It was called "Disney's Folly." Who on earth would want to sit still for 90 minutes to watch an animated cartoon? And why pick a well-worn Grimm's Fairy Tale that every schoolkid knows? But Walt Disney seemed to thrive on projects which a lesser man might have written off as "stupid" or "impossible". Investing three years, $1,500,000, and the combined talents of 570 artists into Snow White and the Seven Dwarfs, Disney produced a film that was not only acknowledged a classic from the outset, but also earned 8,500,000 ...
It was called "Disney's Folly." Who on earth would want to sit still for 90 minutes to watch an animated cartoon? And why pick a well-worn Grimm's Fairy Tale that every schoolkid knows? But Walt Disney seemed to thrive on projects which a lesser man might have written off as "stupid" or "impossible". Investing three years, $1,500,000, and the combined talents of 570 artists into Snow White and the Seven Dwarfs, Disney produced a film that was not only acknowledged a classic from the outset, but also earned 8,500,000 depression-era dollars in gross rentals. Bypassing early temptations to transform the heroine Snow White into a plump Betty Boop type or a woebegone ZaSu Pitts lookalike, the Disney staffers wisely made radical differentiations between the "straight" and "funny" characters in the story. Thus, Snow White and Prince Charming moved and were drawn realistically, while the Seven Dwarfs were rendered in the rounded, caricatured manner of Disney's short-subject characters. In this way, the serious elements of the story could be propelled forward in a believable enough manner to grab the adult viewers, while the dwarfs provided enough comic and musical hijinks to keep the kids happy. It is a tribute to the genius of the Disney formula that the dramatic and comic elements were strong enough to please both demographic groups. Like any showman, Disney knew the value of genuine horror in maintaining audience interest: accordingly, the Wicked Queen, whose jealousy of Snow White's beauty motivates the story, is a thoroughly fearsome creature even before she transforms herself into an ancient crone. Best of all, Snow White clicks in the three areas in which Disney had always proven superiority over his rivals: Solid story values (any sequence that threatened to slow down the plotline was ruthlessly jettisoned, no matter how much time and money had been spent), vivid etched characterizations (it would have been easier to have all the Dwarfs walk, talk and act alike: thank heaven that Disney never opted for "easy"), and instantly memorable songs (Frank Churchill, Leigh Harline, Paul J. Smith and the entire studio music department was Oscar-nominated for such standards-to-be as "Whistle While You Work" and "Some Day My Prince Will Come"). Hal Erickson, Rovi
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Snow White and the Seven Dwarfs
directed by Ben Sharpsteen, David Hand, Dick Richard, Dorothy Ann Blank, Larry Morey, Merrill de Maris, Perce Pearce, Richard Creedon, Walt Disney, Webb Smith, Wilfred Jackson, William Cottrell
An amazing Disney classic. Not to be missed. Animation at its best.
Jul 7, 2011
Great movie once it was finally received. Not sure what the confusion with delivery was, but glad it finally got here.
Mar 31, 2011
BOUGHT FOR MY CHILDREN
BOUGHT FOR MY GRANDCHILDREN. I DID NOT READ.
ALTA LOMA, CA
Jan 27, 2009
Definitely One of the Top Ten Classics Of All Time
For many years, I regarded Walt Disney's "Snow White" as the best film ever made. His decision to characterize the dwarfs was brilliant. In the original tale recorded by the Brothers Grimm, they are just seven amorphous dwarfs with no individual identities at all. And I love the music score! I would still place "Snow White" among the top ten, but I tend to agree with others that "Citizen Kane" is the prime candidate for Best Movie. As usual with Disney movies, the DVD version is superb!