The Slim Shady LP announced not only Eminem's arrival, but it established that his producer Dr. Dre was anything but passé, thereby raising expectations for 2001, the long-anticipated sequel to The Chronic. It suggested that 2001 wouldn't simply be recycled Chronic, and, musically speaking, that's more or less true. He's pushed himself hard, ...
With its stylish, sonically detailed production, Dr. Dre's 1992 solo debut, The Chronic, transformed the entire sound of West Coast rap. Here Dre established his patented G-funk sound: fat, blunted Parliament-Funkadelic beats, soulful backing vocals, and live instruments in the rolling basslines and whiny synths. What's impressive is that Dre ...
More than any other label, Death Row defined gangsta rap and hip-hop in the early '90s, and the double-disc Death Row Greatest Hits captures nearly all of the label's biggest hits from artists like Dr. Dre, Snoop Doggy Dogg, and 2Pac. Although the disc bends some rules by including cuts that weren't released on Death Row and containing an ...
One of Rhino's main gifts as a record label is that they know a good gimmick when they see it, and there's no better gimmick than the millennium. Hence, their series of Millennium Party albums. None of the Millennium discs demonstrate much imagination, but they do make a good argument that sometimes it's better to stick to the basics. For instance ...
Jock Jams, Vol. 3 offers a familiar array of chant-along rap, disco, hip-hop and dance hits. They're familiar from the radio, and they're familiar from their overexposure at sporting events. Still, for sports fans who want to have these rallying cries on one disc, it's a neat item and anyone who enjoyed the first two installments will certainly ...
Straight Outta Compton wasn't quite the first gangsta rap album, but it was the first one to find a popular audience, and its sensibility virtually defined the genre from its 1988 release on. It established gangsta rap -- and, moreover, West Coast rap in general -- as a commercial force, going platinum with no airplay and crossing over with shock ...
The world's most volatile hip-hop group gets compiled again with the 2006 release The Best of N.W.A. The straight-ahead collection differs just a little from 1996's Greatest Hits, although it does contain better liner notes and a worthwhile essay from hip-hop historian Soren Baker. The problem remains that you can't call yourself an N.W.A. fan ...
MTV Party to Go: Platinum Mix is an excellent collection of hip-hop and club hits from the early half of the 1990s -- each of the 14 tracks was a major chart smash, and the balance between long-range superstars and one-hit wonders makes this set a terrific way to acquire much of the material in question. Highlights include Dr. Dre's "Nuthin' But a ...
Dr. Dre shifted directions drastically halfway through 1996, leaving Death Row Records and abandoning gangsta rap, claiming that he had "Been There, Done That." So, Dre founded a new record label, Aftermath, and built an artist roster consisting entirely of new, unproven talent. He also decided not to concentrate on rap, signing urban R&B acts as ...
The fifth volume in MTV's ongoing dance/party series accents hip-hop, current dancehall and recent urban contemporary fare in its 12 selections, showing how deeply these sounds have penetrated into the mainstream and MTV's pop/rock rotations. They also demonstrate the narrowness of commercial radio and the need for labels to segment their material ...
The Slim Shady LP announced not only Eminem's arrival, but it established that his producer Dr. Dre was anything but passé, thereby raising expectations for 2001, the long-anticipated sequel to The Chronic. It suggested that 2001 wouldn't simply be recycled Chronic, and, musically speaking, that's more or less true. He's pushed himself hard, ...
Mammothly influential producer and the Godfather of G-Funk, producer/rapper Dr. Dre's best work was on the Death Row label. It was there where he released the West Coast's greatest album, The Chronic, and where he turned a scrappy unknown named Snoop Doggy Dogg into one of the biggest hip-hop stars ever. You just can't call yourself a serious rap ...
=The Slim Shady LP= announced not only Eminem's arrival, but it established that his producer Dr. Dre was anything but passé, thereby raising expectations for 2001, the long-anticipated sequel to The Chronic. It suggested that 2001 wouldn't simply be recycled Chronic, and, musically speaking, that's more or less true. He's pushed himself hard, ...
It may be hard to get beyond the title of Rhino's series MTV the First 1000 Years, which just may be the dumbest title in the first 1000 years of the recording industry, but the actual discs aren't bad at all. For instance, the R&B volume is an excellent compilation of urban hits from the '90s -- and, as of 1999, there weren't too many records ...
Street Jams: Electric Funk, Vol. 3 is another terrific collection of old-school hip-hop and electro-funk from the early '80s, containing 12 tracks, almost all in their original 12" mixes. Only a handful of these songs, such as Grandmaster Flash's "White Lines (Don't Don't Do It)," were big hits, but there are a number of songs that became well ...
Like 100 Miles and Runnin' (1990), the five-track EP that preceded it, N.W.A's third full-length album, Niggaz4life, courts controversy in every imaginable way, from its title (printed backward on the cover, as a mirror image) down to its mercilessly misogynistic second half, and it remains shocking years later, no matter how many times the ...
It may be hard to get beyond the title of Rhino's series MTV the First 1000 Years, which just may be the dumbest title in the first 1000 years of the recording industry, but the actual discs aren't bad at all. For instance, the Hip Hop volume is a terrific collection of hip-hop staples from "The Message" to "Player's Ball." Most of these songs ...
N.W.A.'s career isn't necessarily one that lends itself well to anthologies. Though they had important singles, especially in the underground hip-hop community in the late '80s, they never received any support from radio or MTV, which meant they never had any official "hits." Instead, their albums were more important, popular, and influential, ...
Containing a variety of rap and R&B that Dr. Dre produced in the 1980s and '90s -- both before and after N.W.A. -- First Round Knock Out reminds us just how musical a producer he has been, whether working with Rose Royce or Snoop Doggy Dogg. Most of the songs themselves are decent but not remarkable; however, Dre is so imaginative in the studio ...
The second volume of Saturday Night Live: 25 Years is as much of as an enjoyable hodge-podge as the first. This time around, the focus is intensely on the '90s -- even veterans like the Pretenders ("I'll Stand By You"), Janet Jackson ("Any Time, Any Place"), Beastie Boys ("Sabotage"), REM ("Losing My Religion") and Neil Young (whose contribution ...
As the title suggests, The Source Hip Hop Music Awards 2000 presents 16 of the year's best hip-hop singles, as chosen by The Source magazine. DMX's "What's My Name," Mos Def's "Ms. Fat Booty," Jay-Z's "Jigga My Nigga," Beanie Sigel's "The Truth," and Redman & Method Man's "Da Rockwilder" are some of the standout tracks from the album. The ...
With its stylish, sonically detailed production, Dr. Dre's 1992 solo debut The Chronic transformed the entire sound of West Coast rap. Here Dre established his patented G-funk sound: fat, blunted Parliament-Funkadelic beats, soulful backing vocals, and live instruments in the rolling basslines and whiny synths. What's impressive is that Dre crafts ...
Noted as the first group blessed with Dr. Dre's production expertise, the World Class Wreckin' Cru recorded some solid West Coast electro singles, more energetic than the style's other prime production act (Egyptian Lover), if not as revolutionary. Dre certainly rated with the prime electro producers across the nation -- New York's Arthur Baker ...
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