Your search: Music » Artist: Bill Bruford
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Red
(1974)
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King Crimson
King Crimson fell apart once more, seemingly for the last time, as David Cross walked away during the making of this album. It became Robert Fripp's last thoughts on this version of the band, a bit noiser overall but with some surprising sounds featured, mostly out of the group's past -- Mel Collins' and Ian McDonald's saxes, Marc Charig's cornet, ...
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Yessongs
(1973)
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Yes
In many ways, the extravagance of this package equates the profligacy of the prog rock combo themselves. After all, how else but on a triple-LP collection could one hope to re-create (and/or contain) an adequate sampling of Yes' live presentation? Especially since their tunes typically clocked in in excess of ten minutes. Although they had turned ...
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Close to the Edge
(1972)
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Yes
With 1971's Fragile having left Yes poised quivering on the brink of what friend and foe acknowledged was the peak of the band's achievement, Close to the Edge was never going to be an easy album to make. Drummer Bill Bruford was already shifting restlessly against Jon Anderson's increasingly mystic/mystifying lyricism, while contemporary reports ...
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The Yes Album
(1971)
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Yes
The album that first gave shape to the established Yes sound, build around science-fiction concepts, folk melodies, and soaring organ, guitar, and vocal showpieces. "Your Move" actually made the U.S. charts as a single, and "Starship Trooper," "Perpetual Change," and "Yours Is No Disgrace" became much-loved parts of the band's concert repertory ...
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Larks' Tongues in Aspic
(1973)
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King Crimson
King Crimson reborn yet again -- the newly configured band makes its debut with a violin (courtesy of David Cross) sharing center stage with Robert Fripp's guitars and his Mellotron, which is pushed into the background. The music is the most experimental of Fripp's career up to this time -- though some of it actually dated (in embryonic form) back ...
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Fragile
(1972)
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Yes
The band's breakthrough album, dominated by science-fiction and fantasy elements and new member Rick Wakeman, whose organ, synthesizers, Mellotrons, and other keyboard exotica added a larger-than-life element to the procedings. Ironically, the album was a patchwork job, hastily assembled in order to cover the cost of Wakeman's array of instruments ...
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One of a Kind
(1979)
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Bill Bruford
Bill Bruford ended his brief affair with U.K. and condensed his original outfit to a quartet, releasing a second album of sinewy, celebratory jazz/rock fusion, One of a Kind. Good-humored twists and turns abound in the music, punctuated by Bruford's steadying if slightly subversive rhythms, Allan Holdsworth's flashes of fire, Jeff Berlin's ...
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The Yes Album [Bonus Tracks]
(2003)
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Yes
The album that first gave shape to the established Yes sound, built around science-fiction concepts, folk melodies, and soaring organ, guitar, and vocal showpieces. "Your Move" actually made the U.S. charts as a single, and "Starship Trooper," "Perpetual Change," and "Yours Is No Disgrace" became much-loved parts of the band's concert repertory ...
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The Great Deceiver, Vol. 1
(2007)
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King Crimson
It may not be in the same form but at the very least it is available again. In 1992, Robert Fripp, in association with Caroline Records, released The Great Deceiver (Live 1973-1974). It was a lavish four-CD box, packaged in a long box with an amazing book that exceeded all previous efforts to document their live offerings. In contrast, the ...
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Discipline
(1981)
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King Crimson
When King Crimson leader Robert Fripp decided to assemble a new version of the band in the early '80s, prog rock fans rejoiced, and most new wave fans frowned. But after hearing this new unit's first release, 1981's Discipline, all the elements that made other arty new wave rockers (i.e., Talking Heads, Pere Ubu, the Police, etc.) successful were ...
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Union
(1991)
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Yes
With the exception of Peter Banks and Trevor Horn, virtually all the major contributors to Yes in its various incarnations over the previous 23 years, including both of its drummers, threw their hands into the making of Union, which was supported by a massive tour that filled arenas with at least two generations of fans. So even if Union had been ...
