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Lost Horizon [Bell]
(1973)
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by
Burt Bacharach
When the motion picture musical Lost Horizon was unleashed upon the world in 1973, the reviews were unbelievably harsh and much of the criticism was aimed at composer Burt Bacharach and lyricist Hal David. However, even though many of the songs on this soundtrack are not as memorable as their more popular collaborations, this album is not that bad ...
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Gold
(2006)
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by
Burt Bacharach & Friends
This 2006 41-track double dose of Burt Bacharach's prolific career is obviously not nearly as comprehensive as Rhino's 1998 The Look of Love three-CD, 75-song package that remains the standard by which other collections of the songwriter's work will be judged. But it's not bad, either. Hip-O/Universal is no novice to the artist's pop work; the ...
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Painted from Memory
(1998)
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Elvis Costello & Burt Bacharach
Elvis Costello and Burt Bacharach first collaborated on "God Give Me Strength," a sweeping ballad that functioned as the centerpiece in Allison Anders' Grace of My Heart. It was a stunning song in the tradition of Bacharach's classic '60s work and it was successful enough that the composers decided to collaborate on a full album, Painted from ...
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Butch Cassidy & the Sundance Kid
(1969)
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Burt Bacharach
In spite of its short length (26 minutes), Bacharach's Butch Cassidy & the Sundance Kid soundtrack is still a fine release. Many fans will be pleased to see one of his biggest hits here, the B.J. Thomas vehicle "Raindrops Keep Falling on My Head" (augmented by an instrumental and additional vocal version that add little). What's really intriguing, ...
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Live on Letterman: Music from the Late Show
(1997)
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by
Various Artists
David Letterman's The Late Show always had a long tradition of excellent musical performances -- indeed, it's one of the few places on American network television where live music thrives -- so the question that surrounds the 1997 release of Live on Letterman: Music from the Late Show isn't why, but why did it take so long? There have been enough ...
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At This Time
(2005)
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Burt Bacharach
For as great as he is, Burt Bacharach has never been much of a solo recording artist. His greatness lies as a composer, not as a performer, due largely to his gravelly voice, which has a tendency to waver out of tune, but he also has a tendency to indulge in his sleepiest MOR qualities when he's left to his own devices. Even on his 1967 solo debut ...
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What the World Needs Now: Burt Bacharach Classics
(2003)
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Burt Bacharach
What the World Needs Now is a comprehensive single-disc compilation of Burt Bacharach's recordings of his music for Kapp and A&M Records between 1965 and 1974, drawn from his albums Hit Maker, the Man! Burt Bacharach and His Songs, Reach Out, Make It Easy on Yourself, Burt Bacharach, Living Together, and Burt Bacharach in Concert, as well as the ...
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20th Century Masters - The Millennium Collection: The Best of Burt Bacharach
(1999)
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Burt Bacharach
20th Century Masters - The Millennium Collection: The Best of Burt Bacharach collects a dozen mostly instrumental versions of some of the pop composer's best-known works, including "The Look of Love," "What the World Needs Now Is Love," and "I Say a Little Prayer." The lush '60s arrangements make this album a collection of retro mood music of the ...
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Here I Am: Ron Isley Sings Burt Bacharach
(2003)
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Ron Isley/Burt Bacharach
While the collaboration between soul singer supreme Ron Isley and composer and arranger Burt Bacharach does not have the adventurous scope of Bacharach's collaboration with Elvis Costello -- in that the tunes featured here are mostly Bacharach classics -- it is every bit as satisfying. At 62, Isley's voice is sweeter and more resonant than ever. ...
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The Very Best of Burt Bacharach [Rhino]
(2001)
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by
Burt Bacharach
Like Rhino's exquisite three-disc The Look of Love, this set does not concentrate on proper Burt Bacharach recordings. Instead, it contains versions of Bacharach's greatest songs, usually the greatest versions -- or cuts that are damn close to the greatest versions. And, really, that's what makes it magical, since Bacharach wasn't the best ...
