Your search: Music » Artist: Herbie Hancock
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Possibilities
(2005)
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Herbie Hancock
Possibilities is a Herbie Hancock adventure record. This ten-cut smorgasbord features the ever restless pianist, composer, and arranger in the company of literally dozens of artists, from pop singers like Christina Aguilera, Sting, and Annie Lennox to rock legends such as Santana and Paul Simon to relative newcomers like John Mayer, Jonny Lang, ...
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Head Hunters
(1973)
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Herbie Hancock
Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed ...
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Maiden Voyage
(1965)
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Herbie Hancock
Less overtly adventurous than its predecessor, Empyrean Isles, Maiden Voyage nevertheless finds Herbie Hancock at a creative peak. In fact, it's arguably his finest record of the '60s, reaching a perfect balance between accessible, lyrical jazz and chance-taking hard bop. By this point, the pianist had been with Miles Davis for two years, and it's ...
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River: The Joni Letters
(2007)
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Herbie Hancock
When Herbie Hancock released Possibilities (2005), a collaborative effort that paired the great pianist and composer with a group of pop and rock stocks from the world over, it was obvious the restless master was entering a new phase of his long career. In that context, River: The Joni Letters makes perfect sense. Hancock and his fine band -- ...
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Man-Child
(1975)
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Herbie Hancock
Perhaps the funkiest album of Herbie Hancock's early- to mid-'70s jazz/funk/fusion era, Man-Child starts off with the unforgettable "Hang Up Your Hang Ups," and the beat just keeps coming until the album's end. "Sun Touch" and "Bubbles" are slower, but funky nonetheless. Hancock is the star on his arsenal of keyboards, but guitarist Wah Wah Watson ...
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Thrust
(1974)
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Herbie Hancock
The follow-up to the breakthrough Headhunters album was virtually as good as its wildly successful predecessor: an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force. There is only one change in the Headhunters lineup -- swapping drummer Harvey Mason for Mike Clark -- and the switch results in grooves that are even ...
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Speak Like a Child [RVG Edition]
(2005)
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Herbie Hancock
Between 1965's Maiden Voyage and 1968's Speak Like a Child, Herbie Hancock was consumed with his duties as part of the Miles Davis Quintet, who happened to be at their creative and popular peak during those three years. When Hancock did return to a leadership position on Speak Like a Child, it was clear that he had assimilated not only the group's ...
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1+1
(1997)
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Herbie Hancock & Wayne Shorter
Beyond category or idiom, audacious in its very idea, Herbie Hancock and Wayne Shorter perform a little over an hour of spontaneous improvised duets for grand piano and soprano sax. That's all -- no synthesizers, no rhythm sections, just wistful, introspective, elevated musings between two erudite old friends that must have made the accountants at ...
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Flood
(1975)
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Herbie Hancock
Herbie Hancock and the Headhunters take to the road in the live double album Flood, recorded and released only in Japan. Contrary to the impression left by his American releases at this time, Hancock was still very much attached to the acoustic piano, as his erudite opening workout on "Maiden Voyage/Actual Proof" with his funk rhythm section makes ...
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Sound-System
(1984)
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Herbie Hancock
In the grand tradition of sequels, Sound-System picks up from where Future Shock left off -- if anything, even louder and more bleakly industrial than before (indeed, "Hardrock" is "Rockit" with a heavier rock edge). Yet Hancock's experiments with techno-pop were leading him in the general direction of Africa, explicitly so with the addition of ...
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Third Plane
(1977)
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Ron Carter with Herbie Hancock and Tony Williams
This reunion of Miles Davis' mid-'60s rhythm section (bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams) has its moments but is not particularly memorable. Performing three of Carter's songs, one apiece from Hancock and Williams, and the standard "Stella by Starlight," the solos are fine, but on the whole, little special occurs ...
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The Essential Herbie Hancock
(2006)
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Herbie Hancock
Calling a two-disc retrospective of the varied and celebrated career of Herbie Hancock "essential" is a tall order to fill. Sony/BMG's Legacy does, as would be expected, an incomplete but decent job at offering a fine representative look at the artist, and at choosing best-known cuts to do so. This set is admirably cross-licensed by producer Bob ...
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Empyrean Isles
(1964)
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Herbie Hancock
My Point of View and Inventions and Dimensions found Herbie Hancock exploring the fringes of hard bop, working with a big band and a Latin-flavored percussion section, respectively. On Empyrean Isles, he returns to hard bop, but the results are anything but conventional. Working with cornetist Freddie Hubbard, bassist Ron Carter, and drummer Tony ...
