The "Crime Club" detective-novel series spawned a film counterpart in 1935, which for the next four years bounced around such studios as Warner Bros., Universal, and Chesterfield. The last-named company's contribution was Murder at Glen Athol, based on a novel by Norman Lippincott. Usually cast as an oily villain, John Miljan heads the cast as ...
The Dark Hour was based on The Last Trap, a mystery novel by Sinclair Gluck. The setting is one of those Old Dark Houses which proliferated in 1930s "B"-pictures. Elsa Carson (Irene Ware), mistress of the house, fears that her weird uncles intend to do her harm and calls in detectives Landis (Ray Walker) and Bernard (Berton Churchill) for ...
Poverty Row studio Monogram took a stab at musical production with King Kelly of the U.S.A., a cinematic blunder starring opera baritone Guy Robertson, who plays James "King" Kelly, a theatrical entrepreneur sailing to Europe with his latest show, "Kelly's Affairs of 1934." En route, he falls in love with Catherine (Irene Ware), who, unbeknownst ...
Former Miss America Irene Ware stars in the standard Chestefield Pictures social drama False Pretenses. Ware is cast as lunch-counter waitress Mary Beekman, who intends to crash society and land a wealthy husband. She is helped along by affable millionaire Kenneth Alden (Sidney Blackmer), who loves Mary but won't admit it. Our heroine winds up ...
Although Monogram Pictures hadn't yet reorganized as a separate entity in 1936, a few of its releases still managed to make their way to the public through the auspices of Republic. One of these was The Cheers of the Crowd, in which character actor Russell Hopton heads the cast as public-relations expert Lee Adams. Our hero gets in on the ground ...
In this North western, a Mountie is assigned to patrol the Canadian and US border. He also stops the evil outlaws that have been terrorizing bordertowns by going undercover and infiltrating their gangs. ~ Sandra Brennan, All Movie Guide
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