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Isa
(2005)
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by
Enslaved
The evolution of black metal remains among the most astonishing and unpredictable in all of rock. How else to describe a musical movement where the same artists whose early efforts comprised some of the most primitive and vile sonic mutations ever concocted could develop into highly skilled songwriters and musicians, capable of works of astounding ...
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Blodhemn
(1999)
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Enslaved
Viking metal stalwarts Enslaved closed out the 1990s with their fourth full album, Blodhemn, taking advantage of the millennium threshold ahead to close the first chapter of their career from a stylistic point of view as well. From here on out (beginning with 2000's Mardraum), the group would transform its sound significantly with every record; ...
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Ruun [Candlelight]
(2006)
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by
Enslaved
Considering how vehemently punk and progressive rock audiences detested each other back in the late '70s, it is truly ironic that the prog rock element has become so strong in melodic death metal and symphonic black metal. The death metal/black metal field, after all, wouldn't have existed were it not for punk; black metal came out of death metal, ...
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Frost
(1994)
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Enslaved
An important release for the extreme music subgenre of Viking metal, Frost represented a sizeable creative leap for Norway's Enslaved. After only a few years of existence, several record labels, and a few member changes, Enslaved had settled into a bit of a groove on this 1994 release. Bassist/vocalist Grutle Kjellson leads the way with plenty of ...
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Ruun [Tabu]
(2006)
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by
Enslaved
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Candlelight Collection, Vol. 1
(1999)
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by
Various Artists
The first Candlelight label sampler features two tracks apiece from Emperor and Eterne, plus contributions from fellow name black-metallers Opeth and Enslaved. Others present include Beyond Dawn, Solstice, Korpse and the Whores of Babylon. ~ Steve Huey, All Music Guide
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Eld
(1997)
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Enslaved
Among the countless bands who were inspired by Bathory's seminal Viking metal, arguably none were as true to its gospel as Norway's Enslaved, whose utmost commitment even extended to donning vintage Norse armor and outfits on-stage (see cover art for proof). Not impressed? Then you try playing speed metal while wearing a Viking helmet! Now that ...
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Monumension
(2001)
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Enslaved
Enslaved never achieved the amount of international notoriety or album sales of fellow Norwegian black metal stalwarts Emperor, Mayhem, or Immortal, but the band's work is just as important to the continued, forward-thinking evolution (or, more accurately, mutation) of the genre. Case in point: Monumension, an astounding, experimental record that ...
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Vikingligr Veldi
(1994)
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by
Enslaved
Released in 1994 via the recently deceased Euronymous' Deathlike Silence label, Enslaved's five-song full-length debut, Vikingligr Veldi, followed fast upon the previous years' seminal split with Emperor, Hordanes Land, and proved that, along with their fellow countrymen, Enslaved were ready to carry on the torch of Norwegian black metal beyond ...
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The Black Tapes
(2000)
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by
Various Artists
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Gods of Darkness
(1998)
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by
Various Artists
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Hordanes Land [Split CD]
(1994)
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by
Emperor/Enslaved
Somewhat overshadowed because its original configuration saw it splitting album sides with the more headline-grabbing Emperor (burning churches will do that for you), Enslaved's Hordanes Land EP was, in retrospect, a debut of no lesser significance to the burgeoning Norwegian black metal scene. It may have been even more visionary, in fact. ...
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Vikingligr Veldi/Hordanes Land
(2004)
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by
Enslaved
As well as commemorating the tenth anniversary of Vikingligr Veldi's original release in 1994, this two-disc Candlelight Records reissue revisits Enslaved's first EP of a year earlier, Hordanes Land (which was both their seminal split LP with countrymen Emperor and Candlelight's first ever release to boot). And the pairing makes perfect sense, ...
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Hordanes Land
(2009)
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by
Enslaved
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Below the Lights
(2003)
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Enslaved
One of the few early-wave Norwegian black metal bands still making music in the early 2000s, Enslaved has also remained quite prolific. Below the Lights is their third album of the decade, and with it, they unfold a rare balance between remaining innovative and experimental without getting into a lot of electronic trickery. Often that balancing ...
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Vertebrae
(2008)
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by
Enslaved
Vertebrae offers further proof that Enslaved have found their groove as a post-black metal proposition: content to carry on testing the boundaries of their relatively exclusive and self-ordained domain, where progressive and psychedelic influences find unlikely sympathy with the extreme musical foundations of yesteryear (which, to the group's ...
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Mardraum
(2000)
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by
Enslaved
On Mardraum (or "Nightmare" in Norwegian) Enslaved makes use of many new musical influences and approaches to their somewhat unique brand of Scandinavian black metal, most often called Viking metal. Some quasi-progressive riffs and arrangements that call up memories of '70s rock replace the near-constant, almost white-noise sonic attack of ...
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Monumension [Bonus Track]
(2001)
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by
Enslaved
Enslaved never achieved the amount of international notoriety or album sales of fellow Norwegian black metal stalwarts Emperor, Mayhem, or Immortal, but the band's work is just as important to the continued, forward-thinking evolution (or, more accurately, mutation) of the genre. Case in point: Monumension, an astounding, experimental record that ...
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