Your search: Music » Artist: Hilliard Ensemble
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Miserere
(1991)
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by
Arvo Pärt With Hilliard Ensemble & Beethoven Orchestra
This recording shows a different side of Arvo Pärt's compositional work. The title composition has unusual instrumentation: winds and brass, choir and soloists, electric guitar, and bass guitar. The lyrics come slowly, one word per bar at a near pppp volume level. The text comes from Psalm 51, David's "Have Mercy on Me" psalm, before bursting ...
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English and Italian Renaissance Madrigals
(1999)
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by
Hilliard Ensemble
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Josquin Desprez: Motets & Chansons
(1996)
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by
Hilliard Ensemble
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Morimur
(2001)
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by
Christoph Poppen (baroque violin), David James (counter tenor), Hilliard Ensemble
It was quite popular, in the Baroque era, to use numbers and equations for riddles and the hiding of messages; and the study of J.S. Bach's work has revealed that he used numbers symbolic of notes in the major and minor scales formulated into equations and then composed his works around these equations. It was with one such series of equations ...
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Officium
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by
Hilliard Ensemble, Jan Garbarek (sax), Jan Garbarek (sax)
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Arvo Pärt: Arbos
(1987)
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by
Christopher Bowers-Broadbent (organ), David James (counter tenor), Gidon Kremer (violin), Hilliard Ensemble, Lynne Dawson (soprano), Rogers Covey-Crump (tenor), Susan Bickley (alto), Thomas Demenga (cello), Vladimir Mendelssohn (viola)
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Arvo Pärt: Lamentate
(2005)
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by
Aleksei Lubimov (piano), Hilliard Ensemble, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko (conductor)
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Lassus
(1998)
by
Hilliard Ensemble
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Music from the Time of the Crusades
(2006)
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by
Andrea von Ramm (soprano), Andrea von Ramm (mezzo-soprano), Brigitte Lesne (tambourine), Brigitte Lesne (chant), Brigitte Lesne (harp), Charles Brett (counter tenor), Claude Marti (chant), Early Music Consort of London, Emmanuel Bonnardot (chant)
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Mozart: Vespers; Ave verum corpus
(1989)
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by
Cambridge Classical Players (chamber ensemble), David James (vocals), Hilliard Ensemble, Lynne Dawson (soprano), Paul Hillier (bass), Rogers Covey-Crump (vocals), Stephen Layton (organ), Choir of King's College, Cambridge
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Perotin
(1986)
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by
Hilliard Ensemble
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J.S. Bach: Motetten
(2007)
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by
David Gould (counter tenor), David James (counter tenor), Gordon Jones (baritone), Joanne Lunn (soprano), Rebecca Outram (soprano), Robert MacDonald (bass), Rogers Covey-Crump (tenor), Rogers Covey-Crump (organ), Stephen Harrold (tenor)
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Invocation
(1997)
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by
Various Artists
Invocation is a various-artists collection where all the tracks are loosely connected by a vague spirituality. Musically, Invocation is all over the map, featuring new age, contemporary instrumental, choral music, ambient and contemporary classical, as well as a few worldbeat tracks, including a collaboration between the Novum Gaudium Gregorian ...
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Kancheli: Abii ne viderem
(1995)
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by
Kim Kashkashian (viola), Natalia Pschenitschnikova (flute), Stuttgart Chamber Orchestra (chamber ensemble), Vasiko Tevdorashvili (vocals), Hilliard Ensemble (choir, chorus), Dennis Russell Davies (conductor)
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Les tres riches heures du Moyen Age: A Medieval Journey
(1995)
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by
Alfred Deller (vocals), Anonymous 4, Clemencic Consort, Deller Consort, Dominique Vellard (tenor), Drew Minter (counter tenor), Emile Jobin (vielle), Ensemble Organum, Francois Fauche (bass), Gerard Lesne (counter tenor), Gilberte Casabianca (vocals)
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Nicolas Gombert: Missa Media Vita in Morte Sumus
(2006)
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by
Hilliard Ensemble
The music of Flemish composer Nicolas Gombert (accent it like "Dilbert"), active in the first generation after Josquin in the 1530s and 1540s, has remained almost completely untouched by the growth in audience enthusiasm for Renaissance music in recent years. Is this because, according to one of those music-historical sidelights reproduced in the ...
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Gesualdo: Responsoria
(1991)
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by
Ashley Stafford (tenor), David Beavan (bass), David James (vocals), Hilliard Ensemble, John Potter (tenor), Mark Padmore (haute contre vocal), Paul Hillier (baritone), Rogers Covey-Crump (vocals)
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Gateway To Classical Music: Volume 1/Volume 2
(1994)
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by
Alfred Lessing (viola da gamba), Ambrosian Singers (singer), Andre Saint-Clivier (mandolin), Annie Fischer (piano), Ars Musicae Ensemble, Barry Rose (organ), Beniamino Gigli (tenor), Brass Ensemble, Cecile Ousset (piano), Chandos Baroque Players
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Baroque Schütz, Vol. 20: Choral Works
(1996)
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by
Cambridge University Musical Society, Claus Ocker (baritone), Edith Mathis (soprano), Georg Jeiden (tenor), Hilliard Ensemble, London Baroque, Wilbraham Brass Soloists, Knabenkantorei Basel (choir, chorus)
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Centenary Edition 1978-1987, Vol. 9
(1997)
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by
Agnes Baltsa (mezzo-soprano), Alban Berg Quartet, Anne-Sophie Mutter (violin), Bob van Asperen (harpsichord), David Bell (organ), English Chamber Orchestra (chamber ensemble), Frederica Von Stade (mezzo-soprano), Hesperion XX, Hilliard Ensemble
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Codex Speciálník
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by
Hilliard Ensemble (choir, chorus)
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Draw on Sweet Night
(1988)
by
Hilliard Ensemble
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Mnemosyne
(1999)
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by
Jan Garbarek/Hilliard Ensemble
Garbarek and the Hilliard Ensemble waited nearly five years before trying to follow up their surprisingly successful Officium album, but finally they came through with an even more adventurous two-CD set of jazzman-meets-early-music-voices. Here, their range straddles no less than three milleniums (just missing a fourth by a couple of years), from ...
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Mozart: Vespers
(1989)
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by
Cambridge Classical Players, Hilliard Ensemble, Stephen Layton (organ), Choir of King's College, Cambridge (choir, chorus), Stephen Cleobury (conductor)
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Guillaume Dufay
(2008)
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by
Hilliard Ensemble
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