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The Great Deceiver, Vol. 2
(2007)
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King Crimson
It may not be in the same form but at the very least it is available again. In 1992, Robert Fripp, in association with Caroline Records, released The Great Deceiver (Live 1973-1974). It was a lavish four-CD box, packaged in a long box with an amazing book that exceeded all previous efforts to document their live offerings. In contrast, the ...
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The Collectable King Crimson, Vol. 1 [Discipline]
(2006)
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King Crimson
Out of all the many King Crimson line-ups over the years, one of the hardest rocking was undoubtedly one from the early '70s (comprised of Robert Fripp, John Wetton, Bill Bruford, and David Cross) -- especially when they hit the concert stage. And this is proven once again by the release of the 2006 double-disc set The Collectable King Crimson, ...
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Starless and Bible Black [30th Anniversary Edition]
(2005)
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King Crimson
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock ...
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Classic Yes
(1981)
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Yes
Compiled by Chris Squire (in case you're wondering how "The Fish" made it this far upstream), Classic Yes was Atlantic's initial attempt to distill the band's best music. Subsequent compilations have swelled to four discs (Yesyears), been abridged to two (Yesstory), and further compacted to a single disc (Highlights), any one of which offers a ...
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Starless and Bible Black
(1974)
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King Crimson
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock ...
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Beat
(1982)
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King Crimson
Beat is not as good as its predecessor (1981's Discipline), but it's not too shabby, either. The '80s version of King Crimson (Robert Fripp, guitar; Adrian Belew, vocals/guitar; Tony Levin, bass; and Bill Bruford, drums) retains the then-modern new wave sound introduced on Discipline. The band's performances are still inspired, but the songwriting ...
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THRAK
(1995)
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King Crimson
The only progressive rock band from the '60s to be making new, vital, progressive music in the '90s, King Crimson returned from a ten-year exile in 1995 with THRAK, their first album since 1984's 3 of a Perfect Pair. As with the '80s band, guitarist/ringleader Robert Fripp recruited singer/guitarist Adrian Belew, bassist Tony Levin, and drummer ...
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A Superb Collection of Studio, Live and Solo Yes Classics
(2005)
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Yes
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The Ultimate Yes
(2004)
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Yes
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The Condensed 21st Century Guide to King Crimson: 1969-2003
(2006)
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King Crimson
King Crimson is a decidedly unwieldy band. Spanning more than 35 years (as of this writing) and at least seven distinct lineups, and complicated by the studio vs. live dichotomy (not to mention no hits to speak of), this is a band that almost refuses to be anthologized. Anything less than a box set doesn't really do the band justice, but anything ...
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Feels Good to Me
(1978)
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Bill Bruford
This is the first solo date by drummer Bill Bruford after the first demise of King Crimson. Feels Good to Me goes far beyond the usual prog rock conceits of its time, and enters fully into the compositional structures and improvisational dynamics of jazz. Here he surrounds himself with various mates from the Canterbury scene -- guitarists Allan ...
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Yesterdays
(1975)
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Yes
Yesterdays is a pleasant but minor compilation of early Yes cuts. Steve Howe and Rick Wakeman put in an appearance on an up-tempo art-rock reworking of Paul Simon's "America"; listen for Bill Bruford's wah-wah bongos. The rest of this record is largely a showcase for the shunned talents of Tony Kaye and Peter Banks, although the song selections ...
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The ConstruKction of Light
(2000)
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King Crimson
King Crimson, one of the few first-generation progressive rock bands to remain nearly consistent in the quality of their output throughout their career, fall flat with The ConstruKction of Light, the band's 12th studio album. Unable to shed the weight of their oft-brilliant history, the most promising moments of ConstruKction are crushed ...
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VROOOM
(1994)
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King Crimson
To reward longtime King Crimson fanatics who waited ten long years (1984-1994) for new studio material, the band issued this EP of six tracks that would (for the most part) later appear on the full-length THRAK. The band is caught at its rawest and most passionate, erasing any doubts that may have surfaced concerning whether the regrouped KC could ...
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