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Cantaloupe Island
(1995)
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Herbie Hancock
A mini-retrospective of Herbie Hancock's early years as a jazz artist, this six-track CD touches on some of his best-known small-ensemble works from that period. Of his first five albums for Blue Note Records from 1963-1965, Takin' Off, My Point of View, Empyrean Isles, and Maiden Voyage are represented -- his third and perhaps most individually ...
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New Standard
(1995)
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Herbie Hancock
On first glance this record would not seem to have much promise from a jazz standpoint. Herbie Hancock performs a set of tunes which include numbers from the likes of Peter Gabriel, Stevie Wonder, Sade, Paul Simon, Prince, the Beatles ("Norwegian Wood") and Kurt Cobain. However by adding vamps, reharmonizing the chord structures, sometimes quickly ...
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The Best of Herbie Hancock: The Blue Note Years
(1988)
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Herbie Hancock
Mirroring his onetime boss and mentor Miles Davis' own protean output, Herbie Hancock has explored hard bop, soul-jazz, fusion, funk-rock, soundtracks, hip-hop-inflected pop ("Rockit"), and many permutations in between. His early work for Blue Note, though, offers the best entrée for newcomers. Compiled from five of his albums for the label and ...
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The Herbie Hancock Box
(2002)
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Herbie Hancock
Given that Blue Note Records has issued a definitive 1960s box set of Hancock's earliest -- and some consider his most seminal -- work, and the literally dozens of best-ofs that have been issued, more by Columbia than by anybody else, this set with its spare futuristic design might at first glance seem like overkill, as in, "do we really need ...
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Jazz to the World
(1995)
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Various Artists
This Christmas jazz album has a wide variety of generally enjoyable performances by 16 different groups. High points include a funny version of "Baby, It's Cold Outside" by singers Dianne Reeves and Lou Rawls, a Herbie Hancock-Eliane Elias piano duet on "I'll Be Home for Christmas," and Holly Cole's "Christmas Blues." The other performers include ...
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A Twist of Jobim
(1997)
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Various Artists
The debut release from the I.E. label (which is connected with Polygram) is an unusual multi-artist tribute to the music of Antonio Carlos Jobim. Some of his tunes are made funky (but in a melodic and tasteful way), while others become quiet (but still passionate) ballads. The treatments are all jazz-oriented, and there is plenty of solo space for ...
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Gershwin's World
(1998)
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Herbie Hancock
Gershwin's World is a tour de force for Herbie Hancock, transcending genre and label, and ranking among the finest recordings of his lengthy career. Released to coincide with the 100th anniversary of George Gershwin's birth, this disc features jazzman Hancock with a classy collection of special guests. The most surprising of Hancock's guest ...
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Future Shock
(1983)
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Herbie Hancock
Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables -- and the immediate result was "Rockit," which makes quite a post-industrial metallic racket. Frankly, the whole record is an ...
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Crossings
(1971)
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Herbie Hancock
With the frenzied knocking of what sounds like a clock shop gone berserk, Crossings takes the Herbie Hancock Sextet even further into the electric avant-garde, creating its own idiom. Now, however, the sextet has become a septet with the addition of Dr. Patrick Gleeson on Moog synthesizer, whose electronic decorations, pitchless and not, give the ...
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Takin' Off
(1962)
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Herbie Hancock
Herbie Hancock's debut as a leader, Takin' Off, revealed a composer and pianist able to balance sophistication and accessibility, somewhat in the vein of Blue Note's prototype hard bopper Horace Silver. Yet while Hancock could be just as funky and blues-rooted as Silver, their overall styles diverged in several ways: Hancock was lighter and more ...
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The Best of Herbie Hancock: The Hits
(2000)
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Herbie Hancock
This CD is a collection of Herbie Hancock's best-known work from his fusion years, beginning with two tracks from the seminal Head Hunters: the 15-minute psychedelic soul opus "Chameleon," and the African remake of "Watermelon Man." It then traces his explorations of funk with tracks like "You Better Bet Your Love" and "Ready or Not," and his ...
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MTV Class of 1983
(1995)
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Various Artists
The double-disc MTV Class of 1983 attempts to distill the essence of early MTV to 30 tracks from the biggest names and most popular one-hit wonders of that year. The approach works remarkably well, as the compilation features many new wave classics that effortlessly evoke 1983. The sheer size of MTV Class of 1983 distinguishes it from other new ...
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