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Isn't She Great
(2000)
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by
Burt Bacharach
Burt Bacharach wrote the laidback score to this biopic of Valley of the Dolls authored by Jacqueline Susann, starring Bette Midler and Nathan Lane. The album also includes two songs featuring Dionne Warwick and Vanessa Williams on vocals, written with Bacharach's lontime lyricist Hal David. ~ John Bush, All Music Guide
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Reach Out
(1967)
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by
Burt Bacharach
Burt Bacharach's second album will either delight or sorely disappoint modern listeners, depending upon how aware they are of who he really is. It's easy to forget, amidst his '90s revival, that Bacharach was never fundamentally a "rock" songwriter. Reach Out was reissued in 1995, just as Bacharach's star was rising among more mature rock ...
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The Best of Burt Bacharach
(1996)
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Burt Bacharach
Listeners looking for the sultry vocals of Dionne Warwick, the genial delivery of B.J. Thomas, or the impossibly even tone of Karen Carpenter will throw their hands up in the air a few songs into A&M's Best of Burt Bacharach, as none of these 20 classic Bacharach compositions are the ones that casual fans will be familiar with. That said, hearing ...
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Greatest Hits [A&M]
(1974)
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by
Burt Bacharach
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The Ultimate Christmas Album, Vol. 3: WOGL 98.1 Philadelphia
(1996)
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by
Various Artists
Collectables' Ultimate Christmas Album, Vol. 3: WOGL Oldies 98.1 Philadelphia is another quirky mix of standards and relatively obscure holiday tunes. Nat King Cole's "The Christmas Song," Perry Como's "Home for the Holidays," and Bing Crosby's "White Christmas" fall into the latter category, while the Impressions' "Amen," Mavis Staples' ...
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The Ultimate Christmas Album, Vol. 3: WCBS FM 101.1
(1996)
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by
Various Artists
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One Amazing Night
(1998)
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by
Burt Bacharach
The Burt Bacharach revival began simmering in 1994, when Oasis featured his portrait on the cover of Definitely Maybe, but it truly reached its apex in 1998. Not only did Rhino release a lavish three-disc box set of his best work, he made a genuine artistic comeback with his collaboration with Elvis Costello, Painted from Memory, and was still ...
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I'll Never Fall in Love Again
(1998)
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by
Burt Bacharach
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Plays His Hits
(1997)
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by
Burt Bacharach
Basically, this is a retitled reissue of his 1965 Kapp album Hit Maker!, with the addition of his 1965 "What's New Pussycat?"/"My Little Red Book" single, the 1963 single "And So Goodbye, My Love," and the previously unreleased alternate take "Saturday Sunshine." An orchestra and chorus directed by Burt himself run through most of his most popular ...
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Make It Easy on Yourself
(1969)
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by
Burt Bacharach
Make It Easy on Yourself is a puzzling record. Some tracks are instrumental, some feature session vocalists, and Bacharach himself sings only one track. Still, the album is a lesson in great songwriting. Bacharach's charm is his skill in dealing with abstracts. Songs that aren't immediately pleasing to the ear grow on the listener. "I'll Never ...
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The Reel Burt Bacharach
(1999)
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by
Burt Bacharach
No doubt trying to cash in on the Bacharach craze of the late '90s, Hip-O released this compilation of the Brill Building vet's celluloid themes. Taken from soundtracks cut from 1962's The Man Who Shot Liberty Valance to 1988's Arthur 2: On the Rocks, the 17 tracks include original hit versions (Dusty Springfield's "The Look of Love" and Tom Jones ...
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Treasured Tunes, Vol. 10
(1999)
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by
Various Artists
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A Man & His Music [Karussell]
(2001)
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by
Burt Bacharach
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The Ultimate Christmas Album, Vol. 3 [Collectables]
(1996)
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by
Various Artists
Collectables' Ultimate Christmas Album, Vol. 3 is another quirky mix of standards and relatively obscure holiday tunes. Nat King Cole's "The Christmas Song," Perry Como's "Home for the Holidays," and Bing Crosby's "White Christmas" fall into the latter category, while the Impressions' "Amen," Mavis Staples' "Christmas Vacation," and Donald O ...
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At This Time [LP]
(2005)
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by
Burt Bacharach
For as great as he is, Burt Bacharach has never been much of a solo recording artist. His greatness lies as a composer, not as a performer, due largely to his gravelly voice, which has a tendency to waver out of tune, but he also has a tendency to indulge in his sleepiest MOR qualities when he's left to his own devices. Even on his 1967 solo debut ...
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