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Medusa
(1995)
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Annie Lennox
The critics savaged Annie Lennox's sophomore effort when it first came out, and it's easy to see why: it's not that an all-covers album was a bad idea, but she did pick some rather large shoes to fill and she did kind of run roughshod over the songs themselves, taking gritty material by the likes of Neil Young and the Clash and turning it into ...
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Bare
(2003)
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Annie Lennox
It's been eight years since Medusa, Annie Lennox's last studio album, was released. It's been 11 since her debut solo effort and five since the short-lived Eurythmics reunion. And while she may not be prolific, Lennox is always enigmatic. Bare is a collection of self-penned tracks, as the artist explains in the liners: "This album contains songs ...
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Songs of Mass Destruction
(2007)
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Annie Lennox
Four albums in 15 years is not exactly prolific when it comes to making records. But Annie Lennox has never been one to rush things, and her recorded output as a solo artist in life after the Eurythmics has been stellar. The last time she issued a recording in 2003 with Bare, a collection of deeply committed emotional songs that set a new standard ...
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Songs of Mass Destruction [Deluxe Edition]
(2007)
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by
Annie Lennox
Four albums in 15 years is not exactly prolific when it comes to making records. But Annie Lennox has never been one to rush things, and her recorded output as a solo artist in life after the Eurythmics has been stellar. The last time she issued a recording in 2003 with Bare, a collection of deeply committed emotional songs that set a new standard ...
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Diva
(1992)
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by
Annie Lennox
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Red Hot + Blue: A Tribute to Cole Porter
(1991)
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Various Artists
A fitfully entertaining collection of contemporary pop stars interpreting classic Cole Porter songs, Red Hot + Blue highlights include U2, Sinead O'Connor, Kirsty MacColl & the Pogues, Neneh Cherry, and David Byrne, but the best part of the disc is the wonderfully campy duet between Deborah Harry and Iggy Pop on "Well Did You Evah." All Music ...
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The Ultimate Collection
(2005)
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by
Eurythmics
Preceding the elaborate 2005 reissues of Eurythmics' eight proper albums by a month, The Ultimate Collection narrowly trumps 1991's Greatest Hits since it features remastered sound and a more extensive track list. While it does not contain "Don't Ask Me Again," opting to instead select a couple merely decent highlights from 1999's Peace, two new ...
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Unplugged Collection, Vol. 1
(1994)
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by
Various Artists
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Saturday Night Live: 25 Years, Vol. 1
(1999)
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by
Various Artists
Since its debut in October 1975, Saturday Night Live has always prominently featured musical acts and during its lenghthy history, there have been a number of remarkable performances -- so many, as a matter of fact, that it's hard to believe that a collection of musical highlights wasn't released until the fall of 1999. Two volumes of musical ...
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Touch [Bonus Tracks]
(2005)
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Eurythmics
Eurythmics followed their 1982 breakthrough album Sweet Dreams with the superior Touch, which yielded three hit singles and kept the innovative duo at the forefront of the 1980s British new wave explosion and MTV phenomenon. Mixing cold, hard, synthesized riffs with warm, luscious vocals, the duo crafted some of the most unique and trendsetting ...
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Revenge
(1986)
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by
Eurythmics
On their fifth album, Eurythmics moved away from the austere synth-pop of their previous work and toward more of a neo-'60s pop/rock stance. "Missionary Man" (which went Top 40 as a single in the U.S. and charted in the U.K.) featured a prominent harmonica solo, while "Thorn in My Side" had a chiming guitar riff reminiscent of the Searchers and a ...
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1984 (For the Love of Big Brother)
(1984)
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by
Eurythmics
While it is not billed as an Original Motion Picture Soundtrack, this album does contain, as a jacket note indicates, "music derived from Eurythmics." The original score of the motion picture 1984, it was treated as a side project for marketing purposes, not as Eurythmics' full-fledged fourth new studio album. Fair enough. Much of the album is ...
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We Too Are One
(1989)
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by
Eurythmics
Switching to Arista Records in the U.S., Eurythmics made their last album together with We Too Are One, and they went out in style. Calling upon a broad pop range, their seventh album was their best since Be Yourself Tonight in 1985. The sound was varied, the melodies were strong, and the lyrics were unusually well-crafted. In retrospect, the ...
