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Lady Sings the Blues [Original Soundtrack]
(1972)
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Diana Ross/Original Soundtrack
Her biggest album as a solo act, Diana Ross forever ended any association with the Supremes after this film. She not only got an Oscar nomination and more roles, she really did capture the spirit and flavor, if not the sound and timbre, of Billie Holiday's music; her performance was the film's only saving grace. Ron Wynn, All Music Guide
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Hitsville USA: The Motown Singles Collection 1959-1971
(1992)
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Various Artists
Instead of following Stax/Volt's pattern and delivering an exhaustive box set containing all of their singles, Motown decided to limit their singles box, Hitsville USA: The Motown Singles Collection 1959-1971, to four discs that concentrated on the hits. There are a handful of wonderful lesser-known songs here, such as the Contours' "First I Look ...
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Pure Disco, Vol. 2
(1997)
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Various Artists
Although it doesn't have any traits that distinguish it from the glut of '90s disco compilations, Pure Disco 2 is an entertaining collection of familiar disco items that makes for a good party album. Stephen Thomas Erlewine, All Music Guide
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The #1's
(2003)
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Diana Ross & the Supremes
Surprisingly, very few artists can float a digital-age collection of number one singles without resorting to trickery involving foreign countries or obscure charts. The Beatles had little trouble (The Beatles 1) and Elvis Presley managed both a disc of number ones (Elvis: 30 #1 Hits) and one of number twos (2nd to None), but Michael Jackson bent ...
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The Definitive Collection
(2006)
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Diana Ross
Throughout her decades spent in the music world, Diana Ross has been a huge force in shaping and influencing its direction, both in her appearance and her distinguished voice, and also in her exploration within genres, from the Motown of her early days to the disco, adult contemporary, and jazz (the latter of which stemmed from her Oscar-nominated ...
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Free to Be...You and Me
(1972)
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Various Artists
A real groundbreaker, this recording caught the fancy of hundreds of thousands well before modern children's music. The values it imparts are still important, particularly in the area of equality of males and females. For ages three to ten. Bob Hinkle, All Music Guide
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Touch Me in the Morning
(1973)
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Diana Ross
Diana Ross was a superstar even when part of the Supremes, and as a solo singer much was expected from her from the Tamla/Motown empire. Although she had enjoyed a hit single in 1971 with "I'm Still Waiting" and a few other Top Ten singles during the 1970s, it wasn't until the album Touch Me in the Morning that she showed her full potential as a ...
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Pure Disco [Polygram]
(1996)
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Various Artists
Pure Disco contains 12" mixes and remixes of classic dance and disco songs from the late '70s, including "I Love the Nightlife," "I Will Survive," "Celebration," "That's the Way (I Like It)," "Funkytown," "YMCA," and "Dancing Queen." Though there are a few original versions of these singles on the disc, most of it is comprised of remixes, which ...
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'80s Gold
(2006)
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Various Artists
Beneath the flourish, extravagance, and pretension that saturated the pop charts during the '80s lay a culture rich in innovation that brought about the rise of truly groundbreaking music and an indomitable spirit of independence, not to mention nationwide networks that fostered originality and valued substance over style. That side of things is ...
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Billboard Top Rock & Roll Hits: 1968
(1988)
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Various Artists
Billboard Top Rock & Roll Hits: 1968 features some of the year's definitive singles, including Archie Bell & the Drells' "Tighten Up," Otis Redding's "(Sittin' on) The Dock of the Bay" and the Box Tops' "Cry Like a Baby." The collection offers plenty of bubblegum pop, as well, including two of the style's definitive songs, John Fred & His Playboy ...
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Blue
(2006)
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Diana Ross
For soul fanatics, the Motown archives are the musical equivalent to the Wonka building in Charlie & the Chocolate Factory. Every twist and turn is filled with the possibility of resuscitation, preservation, and in some instances surprise discoveries. Such is the case with Blue, which was supposed to be the follow-up album to Diana Ross' wildly ...
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I Love You
(2007)
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Diana Ross
It's been standard music industry practice for years for artists to record (or for their labels to release compilations of) romantic tunes in time for Valentine's Day, and the January 2007 arrival of this set couldn't have been better timed as it also coincided with the release of the film version of Dreamgirls, based on the career of the Supremes ...
