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2. Bernardo Pasquini: Virtuoso Music for Two Harpsichords (1992)
by Alessandro de Marchi (harpsichord), Attilio Cremonesi (harpsichord)
Those interested in the enticing idea of virtuoso duo-harpsichord music of the High Baroque aren't getting quite what's advertised here, but this is ... More
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11. Handel: Il trionfo del Tempo e del Disinganno (2008)
by Jörg Dürmüller (tenor), Kate Aldrich (mezzo-soprano), Martin Oro (vocals), Martin Oro (counter tenor), Roberta Invernizzi (soprano), Academia Montis Regalis, Alessandro de Marchi (conductor)
George Frederick Handel's first oratorio is perhaps most familiar in its English version, The Triumph of Time and Truth, but that is a later ... More
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12. Rossini: La pietra del paragone (2004)
by Agata Bienkowska (mezzo-soprano), Alessandro Codeluppi (tenor), Alessandro de Marchi (harpsichord), Anke Herrmann (soprano), Anna Rita Gemmabella (mezzo-soprano), Dariusz Machej (bass), Gioacchino Zarrelli (baritone), Raffaele Costantini (bass)
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13. Pergolesi: L'Olimpiade (2011)
by Alessandro de Marchi (harpsichord), Ann-Beth Solvang (mezzo-soprano), Jeffrey Francis (tenor), Jennifer Rivera (mezzo-soprano), Markus Brutscher (tenor), Martin Oro (counter tenor), Olga Pasichnyk (soprano), Raffaella Milanesi (soprano)
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14. Rossini: Torvaldo e Dorliska (2006)
by Anna Rita Gemmabella (mezzo-soprano), Giovanni Bellavia (bass baritone), Huw Rhys-Evans (tenor), Mauto Utzeri (baritone), Michele Bianchini (bass), Paola Cigna (soprano), ARS Brunensis Chamber Choir (choir, chorus), Czech Chamber Soloists
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15. Vivaldi: Orlando finto pazzo (2004)
by Antonio Abete (bass), Gemma Bertagnolli (soprano), Manuela Custer (mezzo-soprano), Marianna Pizzolato (mezzo-soprano), Marina Comparato (mezzo-soprano), Martin Oro (counter tenor), Sonia Prina (contralto), Turin Teatro Regio Chorus (choir, chorus)
Recordings of Vivaldi operas are extremely scarce, and whether or not that will -- or should -- ever change is an open question. But excellent ... More
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16. Vivaldi: Juditha triumphans [Highlights] (2000)
by Anke Hermann (vocals), Anke Herrmann (vocals), Magdalena Ko?ená (vocals), Maria José Trullu (vocals), Marina Comparato (vocals), Accademia di Santa Cecilia Chamber Chorus (choir, chorus), Accademia di Santa Cecilia Chorus (choir, chorus)
Antonio Vivaldi's only surviving oratorio, Juditha triumphans, has received several good recordings. For sheer crowd-pleasing music it is the equal ... More
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17. Bellini: La Sonnambula (2008)
by Cecilia Bartoli (vocals), Gemma Bertagnolli (vocals), Ildebrando d'Arcangelo (vocals), Javier Camarena (vocals), Juan Diego Flórez (vocals), Liliana Nichiteanu (vocals), Peter Kálmán (vocals), Zurich Opera Chorus (choir, chorus)
This recording of La Sonnambula is notable on a number of fronts. It's the first recording of the opera based on a 2004 critical edition of the score ... More
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