Absent from films since 1938 (except as producer of a brace of RKO Radio features), silent-screen comedy favorite Harold Lloyd returned before the cameras in The Sin of Harold Diddlebock. The project began as a labor of love between Lloyd and the brilliant, innovative producer/writer/director Preston Sturges. Though these two comedy geniuses ...
One of the funniest, most sharply paced comedies of the 1930s, and perhaps the best of all of Harold Lloyd's talkies, The Milky Way was based on the Broadway play by Lynn Root and Harry Clork. Lloyd plays Burleigh Sullivan, a mild-mannered milkman who intercedes one night when his sister Mae (Helen Mack) is being accosted on the street by two ...
After Charlie Chaplin and Buster Keaton, the silent film era's "third genius" was Harold Lloyd, who stars in this Horatio Alger-style story of an average country boy trying to make good in the big city. The Boy (Lloyd) leaves his sweetheart, The Girl (Mildred Davis, later the real-life Mrs. Lloyd) in Great Bend while he pursues his fortune in a ...
Because it was sandwiched between the exceptional comedies Grandma's Boy and Safety Last, Doctor Jack is one of Harold Lloyd's lesser-known features. Nevertheless, it's quite charming and actually did even better at the box office than Grandma's Boy, which was Lloyd's first true feature. Doctor Jack (Lloyd) is a nice young country doctor who ...
Even taking into consideration such worthy candidates as Safety Last and The Freshman, many Harold Lloyd fans regard The Kid Brother as his finest film. A humorous variation on Tol'able David, the film stars Lloyd as Harold Hickory, the youngest member of the rural Hickory family. Though out-muscled by his sheriff father (Walter James) and brawny ...
This was comedian Harold Lloyd's last silent film, and one of his most charming. Lloyd's character here is called Harold "Speedy" Swift, an upbeat young man whose fatal attraction for baseball always causes him to lose his jobs. After his latest firing, he impulsively spends a day at Coney Island with his sweetheart, Jane Dillon (Ann Christy). Ann ...
Harold Lloyd's second talkie finds The Bespectacled One playing a shoe clerk in Honolulu. Harboring dreams of becoming an executive, Lloyd passes himself off as a millionaire to heiress Barbara Kent. As the plot merrily rolls along, Harold stows away on a ship bound for the mainland, and ends up at the top of a dizzying skyscraper. In a reversal ...
Harold Lloyd plays Ezekial Cobb, a missionary's son who has spent his entire life in China. Cobb is sent to his father's home church in California, where it is hoped he will find a wife. A true babe in the woods, Cobb is befriended by politician Jake Mayo (George Barbier). Mayo is a cog in a crooked political machine whose bosses plan to set up a ...
Although this comedy was hailed as Harold Lloyd's first feature, at four reels, it's really more of a glorified short. It was originally meant to be a two-reeler (the previous film, Never Weaken, was considered an anomaly at three reels), but Lloyd and his crew wound up with too many good gags and decided to leave them all in. Unlike Lloyd's ...
This rollicking comedy is Harold Lloyd's second feature film and like the first, A Sailor-Made Man was originally conceived of as a short film. During the shooting, Lloyd and long-time collaborator Hal Roach insisted on continually developing his character and moving beyond pure gags into a real story. $100,000 and five reels later the film was ...
Movie Crazy was Harold Lloyd's best-received sound film. It is the semi-autobiographical tale of an idealistic aspiring movie star who exchanges the quiet life in his sleepy Kansas hometown for the glamour and excitement of Tinseltown where he mistakenly believes he has been selected for a screentest. Unfortunately, the test is a series of ...
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