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Ultimate Dance Party 1997
(1996)
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by
Various Artists
Ultimate Dance Party 1997 contains many of the biggest dance hits of 1995 and 1996, including Quad City DJs' "Come On and Ride It (The Train)," La Bouche's "Be My Lover," Ace of Base's "Beautiful Life," Everything but the Girl's "Missing," Los Del Mar's "Macarena" (which is not the version with English lyrics), Annie Lennox's "No More I Love You ...
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Peace
(1999)
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by
Eurythmics
Nearly a decade after Eurythmics went on an unannounced, virtually unnoticed hiatus in 1990, Annie Lennox and Dave Stewart returned with the heavily publicized Peace. Both Lennox and Stewart had been silent since 1995, which means that reuniting really wasn't a sacrifice, since their solo careers had stalled. In fact, it was a wise idea to re-team ...
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We Too Are One [Bonus Tracks]
(2005)
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by
Eurythmics
Switching to Arista Records in the U.S., Eurythmics made their last album together with We Too Are One, and they went out in style. Calling upon a broad pop range, their seventh album was their best since Be Yourself Tonight in 1985. The sound was varied, the melodies were strong, and the lyrics were unusually well-crafted. In retrospect, the ...
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Ultimate Divas
(1999)
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by
Various Artists
Ultimate Divas captures every aspect of pop music's queens, reaching back to Judy Garland's "Over the Rainbow" and Lena Horne's "Stormy Weather," and flashing forward into the present with songs by Annie Lennox and Tina Turner. In between one finds great performances like Billie Holliday's "My Man," Ella Fitzgerald's "Someone to Watch Over Me" and ...
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Diana, Princess of Wales: Tribute
(1997)
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by
Various Artists
It's hard to pull off a tribute album to a recently deceased celebrity with grace and style, but Diana's Tribute works extraordinary well. None of the songs on the two discs are explicitly about Diana, but the generally wistful, melancholy tone captures the feeling of mass mourning and regret. And, on the most basic level, it offers a collection ...
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Carnival: Rainforest Foundation Concert
(1997)
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by
Various Artists
To the extent that you can judge a various-artists compilation by looking at the list of artists, this one is hard to beat, including newly recorded tracks by Elton John, Madonna, Paul Simon, James Taylor, Sting, Tina Turner, and Bette Midler, among others. A benefit for the Rainforest Foundation, founded by Sting and his wife, the disc has as its ...
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Pavement Cracks [Remix]
(2003)
by
Annie Lennox
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Touch
(1983)
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by
Eurythmics
Eurythmics followed their 1982 breakthrough album Sweet Dreams with the superior Touch, which yielded three hit singles and kept the innovative duo at the forefront of the 1980s British new wave explosion and MTV phenomenon. Mixing cold, hard, synthesized riffs with warm, luscious vocals, the duo crafted some of the most unique and trendsetting ...
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Boxed
(2005)
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by
Eurythmics
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Be Yourself Tonight
(1985)
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by
Eurythmics
On Be Yourself Tonight, Eurythmics' most commercially successful and hit-laden album, the duo meticulously blended the new wave electronic elements that dominated their previous sets with the harder straight-edged rock and soul that would dominate later sets to come up with a near-perfect pop album. This disc scored no less than four hit singles ...
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Revenge [Bonus Tracks]
(2005)
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by
Eurythmics
On their fifth album, Eurythmics moved away from the austere synth pop of their previous work and toward more of a neo-'60s pop/rock stance. "Missionary Man" (which went Top 40 as a single in the U.S. and charted in the U.K.) featured a prominent harmonica solo, while "Thorn in My Side" had a chiming guitar riff reminiscent of the Searchers and a ...
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Be Yourself Tonight [Bonus Tracks]
(2005)
more music like this
by
Eurythmics
On Be Yourself Tonight, the Eurythmics' most commercially successful and hit-laden album, the duo meticulously blended the new wave and electronic elements that dominated their previous sets with the harder straight-edged rock and soul that would dominate later sets, resulting in a nearly perfect pop album. This disc scored no less than four hit ...
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