuan Oscar-winning score, composer Howard Shore would take a little time off. Instead, the prolific Shore immediately set his sights on Martin Scorsese' s Howard Hughes biopic, The Aviator. Shore wastes little time ...
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Song of the Ages
(2007)
by
Lighthouse
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Sunny Days
(1972)
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by
Lighthouse
The title track to the Sunny Days album became one of Lighthouse's two Top 40 hits, peaking at number 34 in November of 1972. Sunny Days was the band's seventh album, yet their full-scale sound and spirited rock & roll style was still very much intact. The saxophone and trombone work that gave them the label as a poor man's Chicago can be found ...
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The Last Mimzy [Original Soundtrack]
(2007)
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by
Howard Shore
The soundtrack to The Last Mimzy, a film adaptation of Henry Kuttner and C.L. Moore's 1943 short science fiction story Mimsy Were the Borogroves, features a score by Howard Shore and "Hello (I Love You)," a song by Shore and Roger Waters. Appropriately for a film whose story involves two children, what appears to be a mysterious toy box, and an ...
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The Cell [Original Score]
(2000)
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by
Howard Shore
In keeping with the dark, baroque feel of Tarsem's surreal thriller The Cell, composer Howard Shore crafts a heavy, droning score that mixes Middle Eastern, industrial and symphonic elements. While many of these pieces -- such as "Tide Pool," "FBI Pathologist," and "Stargher King" -- work well in the film, removed from that context they become ...
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The Fly/The Fly 2
(2005)
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by
Howard Shore/Christopher Young
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