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Gladiator [2000 Original Score]
(2000)
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Hans Zimmer/Lisa Gerrard
The original soundtrack to Ridley Scott's Gladiator features an original score composed by Academy Award winner Hans Zimmer and Golden Globe nominee and former Dead Can Dance member Lisa Gerrard. The duo's dramatic music incorporates traditional orchestral elements, ancient and indigenous instruments, and Gerrard's haunting vocals to create a ...
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Pirates of the Caribbean: Dead Man's Chest
(2006)
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Hans Zimmer
The always dependable Hans Zimmer took the wheel from Klaus Badelt on 2006's Pirates of the Caribbean: Dead Man's Chest, the sequel to Disney's surprise blockbuster smash Pirates of the Caribbean: The Curse of the Black Pearl. The Curse of the Black Pearl score was a mishmash of several composers, and its weaknesses were derived from the resulting ...
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The Power of One
(1992)
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Hans Zimmer
Hans Zimmer delivers a bright and impeccable score on The Power of One, drawing from traditional hymnals and incorporating the Bulawayo church choir against lush orchestral drumming backdrops. The film, directed by John Avildsen (Rocky and The Karate Kid) centers around the director's favorite theme of one young man who defeats great odds to ...
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The Last Samurai
(2003)
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Hans Zimmer
Hans Zimmer's score for Edward Zwick's samurai epic The Last Samurai mixes his own densely composed style with Japanese instruments and melodies, resulting in a brooding, atmospheric collection of music. Shakuhachi and other flutes, koto, and taiko drums make their presence known throughout the score, most effectively on compositions like "A Way ...
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The Holiday
(2006)
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Hans Zimmer
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The Rock [Original Soundtrack]
(1996)
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Hans Zimmer/Nick Glennie-Smith/Harry Gregson-Williams
Composed in tandem with Media Ventures partners including Nick Glennie-Smith and Harry Gregson-Williams, Hans Zimmer's The Rock typifies the bigger-is-better film scoring sensibilities that defined Hollywood in the mid-'90s -- with its bombastic electronics, relentless bass, and blast-furnace eruptions of dissonance, the music is an overwhelming ...
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Crimson Tide
(1995)
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Hans Zimmer
For better or for worse, Hans Zimmer's Crimson Tide remains one of the defining film scores of the 1990s -- the first and most popular of the electronic action scores that dominated the genre throughout the latter half of the decade, its propulsive, bombastic approach perfectly captures the artifice and soullessness of a Hollywood era dominated by ...
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King Arthur
(2004)
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Hans Zimmer
Since Alan Jay Lerner wrote the libretto for the Broadway musical Camelot in 1960, presentations of the legend of King Arthur and the Round Table have tended to focus, as that version did, on the romantic triangle between Arthur, his queen Guinevere, and the knight Lancelot. Director Antoine Fuqua's 2004 film King Arthur, however, which was ...
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Pearl Harbor [Original Soundtrack]
(2001)
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Hans Zimmer
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Black Hawk Down
(2002)
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Hans Zimmer
Once again, director Ridley Scott has employed composer Hans Zimmer to score a motion picture, following their collaboration on Gladiator (2000) and Hannibal (2001). From ancient Rome to the world of a serial killer, Scott's settings vary considerably, and Black Hawk Down presents yet another musical challenge, set in Mogadishu, Somalia, during a ...
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Beyond Rangoon [Original Soundtrack]
(1995)
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Hans Zimmer
Beyond Rangoon remains composer Hans Zimmer's most effective and fully realized embrace of ethnic music tropes -- channeling the Southeast Asian traditions of the film's titular setting, Zimmer employs pipes, wood flutes, and native rhythms to vivid effect, deftly sidestepping the megawatt overkill that undermines his more conventional Hollywood ...
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The Da Vinci Code [Original Soundtrack]
(2006)
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Hans Zimmer
It is tempting to think that even Hans Zimmer, a composer who has written music for cinema projects large and small -- mostly large -- for decades, would be intimidated by the responsibility of composing an original soundtrack score for Ron Howard's film adaptation of Dan Brown's pulp fiction blockbuster The Da Vinci Code. Apparently not. While ...
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Hannibal
(2001)
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Hans Zimmer
Hannibal, director Ridley Scott's follow-up to Jonathan Demme's The Silence of the Lambs, is a very different work from its predecessor. A mystery/thriller, The Silence of the Lambs focused on the tense exchanges between a highly intelligent serial killer and a novice FBI agent in an American prison, and Howard Shore's score echoed the film's ...