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The Boss
(1979)
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Diana Ross
Great dance material is featured, again by Ashford & Simpson. Rick A. Bueche, All Music Guide
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The Force Behind the Power
(1991)
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Diana Ross
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All the Great Hits
(1981)
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Diana Ross
Diana Ross is certainly a diva of goddess-like proportions. Whether joined by the Supremes, or out on her own, her voice is unmistakable and powerful, plus she possesses the uncanny ability to take songs penned by others and make them very much her own -- to imbibe them with her very soul. This collection of Ross' best-known and loved hits is ...
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20th Century Masters - The Millennium Collection: The Best of Diana Ross
(2000)
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Diana Ross
The Best of Diana Ross: The Millennium Collection compiles 11 of her solo career highlights, including the #1 hits "Touch Me in the Morning," "Theme from Mahogany (Do You Know Where You're Going To)," "Ain't No Mountain High Enough," "Upside Down," and "Endless Love." Other chart hits, such as "Remember Me," "Love Hangover," "The Boss," and "It's ...
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Bridget Jones's Diary, Vol. 2
(2001)
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Various Artists
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Where Did Our Love Go?
(1964)
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The Supremes
Even though this long-player was the second collection to have featured the original Supremes lineup with Mary Wilson, Florence Ballard and Diana Ross, Where Did Our Love Go (1964) was the first to significantly impact the radio-listening and record-buying public. It effectively turned the trio -- who were called the 'No-Hit Supremes' by Motown ...
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Come See About Me
(1993)
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Diana Ross & the Supremes
The eight-song Motown cassettes, released in 1989 on CD, all follow the same pattern -- two or three hits mixed with obscure cuts. Diana Ross, Mary Wells and Florence Ballard rock on "Those D.J. Shows." Diana Ross gives Tammi Terrell's "Come on and See Me" a lighter, softer reading then the original. Motown had to be overloaded with songs for ...
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Diana, Princess of Wales: Tribute
(1997)
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Various Artists
It's hard to pull off a tribute album to a recently deceased celebrity with grace and style, but Diana's Tribute works extraordinary well. None of the songs on the two discs are explicitly about Diana, but the generally wistful, melancholy tone captures the feeling of mass mourning and regret. And, on the most basic level, it offers a collection ...
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Diana Ross' Greatest Hits
(1976)
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Diana Ross
Not to be confused with Greatest Hits, which chronicled her post-Supremes solo hits, Diana Ross' Greatest Hits contains the cream of her mid-'70s hits, including "Touch Me in the Morning," "Love Hangover," "Last Time I Saw Him," "Theme from Mahogany (Do You Know Where You're Going To)," "Ain't No Mountain High Enough," "Reach Out and Touch" and ...
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Where Did Our Love Go/I Hear a Symphony
(1985)
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The Supremes
In the early days of the CD age, Motown released an astonishing number of CDs, including a whole line of single-disc sets that contained two original records on one CD. Motown's initial CD two-fers were criticized in many quarters for shoddy, unattractive packaging and indifferent remastering, but less discriminating consumers found them perfectly ...
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The Disco Years, Vol. 1: Turn the Beat Around
(1990)
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Various Artists
Dozens upon dozens of disco compilations -- some good, some bad -- have been released since Rhino dribbled out their seven-volume Disco Years series in the '90s. While several of the discs that have followed offer consistent track listings and more eye-pleasing packaging, this particular series remains one of the best available. Across seven discs ...
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Reflections
(1968)
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Diana Ross & The Supremes
Their last album with Holland-Doizer-Holland at the creative helm, it was apparent that both parties were battling creative fatigue and were exhibiting the appropriate scars at the time. But aside from the then-innovative title song and the jazzy "In and Out of Love," there's nothing much to get excited about. (Note: the CD version contains two ...
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Why Do Fools Fall in Love?
(1981)
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Diana Ross
The irony of a 37-year-old woman having a huge hit covering an anthem for a bunch of teenagers aside, Diana Ross enjoyed tremendous success with this early '80s album. It was her second platinum album of the 1980s and eventually did better than any other full album she issued in the decade, except for Diana. It also started Ross on a run of ...
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