Buddy Guy revitalized his career when he signed with Silvertone Records in the early '90s. His first album for the label, Damn Right, I've Got the Blues, was a smash success, earning critical acclaim, awards, and sales hand over fist. Prior to that record, he was a legend only among blues fans; afterward, he was a star. Although it was a bit too ...
The "pure" in the Pure series initially suggested the unadulterated, soothing dulcet tones of new age in the Pure Moods discs, but as the series took off, Universal Music realized they had a real marketable brand name here, so they decided to use it for different genres. The one thing that all the collections shared was that they were exceptional ...
Grammy-winning comeback set that brought Buddy Guy back to prominence after a long studio hiatus. Too many clichéd cover choices -- "Five Long Years," "Mustang Sally," "Black Night," "There Is Something on Your Mind" -- to earn unreserved recommendation, but Guy's frenetic guitar histrionics ably cut through the superstar-heavy proceedings (Eric ...
Buddy Guy's career and discography have been marked by inconsistency. Especially since his high-profile comeback in the early '90s, it seems he's been all too willing to turn over creative control on his albums, both for better and worse. Even just looking at the covers of those albums bears this out. 1991's Damn Right, I've Got the Blues has him ...
This second volume of a two-volume entry in MCA's Chess 50th Anniversary reissue series chronicles the second decade of blues classics produced by the landmark company. Although Chess' big four (Muddy Waters, Howlin' Wolf, Little Walter, and Sonny Boy Williamson) are all finely represented, influential sides by Elmore James ("Madison Blues"), Otis ...
On Buddy Guy's second Silvertone release, he continues the practice of guest appearances begun on Damn Right, I've Got the Blues. In this case, the notables include Paul Rodgers, Travis Tritt, and John Mayall. The finest combination comes when Bonnie Raitt joins Guy on John Hiatt's "Feels Like Rain." Raitt's gritty vocals and sweet slide guitar ...
Whereas on 1993's Feels Like Rain Buddy Guy flirted with pop and R&B material, on Slippin' In, released one year later, he firmly reasserts his bluesness. From the very first track on, Guy lets his incomparable guitar loose. Throughout the album, he even experiments with Hendrix-esque effects on his guitar (perhaps at the prodding of producer ...
The classic pairing of Buddy Guy and Junior Wells has been captured many times on vinyl, cassette, and disc over the years, but rarely with such intimacy and subtle, restrained energy as on this wonderful collection. Buddy Guy plays mostly 12 string guitar, and Junior laces his signature lines through the songs, engaging Guy in the kind of musical ...
Apparently, Buddy Guy subscribes to the theory "If you can't beat 'em, join 'em." Losing commercial ground to the blonde young guns of Johnny Lang and Kenny Wayne Shepherd, Guy hired their producer, David Z., and set out to record an album of loud, frenzied blues-rock. Purists will cringe at the unabashed commercial concessions Guy makes on Heavy ...
Considering the troubled background of this album (Eric Clapton, Ahmet Ertegun, and Tom Dowd only ended up with eight tracks at a series of 1970 sessions in Miami; two years later, the J. Geils Band was brought in to cut two additional songs to round out the long-delayed LP for 1972 release), the results were pretty impressive. Buddy Guy ...
The guitarist's first album away from Chess -- and to be truthful, it sounds as though it could have been cut at 2120 S. Michigan, with Guy's deliciously understated guitar work and a tight combo anchored by three saxes and pianist Otis Spann laying down tough grooves on the vicious "Mary Had a Little Lamb," "I Can't Quit the Blues," and an ...
Grammy-winning comeback set that brought Buddy Guy back to prominence after a long studio hiatus. Too many clichéd cover choices -- "Five Long Years," "Mustang Sally," "Black Night," "There Is Something on Your Mind" -- to earn unreserved recommendation, but Guy's frenetic guitar histrionics ably cut through the superstar-heavy proceedings (Eric ...
Hardly. What is on this two-disc set is a real hodgepodge of new and old tracks by a variety of artists ranging from soul shouters and blues-rockers to the true originators. Disc one gets off to a sluggish start with tracks from Johnny Winter, the Boneshakers, Colin James, Larry McCray, the Kinsey Report, John Hammond, Duke Robillard, and Terry ...
As part of MCA's Chess Records 50th Anniversary series, Buddy's Blues sweats Guy's multi-disc retrospective, The Complete Chess Studio Recordings down to a scintillating 15-track package and comes up with a bare-bones winner. There are loads of great guitar on classics like "First Time I Met the Blues," "Let Me Love You Baby," "Pretty Baby," "My ...
No blues tandem in recent memory has given more alternately brilliant and infuriating performances as the duo of Junior Wells and Buddy Guy. They can inspire or anger, stimulate or disgust, amaze or bore. They were in a great groove during the selections recorded at this concert for Isabel. They have been recently reissued with two bonus cuts as ...
Legend status came late to Buddy Guy, so it shouldn't be surprising that this is the first box set devoted to the blues giant's work. Yet it is still a bit of a shock, because Guy, it seems, has always been a part of the modern blues scene, ubiquitous even in the late '60s at the era's high-profile rock and folk festivals, playing the hippie ...
Chess Blues is a superlative four-CD box set featuring important tracks by all the main stars of the label (Muddy Waters, Howlin' Wolf, Little Walter, Sonny Boy Williamson), as well as much previously unreleased material. A well-done retrospective of Chicago blues in its heyday, as recorded by America's greatest blues label, Chess. ~ Cub Koda, All ...
Arriving after the unexpected blast of raw energy that was 2001's Sweet Tea, 2003's Blues Singer could idealistically be seen as the acoustic flip side of that high-voltage, raw electric blues. Like Sweet Tea, Blues Singer is supposed to exist deep down within the Delta blues tradition, only finding Buddy Guy armed with an acoustic guitar and the ...
The Very Best of Buddy Guy is a credible attempt to digitally summarize Buddy Guy's entire pre-Silvertone career on a single 18-song disc. It encompasses the guitarist's 1957 demo "The Way You Been Treating Me," two killer Cobras, four of his hottest Chess sides, a couple notable Vanguards, a pair of alluring Atlantics, and three tremendously ...
If not a definitive blues recording, this 16-track collection delivers on the promise of its title. James Cotton, Johnny Winter, Buddy Guy, Lonnie Mack, and the inestimable Professor Longhair rock the house like the veterans they are. The respected label also showcases relative newcomers, including Robert Cray and Little Charlie & the Nightcats, ...
There's much superior blues and soul music on this 30-song, two-CD set, but its focus is blurry to the point of mystery. Are these tracks fusions of blues and soul, à la artists like Bobby Bland and Little Milton? Not exactly, though a few of the numbers fit that description. Is it bluesy soul, soulful blues, or a combination of the two? Sometimes ...
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Ahmad Jamal (piano), Boston Baroque, Brian Jones (drums), Buddy Guy (guitar), David Stahlberg (trombone), Deana Butler (vocals), Empire Brass (brass ensemble), Jack Cassidy (trumpet), Jeanie Bryson (vocals), John Heard (bass), Junior Wells (vocals)
Let's Dance: The Best of Ballroom Swing, Lindy, Jitterbug & Jive was designed to cash in on the swing and lounge revival of the '90s by offering a selection of uptempo swing and jump blues songs, along with a choreography and beats-per-minute guide, designed for hip young swingers who want to dance the Lindy, jitterbug, and jive. Despite a few ...
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