The "my" in My Night At Maud's belongs to the protagonist played by Jean-Louis Trintignant, a Catholic engineer whose struggle with his faith is renewed when he falls instantly in love with a woman he's never met (Marie-Christine Barrault) while attending mass. A chance meeting with an amoral old friend (Antoine Vitez) the same night places him in ...
Even in 1945, Marcel Carné's Children of Paradise was regarded as an old-fashioned film. Set in the Parisian theatrical world of the 1840s, Jacques Prévert's screenplay concerns four men in love with the mysterious Garance (Arletty). Each loves Garance in his own fashion, but only the intentions of sensitive mime-actor Deburau (Jean-Louis Barrault ...
An exercise in style, La Ronde was one of the few films of the 1950s to contain overtly sexual themes. The story is a series of character vignettes, set in Vienna in the early 1900s and held together by a narrator (Anton Walbrook). As the title implies, both the story and the film's visual motifs are circular. Director Max Ophuls uses an old ...
This fascinating biography chronicles the years in which the master composer began to lose his hearing. The director's use of sound to represent Beethoven's affliction is notable. ~ Sandra Brennan, All Movie Guide
The bizarre hallucinations of a heroin addict in withdrawal provide the basis for this unstructured, autobiographical film by director Conrad Rooks. It begins as he arrives strung-out in Paris for a sleep-cure. As the strange visions begin, the story jumps haphazardly between reality and his dream-world memories of growing up in Chappaqua, New ...
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