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Endless Summer [Bonus Tracks]
(2001)
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by
Fennesz
With a title and cover artwork so obviously referring to the Beach Boys, one had to anticipate that this 2001 full-length CD by Fennesz would be more melodious than usual. It is, but you'll only get as close to surf music as the imagination of an experimental electronica artist from Vienna, Austria, will allow you to -- and that's still quite far. ...
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Cendre
(2007)
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by
Fennesz Sakamoto
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Venice
(2004)
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by
Fennesz
Talk about "highly anticipated": fans of Fennesz had three years to marvel in his Endless Summer CD. Meanwhile, the album became a hit in left-field electronica, exerted a major influence on countless sound-alikes, and even allowed Fennesz to break -- however slightly -- into the mainstream. Is Venice better than Endless Summer? No, but the fact ...
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Field Recordings 1995-2002
(2002)
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by
Fennesz
The title of this collection and the beautiful photographs chosen by Jon Wozencroft for the packaging hint at something bucolic and down to earth, framing this electronic and rather abstract music in a paradoxical setting. After all, art is often born out of contrasts. Field Recordings 1995-2002 culls rare EPs and compilation tracks by one of ...
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Hotel Paral.lel [Bonus Track]
(1997)
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by
Fennesz
As bizarre as it was, Fennesz's previous release for Mego -- Instrument EP -- is made positively accessible by this, his full-length debut. Skipping across droning, machinic ambient, minimal experimental techno, and abstract, beat-oriented electronica, the album draws copiously from compositional styles the artist clearly (and thankfully) has ...
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Afternoon Tea
(2000)
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by
Oren Ambarchi/Fennesz/Pimmon/Rehberg/Keith Rowe
This group of minimal electronica newcomers join elder statesman of the avant-garde Keith Rowe, a guitarist most recognized as a member of pioneering British improvisation group AMM. The abstractionist was creating music from noise and other sonic detritus as early as the mid-'60s and quite possibly before his collaborators on this album were born ...
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Endless Summer
(2001)
more music like this
by
Fennesz
With a title and cover artwork so obviously referring to the Beach Boys, one had to anticipate that this 2001 full-length CD by Fennesz would be more melodious than usual. It is, but you'll only get as close to surf music as the imagination of an experimental electronica artist from Vienna, Austria, will allow you to -- and that's still quite far. ...
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from $12.99!
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Fennesz Plays
(1999)
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by
Fennesz
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Hotel Paral.lel
(1997)
more music like this
by
Fennesz
As bizarre as it was, Fennesz's previous release for Mego -- Instrument EP -- is made positively accessible by this, his full-length debut. Skipping across droning, machinic ambient, minimal experimental techno, and abstract, beat-oriented electronica, the album draws copiously from compositional styles the artist clearly (and thankfully) has ...
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from $16.24!
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Sala Santa Cecilia
(2005)
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by
Fennesz/Sakamoto
A special tip of the cap to Ryuichi Sakamoto. At a time when fellow artists are resting on their laurels of accomplishment, his refusal to become stagnant and pigeonholed is refreshing. Coming off a second successful collaboration with Carsten Nicolai for the Raster-Noton imprint, Sakamoto collaborates with glitch master/guitar guru Christian ...
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Plus Forty Seven Degrees 56' 37" Minus Sixteen Degrees 51' 08"
(2000)
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by
Fennesz
On Plus Forty Seven Degrees 56' 37" Minus Sixteen Degrees 51' 08, Fennesz is concerned with creating extremely dense and enveloping sound textures, essentially forgoing rhythmic or melodic development. The CD comes in an impressive cardboard slipcase adorned with photographs of nature colliding with technology, and a similar aesthetic prevails in ...
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Black Sea
(2008)
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by
Fennesz
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In the Fishtank
(2009)
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by
Sparklehorse/Fennesz
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June
(2008)
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by
Fennesz
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Wrapped Islands
(2002)
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by
Polwechsel/Fennesz
Wrapped Islands marks a important step in Polwechsel's life, even though it makes little difference in the individual careers of its members (Werner Dafeldecker, John Butcher, Michael Moser, and Burkhard Stangl). Since its inception, the Austrian quartet has been working on a repertoire of minimally moving but still choreographed compositions. ...
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Till the Old World's Blown Up and a New One Is Created
(2008)
by
Martin Brandlmayr/Christian Fennesz
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