It doesn't take a nuclear scientist to figure out that Smith Ohrig, the character played by Robert Ryan in Caught, is a thinly disguised takeoff of Howard Hughes. But whereas Howard Hughes was merely paranoid and eccentric, Smith Ohrig is an all-out psycho. Impulsively marrying ambitious model Leonora Eames (Barbara Bel Geddes), Ohrig keeps the ...
An exercise in style, La Ronde was one of the few films of the 1950s to contain overtly sexual themes. The story is a series of character vignettes, set in Vienna in the early 1900s and held together by a narrator (Anton Walbrook). As the title implies, both the story and the film's visual motifs are circular. Director Max Ophuls uses an old ...
Max Ophuls' final film (and his only movie in color) is a cinematic tour-de-force masquerading as a biography, in this case a dazzling fictionalized life of the notorious 19th century dancer, actress, and courtesan. A still beautiful, but weary and disillusioned (and, as we later discover, ailing) Lola Montes (Martine Carol) is first seen as the ...
Max Ophuls' La Signora di Tutti can be regarded today as a dress rehearsal for his 1955 masterpiece Lola Montes, though it comes nowhere near the brilliance of that later classic. Isa Miranda stars as a famous actress who, in the opening scenes, attempts suicide. A series of lavish flashbacks details the events leading up to her cataclysmic ...
Liebelei is one of the earliest of the cinematic banquets directed by German filmmaker Max Ophuls. The film, set in imperial Vienna, concerns the romance between a young girl and a lieutenant. A powerful baron misreads the lieutenant's ardor, assuming that it is being directed towards his own wife. A duel follows which, no matter how it turns out, ...
Max Ophüls' masterpiece stars Danielle Darrieux as the titular Madame Louise de..., who in the film's opening scenes is forced to discreetly sell a pair of earrings, a gift from her military officer husband Andre (Charles Boyer), in order to make good on her debts. After she claims the earrings to be lost, the story of their possible theft hits ...
The works of Guy de Maupassant have likely been adapted by more French filmmakers than those of any other author (with the possible exception of Georges Simenon). Max Ophuls harnesses three Maupassant short stories to suit his artistic purposes in Le Plaisir (House of Pleasure). In "The Mask," an aging lothario (Jean Galland) learns more about ...
Perhaps the finest American film from the famed European director Max Ophüls, the film stars Joan Fontaine as a young woman who falls in love with a concert pianist. Set in Vienna in 1900, the story is told in a complex flashback structure as the pianist, Stefan Brand (Louis Jourdan), comes upon a letter written to him by Lisa Berndl (Fontaine), a ...
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