Berg: Lulu (Original Version) (2002) more music like this

by Dimitri Lopatto (vocals), Eugenia Zareska (vocals), Heinz Rehfuss (vocals), Ilona Steingruber (vocals), James Loomis (vocals), Kurt Ruesche (vocals), Luisa Ribacchi (vocals), Ratko Delorko (vocals), Scipio Colombo (vocals), Tommaso Frascati (vocals)

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Bach: Mass in B minor (2005) more music like this

by Elisabeth Schwarzkopf (soprano), Heinz Rehfuss (bass), Kathleen Ferrier (contralto), Marga Höffgen (contralto), Nicolai Gedda (tenor), Singverein der Gesellschaft der Musikfreunde (Women) (choir, chorus), Herbert von Karajan (conductor)

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Stravinsky: Ballets (1994) more music like this

by Basia Retchitzka (soprano), Doris Rossiaud (piano), Heinz Rehfuss (bass), Hugues Cuénod (tenor), Jacques Horneffer (piano), Lucienne Devallier (contralto), Renee Peter (piano), Roger Aubert (piano), Vladimir Diakoff (bass)

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Gounod: Faust (1997) more music like this

by Heinz Rehfuss (bass), Léopold Simoneau (tenor), Liliane Berton (mezzo-soprano), Pierrette Alarie (soprano), Vienna Opera Chorus (choir, chorus), Wiener Festspielorchester, Gianfranco Rivoli (conductor)

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Musica Viva (2000) more music like this

by Eva Maria Rogner (soprano), Hans Günther Nöcker (bass), Hans Herbert Fiedler, Heinz Rehfuss (baritone), Heinz Rehfuss (bass), Jean DeSailly, Jeanne Deroubaix (mezzo-soprano), Lorenz Fehenberger (tenor), Yvonne Loriod (piano)

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Dittersdorf: Arcifanfano, King of Fools (1992) more music like this

by Anna Russell (vocals), David Rae Smith (vocals), Eleanor Steber (vocals), Heinz Rehfuss (vocals), John McCollum (vocals), Joseph Sopher (vocals), Patricia Brooks (vocals), Clarion Music Society Orchestra, Newell Jenkins (conductor)

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Ravel: L'Enfant et les Sortileges (1997) more music like this

by Adrienne Migliette (vocals), Andre Vessieres (vocals), Flora Wend (vocals), Geneviève Touraine (vocals), Gisèle Bobillier (vocals), Heinz Rehfuss (vocals), Hugues Cuénod (vocals), Juliette Bise (vocals), Lucien Lovano (vocals)

Ernest Ansermet's approach to L'Enfant et les Sortilèges highlights the perspective of the Child. The opening motif for two oboes, for example, is meandering and annoying, perfectly reflecting the Child's boredom and peevishness. The extreme eccentricities of the apparitions are heard in high relief, emphasizing the individuality of the vocal ...

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Lieder Inédits (2004) more music like this

by Doris Rossiaud (piano), Heinz Rehfuss (baritone), Maroussia Le Marc'hadour (piano), Rose Dobos (piano)

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Gounod: Roméo et Juliette (1997) more music like this

by Charles Cambon (vocals), Claudine Collart (vocals), Heinz Rehfuss (vocals), Janine Micheau (vocals), Louis Rialland (vocals), Odette Riquier (vocals), Pierre Mollet (vocals), Raoul Jobin (vocals), Paris National Opera Theater Chorus (choir, chorus)

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Stravinsky: Ballets; Stage Works; Orchestral Works (2001) more music like this

by Basia Retchitzka (soprano), Boris Carmeli (bass), Carlo Franzini (tenor), Doris Rossiaud (piano), Gerald English (tenor), Heinz Rehfuss (baritone), Helen Watts (vocals), Hugues Cuénod (tenor), Jacques Horneffer (piano), Joan Carlyle (vocals)

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Gounod: Roméo et Juliette more music like this

by André Philippe (vocals), Camille Rouquetty (vocals), Charles Cambon (vocals), Claudine Collart (vocals), Heinz Rehfuss (vocals), Janine Micheau (vocals), Louis Rialland (vocals), Odette Riquier (vocals), Pierre Mollet (vocals), Raoul Jobin (vocals)

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Mozart: Le Nozze di Figaro more music like this

by Andre Vessieres (vocals), Christiane Gayraud (vocals), Heinz Rehfuss (vocals), Hugues Cuénod (vocals), Madeline Ignal (vocals), Marcello Cortis (vocals), Pilar Lorengar (vocals), Rita Streich (vocals), Rolando Panerai (vocals)

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Léopold Simoneau & Pierrette Alarie, Vol. 1 more music like this

by Bernard Cottret (vocals), Catharina Delfosse (soprano), Eugenia Zareska (vocals), Georges Abdoun (vocals), Gerard Serkoyan (vocals), Grace Hoffmann (alto), Heinz Rehfuss (bass), Jean Cocteau, John Newmark (piano), Joseph Rouleau (bass)

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Stravinsky Conducts Stravinsky (2006) more music like this

by Heinz Rehfuss (baritone), Helmut Krebs (tenor), Maria Bergmann (piano), Martha Mödl (mezzo-soprano), Otto van Rohr (baritone), Peter Pears (tenor), Werner Hessenland (spoken word), North German Radio Choir (choir, chorus), Igor Stravinsky (conductor)

At the end of the twentieth century, Igor Stravinsky's stock was riding high as critics of various kinds began to agree separately that he may have been the greatest composer of the Modern Era. However, even before that, critical appraisals of Stravinsky's work as a conductor took an about-face. During his lifetime, and even a little after, ...

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Beethoven: Fidelio (2006) more music like this

by Christel Goltz (vocals), Erich Wenk (vocals), Giuseppe Zampieri (vocals), Gladys Kuchta (vocals), Heinz Rehfuss (vocals), Helmut Kretschmar (vocals), Horst Sellentin (vocals), Julius Patzak (vocals), Karl Kümmel (vocals), Melitta Muszely (vocals)

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