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It isn't too difficult to understand why MFSL considered this album to be a worthy candidate for an Ultradisc reissue -- aside from Cannonball ... More

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Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions: Nat Adderley's "Work Song" and Bobby Timmons' "Dat Dere," the sequel ... More

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Ballads is a lovely collection of Cannonball Adderley's work on Blue Note from the late '50s to the mid-'60s. Since the nine selections have been ... More

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It is a bit strange that none of the eight songs performed on this LP found their way into Adderley's permanent repertoire, for the altoist is quite ... More

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Cannonball Adderley was a fluid but explosive alto saxophonist with a driving, shotgun style derived from Charlie Parker, but with added-in elements ... More

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This single-CD sampler of Cannonball Adderley's career points out how difficult it is to get all of his accomplishments on one disc. Drawing from the ... More

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Adderley's next-to-last recording (cut just four months before he died of a stroke at age 46) was ironically a retrospective of his career. While his ... More

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Thanks to its ownership of some of Cannonball Adderley's Riverside recordings, Capitol was able to stretch the definition of Best of Cannonball ... More

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Excellent bebop comes from the great altoist Cannonball Adderley and his original quintet (which co-starred cornetist Nat Adderley and pianist Junior ... More

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It isn't too difficult to understand why MFSL considered this album to be a worthy candidate for an Ultradisc reissue -- aside from Cannonball ... More

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The music on this CD reissue is better than it should be. Cannonball Adderley had a fluke hit with "African Waltz" so a full album was recorded with ... More

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Greatest Hits is a budget-priced, six-track selection of some of Cannonball Adderley's best-known songs and crossover hits, and while there are ... More

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It contains "Mercy, Mercy, Mercy" and Adderley's most successful jazz/gospel/pop fusion work with Joe Zawinul (k). ~ Hank Davis, Rovi

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This set has altoist Cannonball Adderley's first recordings as a leader, following his memorable appearance on a session headed by drummer Kenny ... More

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"Greatest Hits" in this case means some of Cannonball Adderley's best-known numbers for the Riverside label, all delivered at their glorious, uncut ... More

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Riverside Profiles contains previously released tracks taken from the alto saxophonist and bandleader's stint with the label from 1959 to 1963. The ... More

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Cannonball Adderley's mega-successful album Mercy, Mercy, Mercy!, released in August of 1966, was supposedly recorded "live" at a venue in Chicago ... More

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In 1963 Cannonball Adderley signed with the Capitol label, retaining the rights to some master tapes recorded earlier while he was with Riverside. ... More

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EMI's U.K. imprint Stateside has been issuing interesting compilations for a long time. This one is no exception, as it includes tracks from one of ... More

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This valuable set features altoist Cannonball Adderley's first recordings, cut just days after the unknown had greatly impressed musicians when he ... More

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Norman Granz was on hand to record music from Cannonball Adderley's first European tour in 1960, but he and the Adderley estate have been ... More

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Blue Note's Great Sessions repackaged and re-released three popular Cannonball Adderley discs -- 1958's Somethin' Else (RVG Edition), Cannonball's ... More

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The Cannonball Adderley Quintet was in good form during this 1969 concert in Paris. They start off with keyboardist Joe Zawinul's hard bop ... More

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