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Transnational Speedway League: Anthems, Anecdotes & Undeniable Truths
(1993)
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by
Clutch
On the surface, it may sound as if Clutch is mining the same vein as contemporary metal artists like Korn and Corrosion of Conformity, but with a solid set of grooves to keep their humorous material from becoming too hokey, they set themselves above most of their peers through dogged hard rocking and consistent songwriting prowess. Highlights on ...
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From Beale Street to Oblivion
(2007)
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by
Clutch
Circa the early 21st century, it has become quite uncommon for hard rock bands to create a substantial following the old-fashioned way -- nonstop touring -- rather than having to rely on MTV and radio's stamp of approval. But Clutch have done it their way since the very beginning, and their tenth full-length overall, 2007's From Beale Street to ...
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Pure Rock Fury
(2001)
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by
Clutch
On Pure Rock Fury, Neil Fallon's narratives provide potent commentaries on popular culture, even as he distances Clutch from more explicitly political musicians by remaining cynical and critical, rather than committing to political action: "At times I'm even tempted to seek the advice of Dr. Laura, but I ignore her/So I take a deep breath and ...
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Pitchfork & Lost Needles
(2005)
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by
Clutch
Pitchfork & Lost Needles includes Clutch's debut 7" in its four-song entirety and augments that with unreleased tracks and demo versions. As this set proves, the veteran quartet began as a band crouched between the Melvins, a viscous form of hardcore (think a slower, more economic Sick of It All), and the literate but still loud post-punk of ...
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Blast Tyrant
(2004)
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by
Clutch
Few bands have managed to prosper inside a bubble of their own devising and outside the constricting rules of the music business as successfully and for as long as Maryland's Clutch; who continue to unleash album after album of barely evolving, groovy stoner rock, regardless of label affiliation and changing trends. In fact, the only concession ...
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Impetus
(1997)
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by
Clutch
Earache Records continued clearing their vaults of rarities by re-releasing Clutch's first EP, Passive Restraints, coupled with a track off of the Piledriver 12-inch and a demo of "Impetus." Despite the early recordings, none of these songs are lacking in either production or songwriting, which only serves to make the "Impetus" demo nearly the ...
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Clutch
(1995)
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by
Clutch
Moving the guitars forward in the mix paid off in spades for Clutch, who continued with their familiar formula of mixing Led Zeppelin and Black Sabbath on their sophomore album. Without straying at all from its roots, the band adds a little more funk to its sound à la Primus, which makes for a more consistent set of songs than last time. Not to ...
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Atlantic Connection All Stars
(2007)
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by
Clutch Player
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Robot Hive: Exodus
(2005)
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by
Clutch
Can someone please get Clutch a publicity transfusion? While the band has built a rabid fanbase in its 15-plus years of havoc, the intuitive, volatile grooves of Robot Hive: Exodus deserve a closer listen from the clueless types still dawdling over Clutch's musical category. The record satisfies fans of 2004's Blast Tyrant and keeps on trucking ...
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Jam Room [Bonus Tracks]
(2004)
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by
Clutch
Sounding loose and more lively than their earlier major-label releases, Jam Room is Clutch at their down-home finest. Rarely will a band's sixth full-length disc manage to be this fresh and confident. From the opening moments of Jam Room's first crushing track, "Who Wants to Rock," these Maryland rockers send a clear message that the business at ...
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The Elephant Riders
(1998)
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by
Clutch
Moving to a major label hardly dilutes Clutch's music. The Elephant Riders finds the band continuing the stylistic breakthroughs of Clutch, sharpening their guitar attack while adding subliminal elements of funk to their rhythms. Furthermore, their songwriting has strengthened; no longer are they simply riff-oriented rockers who get off on the ...
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Rye
(1996)
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by
Delta Clutch
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Too Normal, Too Weird
(2000)
by
Delta Clutch
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Live at the Googolplex
(2003)
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by
Clutch
Although they may look more like a group of scientists or librarians than a rock band, don't be fooled by their appearance -- Clutch are easily one of metal's top live acts. While the majority of modern-day metal bands stick close to the studio versions on-stage, Clutch is an exception, as they've been known to follow in the same "jamming" path as ...
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How Ya Gonna Be
(2000)
by
Clutch Grabwell
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Infinite Possibility
(2007)
by
The Clutch
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Hard Luck Machine
(1997)
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by
Delta Clutch
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Burning Beard [CD 2]
(2006)
by
Clutch
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Stumbo
(1997)
by
Clutch Assembly
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Band of Three?
(2004)
by
Nova Clutch
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North [Bonus Tracks]
(2006)
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by
Something Corporate
Something Corporate has had the misfortune of being dubbed a "punk" band by the powers that be, perhaps scaring off a few potential fans. The fact of the matter is that Something Corporate is a pure pop band with emo sensibility in singer/pianist Andrew McMahon's vocals. Potential fans can liken Something Corporate to Ben Folds without the snarky ...
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