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As Good as It Gets
(1998)
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Hans Zimmer
The soundtrack to James L. Brooks' edgy romantic comedy As Good as It Gets mainly consists of Hans Zimmer's lightly swinging, occasionally melodramatic score. Zimmer's fine score is balanced by five pop songs: Nat King Cole's "For Sentimental Reasons," Danielle Brisebois' "Everything My Heart Desires," Shawn Colvin's "Climb On (A Back That's ...
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Mission Impossible 2 [Score]
(2000)
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Hans Zimmer
Hans Zimmer's music for Mission Impossible 2 blends rock, electronica, world, and symphonic elements into an uneven score that ranges from successful eclecticism to bombastic predictability. Some of Zimmer's most interesting and effective moments are his quietest: subtle, sensual, flamenco-inspired pieces like "Seville" and "Nyah" (which features ...
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Gladiator: More Music From the Motion Picture
(2001)
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by
Hans Zimmer/Lisa Gerrard
This second soundtrack compilation for Ridley Scott's sword and toga epic, Gladiator, hit stores nine months after the movie's initial release. It was timed to capitalize on the film's front-runner status in the 2000 Oscar horse race, but it would be shortsighted to dismiss the disc as a wholly mercenary attempt to milk the Gladiator cash cow. ...
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Millennium: Tribal Wisdom and the Modern World
(1992)
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Hans Zimmer
Long recognized for his work in film and television, Hans Zimmer composed the music on this album for the ten-hour PBS series, Millennium: Tribal Wisdom and the Modern World. The series was developed not only to depict the drama of survival of indigenous cultures, but to explore new possibilities for our "progress-oriented" societies by trying to ...
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The Thin Red Line
(1999)
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Hans Zimmer
Hans Zimmer's Oscar-nominated score for reclusive director Terrence Malick's ambitious James Jones adaptation -- only the director's third film in 25 years -- is one of his most subtle and sophisticated yet. Then again, it's not as if the German-born composer has ever been known as a master of bombast or overstatement -- Max Steiner he is not ...
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Point of No Return
(1993)
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Hans Zimmer
The soundtrack to the 1993 Bridget Fonda vehicle (and remake of Luc Besson's Nikita) Point of No Return is in two halves. The first features the distinctive work of composer Hans Zimmer, who here melds tense, moody new age soundscapes to touches of conventional symphonic scoring. The effect works best on "Happy Birthday, Maggie" and "Hells Kitchen ...
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Wings of Film: The Music of Hans Zimmer Live
(2001)
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Hans Zimmer
This is an album of excerpts from Hans Zimmer's film scores, performed at a concert at the Flanders International Film Festival by Zimmer with the VRO Flemish Radio Orchestra conducted by Dirk Brossé and featuring many guest soloists. Zimmer, a German-born veteran of the 1970s and '80s British rock scene (he was a member of the Buggles of "Video ...
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Nine Months
(1995)
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Hans Zimmer
The ubiquitous Hans Zimmer provides the bulk of the material on the soundtrack to Christopher Columbus' 1995 romantic comedy. Taking an organic approach, strings dominate the instrumental tracks that are mostly somber and delicate in nature, keeping in line with the film's underlying serious theme of a confirmed bachelor facing the unexpected ...
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The British Years
(2006)
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Hans Zimmer
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Green Card
(1980)
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Hans Zimmer
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The Simpsons Movie [Limited Edition Packaging]
(2007)
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by
Hans Zimmer
One thing is clear from the soundtrack to The Simpsons Movie -- the long-awaited silver screen debut of Matt Groening's timeless cartoon family is not a musical. It may not be a musical, but it is surely the soundtrack to a big-screen spectacular, meaning that the zany, zesty work of Alf Clausen has been traded in for the lush, symphonic touch of ...
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The Ring/The Ring Two
(2005)
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by
Hans Zimmer/Henning Lohner/Martin Tillman
When the horror film The Ring, director Gore Verbinski's English-language remake of the Japanese movie Ringu, was released in October 2002, it was not thought to rate a soundtrack album. But $250 million in worldwide grosses later, that must have seemed like a mistaken decision, so DreamWorks Pictures and Decca Records made up for it with the ...
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