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You Don't Know My Mind
(1998)
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by
Guy Davis
You Don't Know My Mind brings back the familiar, friendly growl of modern-day traditionalist Guy Davis, with a pipin' hot baker's dozen of his compositions. Again, on this disc Davis has some extremely able players to help augment his songs and support his vision of them, never overplaying or getting in the way, but providing that constant base of ...
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Give in Kind
(2002)
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by
Guy Davis
Guy Davis has developed into a consummate bluesman. He's listened hard to classic Delta blues and based his style on it, without ever becoming a carbon copy of the greats. Instead they're his jumping-off point into something as individual as "Layla, Layla," where didgeridoo makes an appearance, or the poignant "Joppatowne." Equally adept on guitar ...
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Where Have All the Flowers Gone: The Songs of Pete Seeger
(1998)
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by
Various Artists
After listening to this multi-artist two-CD celebration of Pete Seeger's songs, you'll be delighted to read in the liner notes that it's "just the beginning of at least four volumes." Producer Jim Musselman calls the package a "labor of love," and that's clearly what it was. Musselman did a terrific job of choosing the songs from Seeger's vast ...
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Down at the Sea Hotel
(2007)
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by
Various Artists
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Chocolate to the Bone
(2003)
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by
Guy Davis
With each new release, the clothes of an old bluesman fit Guy Davis more and more comfortably. By now the blues are completely a part of who he is, so when he reworks an old Sleepy John Estes song into the opener, "Limetown," it feels completely natural; even with the familiar "Rollin' And Tumblin'" riff. He mixes it up well between covers and ...
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Mali to Memphis: An African-American Odyssey
(1999)
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by
Various Artists
Mali to Memphis: An African-American Odyssey purports to show the cultural connection of West African music and American blues by example. In this, the compilation is fairly successful. On listening to the opening track, "Mon Amour, Mon Cherie," by Amadou & Mariam, you immediately make a mental connection to the CD's last track, Taj Mahal's ...
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Butt Naked Free
(2000)
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by
Guy Davis
Making sure that country-blues starts the 21st century off on the right foot, Guy Davis' Butt Naked Free, whose title was inspired by the comments of Davis' young son, is one of the most accomplished statements the genre has offered in a few years. Picking up where 1998's You Don't Know My Mind left off, Davis once again has decided to fill out ...
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House on Fire, Vol. 2: An Urban Folk Collection
(1997)
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by
Various Artists
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Skunkmello
(2006)
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by
Guy Davis
Guy Davis is a smart singer/arranger, having realized sometime back that the blues world encompassed more than electric Chicago bands and Delta-style soloists. On Skunkmello, he finds joy in moving from style to style, and even improvising by throwing several things into the mix to see what will happen. The collection kicks off with two covers, ...
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On Air
(2007)
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by
Guy Davis
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Legacy
(2004)
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by
Guy Davis
With the exception of the opening "Uncle Tom's Dead," which is a blues versus rap debate of only minimal interest, Guy Davis' Legacy consists of the blues from various genres. Alternating older material with his recent originals (some of which sound more traditional than the vintage songs), Davis plays straight-ahead blues, country blues, a couple ...
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Call Down the Thunder
(1996)
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by
Guy Davis
From the infectious opening notes of "Georgia Jelly Roll" through the stomping sounds of the closing "New Shoes," Call Down the Thunder is honest, raw, from-the-gut blues music, imbued with the joy of a gospel meeting. Guy Davis is a master storyteller, penning ten of the 13 songs included here. His slide playing is exceptional and at times very ...
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The Handy Award Nominees, Vol. 1
(2001)
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by
Various Artists
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Kids, Cars and Campfires
(2001)
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by
Various Artists
You don't have to be a kid to appreciate this collection of children's folk songs, which are drawn from previously issued CDs on the Red House label. Luckily, its roster includes artists with a real affinity for this genre: Tom Paxton, for one, devotes a big chunk of his repertoire to songs for kids. The lyrics and music here boast a playfulness ...
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Root Awakening
(1998)
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by
Various Artists
The reason for this Red House Records label sampler is suggested in a note on the back of the CD booklet that outlines the independent Minnesota folk label's challenge in exposing its artists: "Unfortunately, this is music that is not often heard on commercial radio or TV." It is, however, heard on public and college radio and, as the sleeve note ...
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Voices [Windham Hill]
(1995)
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by
Various Artists
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Sweetheart Like You
(2009)
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by
Guy Davis
Guy Davis continues to explore the almost forgotten territory of acoustic African-American folk music, field hollers, shouts, rags, and gospel songs in a style that predates the blues and has much in common with the white Appalachian music that existed until the record companies separated it into race and hillbilly music. "Slow Motion Daddy" is a ...
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Stomp Down the Rider
(1995)
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by
Guy Davis
Guy Davis' debut, Stomp Down the Rider, is a surprisingly fresh collection of acoustic blues. Davis already sounds like a seasoned pro, delivering crisp, intelligent and passionate songs that suggest he's only beginning to achieve his potential. ~ Thom Owens, All Music Guide
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Moving to Blackwater
(2004)
by
Reuben
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