Having scored big-time box office with his first Biblical epic, The Ten Commandments (1923), Cecil B. DeMille hoped to top this success with his 1927 The King of Kings. Inasmuch as he was now dealing with the life of Christ, DeMille had to be careful to serve up equal amounts of showmanship and reverence. The first creative challenge: how to ...
The Wind, Victor Sjostrom's final American film, is a western only in its locale: its symbolism-laden story of physical and spiritual repression, culminating in a violent, hysterical outburst, has more in common with the European or Scandanavian cinema than with the usual MGM product. Lillian Gish plays a sheltered Virginia girl who heads to Texas ...
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