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The Best of Donald Byrd
(1992)
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Donald Byrd
Given the long period of time that Donald Byrd recorded for Blue Note (from the 1950s through the mid-'70s), it seems more than a little disingenuous to refer to the relatively brief period he spent with the Mizell Brothers as his producers, arrangers, and composers in the '70s as his best work. It is true that it was his most commercially viable ...
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Places and Spaces
(1975)
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Donald Byrd
Reuniting with Larry Mizell, the man behind his last three LPs, Donald Byrd continues to explore contemporary soul, funk, and R&B with Places and Spaces. In fact, the record sounds more urban than its predecessor, which often played like a Hollywood version of the inner city. Keeping the Isaac Hayes, Curtis Mayfield, and Sly Stone influences of ...
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Street Lady
(1973)
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Donald Byrd
Not so much a fusion album as an attempt at mainstream soul and R&B, Street Lady plays like the soundtrack to a forgotten blaxploitation film. Producer/arranger/composer Larry Mizell conceived Street Lady as a concept album to a spirited, independent prostitute, and while the hooker with a heart of gold concept is a little trite, the music ...
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A New Perspective
(1963)
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Donald Byrd
This unusual set (reissued on CD by Blue Note) was one of the most successful uses of a gospel choir in a jazz context. Trumpeter Donald Byrd and a septet that also includes tenor saxophonist Hank Mobley, guitarist Kenny Burrell, and pianist Herbie Hancock are joined by an eight-voice choir directed by Coleridge Perkinson. The arrangements by Duke ...
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The Cat Walk
(1961)
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Donald Byrd
Trumpeter Donald Byrd and baritone saxophonist Pepper Adams worked together on several recordings between 1958 and 1961, and The Cat Walk (released on LP in 1962) is among the best. A quintet setting, with pianist Duke Pearson (another longtime Byrd collaborator), bassist Laymon Jackson, and a lively Philly Joe Jones on drums joining the front ...
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Byrd in Hand
(1959)
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Donald Byrd
For this excellent album, trumpeter Donald Byrd teams up with tenor saxophonist Charlie Rouse, baritonist Pepper Adams, pianist Walter Davis, Jr., bassist Sam Jones and drummer Art Taylor. Together the sextet performs three Byrd originals, two Davis songs and the standard "Witchcraft." Although none of the new tunes caught on, the group (which ...
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Off to the Races [RVG Edition]
(2006)
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Donald Byrd
From the crackling opening notes of "Lover Come Back to Me," it's clear that Off to the Races is one of Donald Byrd's most invigorating sessions of the late '50s. Working with a stellar supporting band -- Jackie McLean (alto sax), Wynton Kelly (piano), Pepper Adams (bari sax), Sam Jones (bass), Art Taylor (drums) -- Byrd turns in one of his ...
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Stepping into Tomorrow
(1974)
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Donald Byrd
Beginning with a crack of thunder, like it was made to trail Gary Bartz's "Mother Nature" (actually recorded at a slightly later date), Stepping into Tomorrow contains almost all of the Mizell trademarks within its title track's first 30 seconds: a soft and easy (yet still funky) electric-bass-and-drums foundation, silken rhythm guitar, organ and ...
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Royal Flush [RVG Edition]
(2006)
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Donald Byrd
Donald Byrd was at his peak as a straight-ahead hard bop band leader in the early '60s, turning in a series of remarkably solid, enjoyable sessions for Blue Note. Royal Flush is no exception to the rule. Recorded in the fall of 1961, Royal Flush finds Byrd once again working with baritonist Pepper Adams, but adding bassist Butch Warren, drummer ...
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Black Byrd
(1972)
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Donald Byrd
Purists howled with indignation when Donald Byrd released Black Byrd, a full-fledged foray into R&B that erupted into a popular phenomenon. Byrd was branded a sellout and a traitor to his hard bop credentials, especially after Black Byrd became the biggest-selling album in Blue Note history. What the elitists missed, though, was that Black Byrd ...
