This is the sort of album that gives the mainstream a good name. It's wonderfully recorded, especially at the low end of the spectrum: Peter Washington's bass and Kenny Washington's kick drum speak with authority yet never overwhelm Charlap's piano. The trio's approach is distinctive, marked by tight and fairly elaborate arrangements, thrilling ...
Some 13 years into his recording career, jazz pianist extraordinaire Bill Charlap's first live album is, perhaps, his most exquisite release to date. While virtually all of his studio albums more than adequately showcase Charlap's virtuosity, good taste, and ceaseless imagination at the keys, it took the spontaneity of the live performance -- at ...
Jazz singer Freddy Cole has accompanied himself on piano for decades, but here he turns that task over to the quite able Bill Charlap on a program of well-worn standards and a handful of lesser-known tunes. Cole's sweet, soulful, robust voice has held him in good stead over the years, and continues to retain that refined, aged yet timeless texture ...
Allen's tenor sax sound is perfectly suited for the music of Duke Ellington. His literate, traditional approach and occasionally Stan Getz-ian breathy tones go to the heart of Duke's melodic and harmonic concepts. Pianist Bill Charlap is excellent through and through, while bassist Peter Washington and drummer Kenny Washington are dutiful in ...
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