Although there's nothing particularly out of the ordinary of Pure 80's, it nevertheless is a good, basic collection of 20 new wave hits, highlighted by such classics as "Hungry Like the Wolf," "Our House," "Relax," "Sweet Dreams (Are Made of This)," "Video Killed the Radio Star," "Everybody Wants to Rule the World," and Soft Cell's timeless ...
Preceding the elaborate 2005 reissues of Eurythmics' eight proper albums by a month, The Ultimate Collection narrowly trumps 1991's Greatest Hits since it features remastered sound and a more extensive track list. While it does not contain "Don't Ask Me Again," opting to instead select a couple merely decent highlights from 1999's Peace, two new ...
Released more or less in conjunction with MTV's 20th anniversary in 2001, this triple gatefold sleeve set ( not a box as the title implies), with an appropriately gaudy 27-page book, delivers 42 typical examples of songs associated with the music channel in its fledgling years. With 35 Top Ten tracks, ten of which topped the charts, there's no ...
The Eurythmics' breakthrough album is a deft mix of electronic thrills, new wave chills, and sultry R&B, the latter supplied by Annie Lennox's warm tenor. Pretty much relying on themselves, Lennox and Dave Stewart slip past the music's usual coldness and into a territory all their own. It can be smug (the new wave here is served with a side of ...
More Pure '80s delivers just that: a collection of some of the decade's definitive pop singles. Falco's "Rock Me Amadeus," the Eurhythmics' "Would I Lie to You," and Duran Duran's "Rio" are among the highlights of this adequate compilation, which also features songs by Hall & Oates, Tears for Fears, and Pat Benatar. ~ Heather Phares, All Music ...
Eurythmics' debut album, In the Garden, is the missing link between the work of the Tourists, who included both Dave Stewart and Annie Lennox, and 1983's commercial breakthrough, Sweet Dreams (Are Made of This). Co-produced by Kraftwerk producer Conny Plank at his studio in Cologne, Germany, it has some of the distant, mechanistic feel of the ...
While it is not billed as an Original Motion Picture Soundtrack, this album does contain, as a jacket note indicates, "music derived from Eurythmics." The original score of the motion picture 1984, it was treated as a side project for marketing purposes, not as Eurythmics' full-fledged fourth new studio album. Fair enough. Much of the album is ...
It may have taken them a little while to get going, but when the Eurythmics hit their stride with their second album Sweet Dreams (Are Made of This), they began a hit streak that defined them as one of the most commercially successful and musically satisfying new wave bands of the '80s. For six years, the group was reliable, turning out at least ...
Millennium: '80s New Wave Party, the final installment in Rhino's five-disc series Millennium Party, basically recycles 20 hits available in the label's extensive new wave series Just Can't Get Enough, but it does so in style. Like other volumes in the series, New Wave Party contains nothing but genre classics, the songs everybody knows. In this ...
The Best Of The '80s: The Millennium Collection attempts to capture the musical trends of the decade in a dozen songs, including the Fixx's "One Thing Leads to Another," the Buggles' "Video Killed the Radio Star," and Steve Winwood's "Higher Love." Blondie's "Call Me," the Eurhythmics' "Sweet Dreams (Are Made of This)," and Soft Cell's "Tainted ...
Eurythmics followed their 1982 breakthrough album Sweet Dreams with the superior Touch, which yielded three hit singles and kept the innovative duo at the forefront of the 1980s British new wave explosion and MTV phenomenon. Mixing cold, hard, synthesized riffs with warm, luscious vocals, the duo crafted some of the most unique and trendsetting ...
The 1980s edition of Casey Kasem's America's Top 10 series offers a nice cross-section of the decade's biggest radio hits. There's adult contemporary (Air Supply's "All Out of Love"; the cloying Mechanics hit "Living Years"), synth pop from Thompson Twins and Eurythmics ("Hold Me Now" and "Sweet Dreams [Are Made of This]," respectively), ...
On their fifth album, Eurythmics moved away from the austere synth pop of their previous work and toward more of a neo-'60s pop/rock stance. "Missionary Man" (which went Top 40 as a single in the U.S. and charted in the U.K.) featured a prominent harmonica solo, while "Thorn in My Side" had a chiming guitar riff reminiscent of the Searchers and a ...
Although Revenge, Eurythmics' fifth album, failed to generate a substantial hit single and sold poorly in the U.S. compared to previous efforts ("I Need a Man" and "You Have Placed a Chill in My Heart" both charted, however), the album hit the Top Ten and spun off four chart singles in the more faithful U.K. Musically, Eurythmics, for the most ...
Switching to Arista Records in the U.S., Eurythmics made their last album together with We Too Are One, and they went out in style. Calling upon a broad pop range, their seventh album was their best since Be Yourself Tonight in 1985. The sound was varied, the melodies were strong, and the lyrics were unusually well-crafted. In retrospect, the ...
Welcome to VH1 Storytellers gathers songs and anecdotes from some of the most popular performers to appear on VH1's intimate performance show, including David Bowie's "China Girl," Dave Matthews' "Crash into Me," Jewel's "Who Will Save Your Soul," and John Mellencamp's "Jack and Diane." Sheryl Crow and Stevie Nicks' duet on "Strong Enough," the ...
Ultimate Dance Party 1998 is an entertaining, continuous-mix party album that features such new wave classics as the Romantics' "What I Like About You," Billy Idol's "Dancing With Myself," Modern English's "I Melt With You," Soft Cell's "Tainted Love," Blondie's "Heart of Glass," the Cars' "Just What I Needed," David Bowie's "Let's Dance," ABC's ...
On Be Yourself Tonight, the Eurythmics' most commercially successful and hit-laden album, the duo meticulously blended the new wave and electronic elements that dominated their previous sets with the harder straight-edged rock and soul that would dominate later sets, resulting in a nearly perfect pop album. This disc scored no less than four hit ...
Eurythmics' breakthrough album is a deft mix of electronic thrills, new wave chills, and sultry R&B, the latter supplied by Annie Lennox's warm tenor. Pretty much relying on themselves, Lennox and Dave Stewart slip past the music's usual coldness and into a territory all their own. It can be smug (the new wave here is served with a side of irony) ...
Available only through Time Life Music, Modern Rock Collection isn't really "modern rock" in the sense for which the term was used back in the '80s, when it essentially referred to the more college-radio-friendly strain of alternative rock. This disc, however, concentrates on new wave pop hits, most of them pretty big, or at least well-known. It's ...
Nearly a decade after Eurythmics went on an unannounced, virtually unnoticed hiatus in 1990, Annie Lennox and Dave Stewart returned with the heavily publicized Peace. Both Lennox and Stewart had been silent since 1995, which means that reuniting really wasn't a sacrifice, since their solo careers had stalled. In fact, it was a wise idea to re-team ...
Rock criticism has two schools of thought regarding the '80s. One complains that it was all crass, commercial crap, breathing a sigh of relief that we made it through that dreck (thanks to IRS, SST, jangle pop, college rock, and hardcore punk, of course). The other celebrates the album as "cheesy" fun, full of naïve, silly singles; bad haircuts; ...
On their fifth album, Eurythmics moved away from the austere synth-pop of their previous work and toward more of a neo-'60s pop/rock stance. "Missionary Man" (which went Top 40 as a single in the U.S. and charted in the U.K.) featured a prominent harmonica solo, while "Thorn in My Side" had a chiming guitar riff reminiscent of the Searchers and a ...
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