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The End of Heartache
(2004)
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Killswitch Engage
By fusing the best elements of American metalcore and European melodic death metal (i.e., the Gothenburg school), Massachusetts' Killswitch Engage achieved what hundreds of nu-metal bands only dreamed of: supplying American heavy metal with a viable facelift with which to set itself to rights in the new millennium. The fact that in order to do ...
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The Best of Howard Jones
(1993)
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Howard Jones
The Best of Howard Jones compiles all the necessary material ever put forth by this pop synthesizer master and is overabundant with a hearty 18 tracks. Jones had a remarkable eight Top 40 singles throughout the course of the mid-1980s, churning out keyboard laden dance/pop songs that were bright and lively. His debut album, Human's Lib, was a ...
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Human's Lib
(1984)
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Howard Jones
Human's Lib is fueled by the nonstop synth-pop hooks and brightly textured melodies that went on to be a trademark of Howard Jones. His brand of spirited keyboard-and-lyric exuberance lent itself to a large part of the mid-'80s, especially in Britain. The tracks on Human's Lib are energetic and colorful, coming to life the best on "New Song," a ...
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Dream into Action
(1985)
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Howard Jones
This album shows the synthesizer pop idol at the height of his creativity -- Dream Into Action is definitely the most interesting of Jones' albums. It contains some of his best songs -- "Things Can Only Get Better," "Life in One Day," and "No One Is to Blame." The CD includes two bonus tracks, "Bounce Right Back" and "Like to Get to Know You Well, ...
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One to One
(1986)
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Howard Jones
This is Jones' most musically mature and toned-down album. The synthesizers are less overbearing than on the previous albums, yet the songs are mediocre. One to One reached number ten in the U.K., but did not fare as well in the U.S., peaking at number 56. This album features the revamped "No One Is to Blame," which is inferior to the original ...
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Hit Me with Your 80's Box!
(2002)
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by
Various Artists
Hit Me With Your 80's Box! is a sequel to Hip-O's previous three-disc compilation, I Want My 80's Box!, released six months earlier, and like its predecessor, it contains 42 pop singles chart entries from the 1980s, most of them released between 1981 and 1986, and all of them familiar to anyone who watched MTV in those years. In its first five ...
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Rock On 1985
(1996)
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by
Various Artists
Volume 16 in Madacy's year-by-year overview of the biggest hits of the'70s and '80s charts the beginning of the latter decade's descent into mediocrity -- the excitement of the New Wave and New Romantic movements had given way to the more conventional sounds of Survivor ("The Search Is Over") and Corey Hart ("Never Surrender"), although the ...
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The Peaceful Tour
(2002)
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by
Howard Jones
"That's the fate of all us artists," gripes a writer in Tom Stoppard's play The Real Thing. "People saying they preferred the early stuff." For an artist as inventive and forward-looking as Howard Jones, it takes a certain amount of courage to give those people what they want. In the first dozen years after the synth pop pioneer vanished from the ...
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The Essentials
(2002)
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Howard Jones
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Cross That Line
(1989)
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Howard Jones
After a three-year wait, this album was a bit of a disappointment. Musically, it is his best yet, but it lacked a certain energy that the others had. The songs seemed to replace vivacity with length. The album didn't do very well on the charts; the number 13 single (U.S.), "Everlasting Love," was the biggest hit. Ironically, the best song on this ...
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What Is Love
(2003)
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by
Howard Jones
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Action Replay
(1986)
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by
Howard Jones
This is a six-track mini-album that includes an updated version of "No One Is to Blame" featuring Phil Collins on percussion. This album really isn't worth buying, especially if you have the other Jones albums. ~ Iotis Erlewine, All Music Guide
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The End of Heartache [Bonus Tracks]
(2004)
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by
Killswitch Engage
By fusing the best elements of American metalcore and European melodic death metal (i.e., the Gothenburg school), Massachusetts' Killswitch Engage achieved what hundreds of nu-metal bands only dreamed of: supplying American heavy metal with a viable facelift with which to set itself to rights in the new millennium. The fact that in order to do ...
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Novella of Uriel
(2001)
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Blood Has Been Shed
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Live Acoustic America
(1996)
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by
Howard Jones
In 1992, coinciding with the release of his fifth album, In The Running, Howard Jones undertook a tour of the U.S. accompanying himself on acoustic piano with only a percussionist in support. The tour doesn't seem to have had the desired effect of successfully promoting his current album, which became his first to miss the charts in the U.S. and ...
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Perform '01 [BCI]
(2001)
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by
Howard Jones
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Revolution of the Heart
(2005)
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by
Howard Jones
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Only Dance 1985-1989
(1995)
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by
Various Artists
It's Only Dance 1985-1989 follows the pattern of JCI's It's Only series, offering a seemingly random collection of 20 hits from a given genre or style for a period of five years. These songs weren't necessarily the biggest hits of these five years, although there are a number of classics and smashes here. It may be hard to deduce exactly why these ...
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Rock On: 1989
(1996)
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by
Various Artists
The concluding volume in Madacy's year-by-year overview of the biggest hits of the '70s and '80s ends the series on a disappointing note: although this retrospective look at 1989 is heavy on blockbuster hits, with no less than four chart-toppers (Bad English's "When I See You Smile," Mike + the Mechanics' "The Living Years," Richard Marx's "Right ...
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Rubaiyat: Elektra's 40th Anniversary
(1990)
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by
Various Artists
The label's current artists cover its all-timers, e.g., The Cure meets The Doors. An interesting idea, it has sketchy results. ~ Dan Heilman, All Music Guide
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18 Modern Rock Classics from the 80's
(1996)
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by
Various Artists
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Albert Sammons plays Delius & Rubbra
(2006)
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by
Albert Sammons (violin), Evelyn Howard-Jones (piano), Gerald Moore (piano), Kathleen Long (piano)
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Let the People Have Their Say
(1999)
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by
Howard Jones
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People
(1998)
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by
Howard Jones
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Greatest Hits
(2002)
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by
Howard Jones
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