Your search: Movies » Actor: Warren William
(13 matching movie titles)
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The Wolf Man
(1941)
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directed by
George Waggner
featuring
Lon Chaney, Jr., Claude Rains, Warren William, Evelyn Ankers, Ralph Bellamy, Bela Lugosi, Maria Ouspenskaya, Patric Knowles
"Even a man who is pure at heart/And says his prayers by night/May become a wolf when the wolf-bane blooms/And the moon is full and bright." Upon first hearing these words, Larry Talbot (Lon Chaney) dismisses them as childish folderol. After all, this is the 20th Century; how can a human being turn into a werewolf? Talbot soon learns how when he ...
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The Man in the Iron Mask
(1939)
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directed by
James Whale
featuring
Louis Hayward, Joan Bennett, Joseph Schildkraut, Alan Hale, Warren William
Man in the Iron Mask is independent producer Edward Small's 1939 edition of the much-filmed Dumas classic. The title character is the rightful King of France, imprisoned by his pretender-to-the-throne twin brother (both roles are played by Louis Hayward, with an uncredited Peter Cushing doubling for Hayward in the "over the back" shots). Warren ...
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Three on a Match
(1932)
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directed by
Mervyn LeRoy
featuring
Joan Blondell, Warren William, Ann Dvorak, Bette Davis, Buster Phelps
Three on a Match covers approximately 13 years in the lives of girlhood chums Mary Keaton (Joan Blondell), Ruth Wescott (Bette Davis) and Vivian Deverse (Ann Dvorak). Having graduated from grammar school together in 1919, the girls stage a reunion ten years later. Hard-boiled Mary is now a chorus girl, level-headed Ruth has a steady job as a ...
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Lady for a Day
(1933)
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directed by
Frank Capra
featuring
Warren William, May Robson, Guy Kibbee, Glenda Farrell, Ned Sparks
May Robson plays Apple Annie, a slatternly Broadway apple peddler. Annie has a curious setup whereby she is able to finagle other street merchants and beggars to pony up part of their weekly earnings to her--yet she never seems to spend any of the money on herself. This is because Annie has a daughter named Louise (Jean Parker), who has been ...
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Gold Diggers of 1933
(1933)
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directed by
Mervyn LeRoy
featuring
Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, Dick Powell
The second talkie version of the Avery Hopwood's theatrical war-horse The Golddiggers of Broadway, Gold Diggers of 1933 was the second of three back-to-back 1933 Warner Bros. musicals benefiting from the genius of Busby Berkeley. The basic plot is retained from the Hopwood play: Showgirls Joan Blondell, Ruby Keeler and Aline McMahon attempt to ...
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Lillian Russell
(1940)
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directed by
Irving Cummings
featuring
Alice Faye, Don Ameche, Henry Fonda, Edward Arnold, Warren William
Lillian Russell is the sanitized musical biopic of the legendary (and much-married) 19th century musical comedy star. Discovered in 1880 by bandleader Tony Pastor (Leo Carrillo), Lillian Russell (Alice Faye) wastes no time rising to fame and fortune on the Broadway stage. Along the way, she curries the favor of such eligible bachelors as ...
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Go West, Young Man
(1936)
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directed by
Henry Hathaway
featuring
Mae West, Warren William, Randolph Scott, Lyle Talbot, Alice Brady
Go West, Young Man represented the first time that Mae West starred in a film not originally written with her in mind. Based on Lawrence Riley's stage comedy Personal Appearance (which starred Gladys George on Broadway), the film casts La West as Mavis Alden, a pretentious and somewhat stupid movie star who is shipped out on a nationwide ...
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Arizona
(1940)
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directed by
Wesley Ruggles
featuring
William Holden, Jean Arthur, Warren William, Porter Hall, Paul Harvey
Wesley Ruggles's Arizona is an epic western set in an impoverished Arizona outpost. It tells the story of the feisty, no-nonsense Phoebe Titus (Jean Arthur). Wearing leather breeches, with a bullwhip and gun, she can out-shoot and out-fight nearly every bad hombre in town, and manages to transform the down-and-out community into Tuscon, one of the ...
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The Gracie Allen Murder Case
(1939)
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directed by
Alfred E. Green
featuring
Gracie Allen, Warren William, Ellen Drew, Kent Taylor, Jed Prouty
A longtime fan of comedians George Burns and Gracie Allen, "Philo Vance" creator S. S. Van Dyne wrote a tailor-made screenplay for the team, which emerged on-screen as The Gracie Allen Murder Case. The Paramount studio executives decided to dispense with the services of George Burns, leaving scatterbrained Gracie on her own to match wits (?) with ...
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Imitation of Life
(1934)
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directed by
John M. Stahl
featuring
Claudette Colbert, Warren William, Louise Beavers, Ned Sparks, Fredi Washington, Rochelle Hudson
The first of two film version of Fannie Hurst's novel, 1934's Imitation of Life chronicles the friendship between two women--one white (Claudette Colbert), one black (Louise Beavers). Colbert is a widow with a baby daughter who hires Beavers, who also has a daughter, as a housekeeper. Colbert is a working girl who yearns to operate her own ...
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Wives under Suspicion
(1938)
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directed by
James Whale
featuring
Warren William, Gail Patrick, William Lundigan, Constance Moore, Ralph Morgan
James Whale's Wives Under Suspicion is remake of Whale's own 1933 production A Kiss Before the Mirror, with a few noticeable concessions for the more militant censors of 1938. District attorney Jim Stowell (Warren William) is convinced that every murder should be sentenced to the electric chair, regardless of motive or circumstances. He remains ...
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Satan Met a Lady
(1936)
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directed by
William Dieterle
featuring
Bette Davis, Warren William, Alison Skipworth, Arthur Treacher, Winifred Shaw
While John Huston's screen adaptation of Dashiell Hammett's The Maltese Falcon is widely regarded as a screen classic, it wasn't the first time Hammett's novel had been brought to the screen, and this comedy drama offers a decidedly different spin on the same story. Detective Ted Shayne (Warren William) is hired by a woman named Valerie Purvis ...
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Cleopatra
(1934)
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directed by
Cecil B. DeMille
featuring
Claudette Colbert, Warren William, Henry Wilcoxon, Gertrude Michael, Joseph Schildkraut
Film historian William K. Everson once observed that the secret to the success of Cecil B. DeMille's 1934 Cleopatra is that DeMille subtly reshaped the known historical events into a contemporary "gold-digger makes good" scenario. Exhibiting the same determination with which Barbara Stanwyck sleeps her way to the top in 1933's Baby Face, Queen ...
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