The Mummy represented Boris Karloff's second horror starring role after his "overnight" success in Frankenstein. Brought back to life after nearly 3,700 years, Egyptian high priest Imhotep wreaks havoc upon the members of the British field exposition that disturbed his tomb (shades of the King Tut curse). While disguised as a contemporary ...
Easily the best of Eddie Cantor's gargantuan musical comedies for producer Sam Goldwyn, Roman Scandals begins in the middle-America community of West Rome, where our hero Eddie (Cantor) is employed as a delivery boy. A self-styled authority of Ancient Roman history, Cantor bemoans the fact that the local shanty community is about to be wiped out ...
"I am....Drac-u-la. I bid you velcome." Thus does Bela Lugosi declare his presence in the 1931 screen version of Bram Stoker's Dracula. Director Tod Browning invests most of his mood and atmosphere in the first two reels, which were based on the original Stoker novel; the rest of the film is a more stagebound translation of the popular stage play ...
Charles Dickens' unfinished novel, The Mystery of Edwin Drood, has been a source of speculation and controversy ever since its posthumous publication. Even so, the ending concocted by scenarists John Balderston and Gladys Unger for the 1935 film version of Edwin Drood met with near-unanimous approval from Dickens buffs, who felt that Balderston ...
While Tonart Studios is filming a gangster movie, one of the actors is killed in a shooting accident. After several other incidents occur, police begin to think of sabotage. Their list of suspects includes the studio chief (Alexander Carr), his manager (Bela Lugosi), the director of the film (Edward Van Sloan) and an actress (Adrienne Ames). ~ ...
The first cinematic teaming of horror greats Boris Karloff and Bela Lugosi is a bizarre, haunting, and relentlessly eerie film that was surprisingly morbid and perverse for its time. Peter (David Manners) and Joan Allison (Julie Bishop) are honeymooning in Budapest when they meet mysterious scientist Dr. Vitus Verdegast (Lugosi) aboard a train. ...
Though only 19, Loretta Young was an established Hollywood star in 1932, appearing in six films in that year alone. In They Call It Sin, Young plays Marion, a church organist in a picturesque Kansas village. She falls in love with visiting city slicker Jimmy (David Manners) -- who, worse luck, is already married to Enid (Helen Vinson). Arriving in ...
First-time director Lew Ayres performs miracles on a tiny budget in the Civil War drama Hearts in Bondage. The story offers a romanticized version of the events leading up to the battle between the "ironclads" Monitor and Merrimac. Northern naval officer Kenneth (James Dunn), the nephew of Monitor designer John Ericsson (Fritz Leiber) is ...
Still hanging on in 1935 despite several financial setbacks, brave little Majestic Pictures continued turning out such worthwhile programmers as The Perfect Clue. Eloping with boyfriend Ronnie Van Zandt (Skeets Gallagher), madcap heiress Mona Stewart (Dorothy Libaire) changes her mind about marriage and runs away from her fiancé. Mona hires a car ...
Zoë Akins' archetypal "gold-digger" stage comedy The Greeks Had a Word for It was transferred to the screen in 1933, with the "It" changed to "Them" in the title, reportedly at the insistence of over-cautious producer Sam Goldwyn (this became a moot point in the 1940s, when the film was reissued as Three Broadway Girls). Ina Claire, Madge Evans, ...
Katharine Hepburn made her auspicious film debut in the otherwise undistinguished A Bill of Divorcement. Based on a play by Clemence Dane, the film is set on the day that Hepburn's mother, Billie Burke, is to divorce her insane and long-institutionalized husband John Barrymore. But Barrymore escapes from the asylum and returns home, only vaguely ...
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