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Going Home: Tribute To Duke Ellington
(2000)
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by
Various Artists
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Jazz for the Open Road [32 Jazz]
(1998)
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by
Various Artists
This single CD (a 1998 reissue) has ten selections taken from the Muse and Landmark catalogs of the 1970s, '80s and early '90s. The ten selections all feature different straight-ahead jazz players, and reissue producer Joel Dorn considers each of the performances ideal to listen to while driving, although obviously one can enjoy these sounds while ...
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How About Me
(2006)
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Ernie Andrews
The irrepressible Ernie Andrews continues his late-career renaissance with How About Me. Produced by saxophonist Houston Person, Andrews fronts a quintet with Person, guitarist Terry Evans, pianist and arranger Phil Wright, Richard Simon on bass, and Frank Wilson on drums. The material ranges from all over the place, but most comes from the 1940s ...
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Central Avenue Sounds: Jazz in Los Angeles 1921-1956
(1999)
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by
Various Artists
Los Angeles is not usually seen as a hotbed of African-American musical creativity in the first half of the 20th century, but this deluxe box set deflates that misconception in a hurry. From 1921 to 1956 -- the time frame covered by the four discs of Central Avenue Sounds -- jazz of all kinds flourished on Central Avenue, L.A.'s main stem of sepia ...
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Swing-O-Rama, Vol. 4: So Money
(1999)
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Various Artists
The various artists compilation Swing-O-Rama, Vol. 4: So Money is ten tracks from some of pop music's most recognized performers: Ray Charles, Buddy Tate, Earl Williams, Charles Brown, and more. ~ MacKenzie Wilson, All Music Guide
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Girl Talk
(2001)
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by
Ernie Andrews
There were so few male jazz singers active at the beginning of the 21st century that it was a good time to appreciate the singing of veteran Ernie Andrews. For this set, he is joined by a four-piece rhythm section that includes pianist Aaron Graves and guitarist Dom Minasi, plus either Teddy Edwards or Houston Person on tenor. Andrews is quite ...
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This Is Ernie Andrews
(1964)
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Ernie Andrews
Ernie Andrews' first record for the Dot label is a fine piece of jazz-blues in the vein of Joe Williams or Jimmy Rushing, and it's a puzzle why he wasn't accorded respect to match his obvious talent. He possessed a higher register than Al Hibbler or Johnny Hartman but still featured their rich tone, and was closest to Billy Eckstine but, on this ...
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Jump for Joy
(2003)
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Ernie Andrews
Journeyman vocalist Ernie Andrews soars on the momentum achieved on his previous disc, Girl Talk, with his third High Note release, Jump for Joy. Featuring his usual partners in crime, tenor saxophonist Houston Person, pianist Aaron Graves, bassist John Webber, and drummer Alvin Atkinson, Andrews showcases his superb sense of timing and regal ...
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Many Faces of Ernie Andrews
(1998)
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Ernie Andrews
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Ernie Andrews
(1957)
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Ernie Andrews
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The Great City
(1995)
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Ernie Andrews
Ernie Andrews has been underrecorded during periods of his career, but in the 1990s, the veteran singer was fortunate enough to make two excellent CDs for the Muse label. This outing finds Andrews particularly inspired, even if he occasionally cannot help imitating Al Hibbler's odd British accent. Frank Wess (on tenor and flute) is a major asset ...
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32 Gems from 32 Jazz
(1999)
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by
Various Artists
Taking material from the '60s through the '90s, mostly from the vaults of the Muse and Landmark imprints, 32 Gems From 32 Jazz is an excellent three-disc sampler of the mainstream jazz label's catalog holdings and a fitting celebration of its first three years of existence. Nearly every major straight-ahead jazz style from that period is ...
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No Regrets
(1992)
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by
Ernie Andrews
Ernie Andrews was one of the last of the Kansas City-style singers remaining in the 1990s, even though he was born in Philadelphia, raised in Louisiana and caught on as a performer while in Los Angeles. In the latter city, Andrews first hooked up with Jay McShann (who did make his fame in Kansas City); although the singer has had an up-and-down ...
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