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Fuego
(1959)
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Donald Byrd
Teamed on Fuego with altoist Jackie McLean, pianist Duke Pearson, bassist Doug Watkins, and drummer Lex Humphries, Donald Byrd plays six of his originals with the most memorable ones being the title track, "Funky Mama," and "Amen." An above average hard bop set that still sounds fresh years later. Scott Yanow, All Music Guide
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At the Half Note Cafe, Vols. 1-2
(2004)
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Donald Byrd
This 2004 remastered Rudy Van Gelder edition of Donald Byrd's At the Half Note Cafe (the original double-disc version was only issued for the first time in 2000) appears to add one extra track -- "Theme (Pure D. Funk)," which clocks in at 1:51 and is also on the second volume in its full form, and a slightly shorter version of "Cecille." Here it ...
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His Majesty King Funk/Up with Donald Byrd
(1995)
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Grant Green/Donald Byrd
This single Verve CD reissues the complete contents of two unrelated LPs: Grant Green's His Majesty King Funk (great title) and Up with Donald Byrd. Unfortunately, the music overall is not as rewarding as Green and Byrd's work of the period for Blue Note. Green is OK with a quintet that includes tenor saxophonist Harold Vick and organist Larry ...
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Caricatures
(1976)
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Donald Byrd
One of his last efforts with the Mizell production team was definitely not his most critically acclaimed, but Caricatures continued Byrd's commercial winning streak that started years previous with 1969's Kofi and such '70s Blue Note classics as Places and Spaces, Black Byrd, and Street Lady. His last release for the label was no exception to the ...
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Electric Byrd
(1970)
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Donald Byrd
Donald Byrd's transitional sessions from 1969-1971 are actually some of the trumpeter's most intriguing work, balancing accessible, funky, Davis-style fusion with legitimate jazz improvisation. Electric Byrd, from 1970, is the best of the bunch, as Byrd absorbs the innovations of Bitches Brew and comes up with one of his most consistent fusion ...
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Love Byrd
(1981)
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Donald Byrd
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Slow Drag
(1967)
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Donald Byrd
Slow Drag was one of trumpeter Donald Byrd's final hard bop dates. Teamed with altoist Sonny Red, pianist Cedar Walton, bassist Walter Booker and drummer Billy Higgins (who takes a surprise vocal on the title cut), this quintet outing features originals by Byrd, Walton and Red along with the standards "Secret Love" and "My Ideal." The music in ...
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Thank You...For F.U.M.L. (Funking Up My Life)
(1978)
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Donald Byrd
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The Transition Sessions
(2002)
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Donald Byrd/Doug Watkins
This CD compilation collects three separate sessions recorded by Donald Byrd and Doug Watkins for Transition with various small groups. The 1955 recordings (first issued under the title Byrd's Eye View) were made shortly after Byrd replaced Kenny Dorham in the Jazz Messengers, all of whom (Horace Silver, Art Blakey, and Hank Mobley, along with ...
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At the Half Note Cafe, Vol. 2
(1960)
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Donald Byrd
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Giant Steps
(1994)
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Various Artists
An intriguing Blue Note collection which alternates jazz-rap cuts with original jazz-funk classics from the '70s, Giant Step includes Us3, Greg Osby, Guru, the Beastie Boys and UMC's from the new school, while Donald Byrd, Reuben Wilson and Lou Donaldson represent the old. Keith Farley, All Music Guide
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Words, Sounds, Colors and Shapes
(1983)
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Donald Byrd
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The Savoy Story, Vol. 1: Jazz
(1999)
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Various Artists
The old Savoy catalog gets bounced around from one distributor to the next like an unwanted foster child, with everyone starting from scratch once they get a hold of it. By 1999, it was Atlantic's turn and, hot on the heels of other label retrospectives, they have compiled a very good three-CD anthology of Savoy's jazz activities over 15 years in ...
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Absolutely the Best of Jazz
(2001)
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Various Artists
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Jazz Chillout [Blue Note]
(2002)
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Various Artists
From the vaults of Blue Note and EMI comes this two-CD compilation of soul-jazz, funky stuff, hip bossa nova, and hip-hop. The artists are both old (Stanley Turrentine, Chet Baker, Grant Green) and new (Patricia Barber, Karl Denson, Guru), and all the tracks have been selected to provide the listener with a very laid-back groove. Tim Sendra, All ...
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