Douglas Fairbanks' The Gaucho is a curiosity: a traditional Fairbanks actioner with decidedly unsavory, unpleasant and uncharacteristic overtones. For the first time in his career, Fairbanks plays what would have been a villainous role in anyone else's film: An outlaw leader who exploits religion for his own nefarious purposes. As the unofficial ...
The Iron Mask was Douglas Fairbanks' sequel to his popular 1921 vehicle The Three Musketeers. Fairbanks returns to his original role of D'Artagnan, while Marguerite de La Motte and Nigel De Brulier briefly reprise their Musketeers roles as, respectively, Constance and Cardinal Richelieu. After tying up loose plot ends from the first film, the ...
The mystical novels of Vicente Blasco-Ibanez were much prized by ambitious silent filmmaker Rex Ingram, who filmed two of them in the 1920s, both ostensibly vehicles for his actress wife Alice Terry. The first of the two, Four Horseman of the Apocalypse, was infinitely more successful than the second (Mare Nostrum), a fact that can be attributed ...
Seeking to bring High Art to the American hinterlands, silent film star Alla Nazimova sank a great deal of her own money into her 1922 adaptation of Oscar Wilde's Salome. Art director Natacha Rambova (notorious as the contentious second wife of Rudolph Valentino) based her set designs on the works of fin-de-siecle artist Aubrey Beardsley. The ...
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